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#N canvas 190 63 711 524 10;
#X msg 172 385 \; pd dsp 1;
#X msg 238 385 \; pd dsp 0;
#X floatatom 150 58 10 0 0;
#X floatatom 232 121 5 0 0;
#X floatatom 190 93 5 0 0;
#X floatatom 295 140 5 0 0;
#X text 149 42 Size of the synthetized sound;
#X text 189 78 Central frequency;
#X text 232 104 Filter width;
#X text 294 125 Skirt width ( "largeur de jupe" in french );
#X msg 114 136 bang;
#X text 99 13 Formant synthesis as described by JP Smets;
#X floatatom 340 159 5 0 0;
#X text 382 158 Time Stretch;
#X obj 333 390 dac~;
#X obj 303 244 delay 200;
#X floatatom 364 244 5 0 0;
#X obj 368 298 f;
#X floatatom 367 343 5 0 0;
#X obj 446 297 loadbang;
#X text 323 217 Theoretically \, a singing voice is a combination of
formants but you have to set right frequencies;
#X msg 406 298 2500;
#X obj 367 320 + 100;
#X obj 121 263 formant~ 10000 2600 50 25;
#X obj 303 263 formant~ 10000 1750 70 25;
#X obj 199 319 formant~ 20000 4500 60 25;
#X obj 466 263 formant~ 10000 1200 30 45;
#X connect 2 0 23 1;
#X connect 3 0 23 3;
#X connect 4 0 23 2;
#X connect 5 0 23 4;
#X connect 10 0 15 0;
#X connect 10 0 23 0;
#X connect 10 0 26 0;
#X connect 12 0 23 5;
#X connect 15 0 24 0;
#X connect 16 0 15 1;
#X connect 17 0 22 0;
#X connect 17 0 25 2;
#X connect 19 0 21 0;
#X connect 21 0 17 1;
#X connect 22 0 17 1;
#X connect 22 0 18 0;
#X connect 23 0 14 0;
#X connect 23 0 14 1;
#X connect 23 1 17 0;
#X connect 23 1 25 0;
#X connect 24 0 14 1;
#X connect 24 0 14 0;
#X connect 25 0 14 1;
#X connect 25 0 14 0;
#X connect 25 1 10 0;
#X connect 26 0 14 1;
#X connect 26 0 14 0;
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