diff options
author | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
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committer | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
commit | 8dbec761cf858ea65900c8a094599857208d8c3a (patch) | |
tree | 3228c023f87f23a354da3b57fdc2afe5b7052032 /desiredata/doc/3.audio.examples/D10.sampler.notes.pd | |
parent | 529e59635598e2d90a7a49f6b4c676f8366109ba (diff) |
svn path=/trunk/; revision=12907
Diffstat (limited to 'desiredata/doc/3.audio.examples/D10.sampler.notes.pd')
-rw-r--r-- | desiredata/doc/3.audio.examples/D10.sampler.notes.pd | 263 |
1 files changed, 0 insertions, 263 deletions
diff --git a/desiredata/doc/3.audio.examples/D10.sampler.notes.pd b/desiredata/doc/3.audio.examples/D10.sampler.notes.pd deleted file mode 100644 index 6bfd1402..00000000 --- a/desiredata/doc/3.audio.examples/D10.sampler.notes.pd +++ /dev/null @@ -1,263 +0,0 @@ -#N canvas 12 0 1074 786 12; -#X msg 257 7 bang; -#X obj 257 35 delay 5; -#X text 497 269 end of note; -#X obj 363 35 r note; -#N canvas 459 46 678 451 samples 0; -#N canvas 0 0 450 300 graph1 0; -#X array sample1 176403 float 0; -#X coords 0 1.02 176403 -1.02 200 130 1; -#X restore 262 41 graph; -#X text 264 376 ------ 4 seconds ------; -#N canvas 0 0 450 300 graph1 0; -#X array sample2 176403 float 0; -#X coords 0 1.02 176403 -1.02 200 130 1; -#X restore 262 226 graph; -#X restore 33 277 pd samples; -#N canvas 21 287 947 410 recorder 0; -#X obj 318 43 inlet; -#X obj 272 196 adc~ 1; -#X obj 272 224 hip~ 5; -#X obj 341 254 line~; -#X obj 272 253 *~; -#X msg 341 226 1; -#X obj 400 191 del 3990; -#X msg 377 226 0 10; -#X obj 272 304 tabwrite~ sample1; -#X obj 124 110 makefilename sample%1; -#X msg 124 139 set \$1 \, bang; -#X msg 446 162 stop; -#X msg 400 162 bang; -#X obj 557 182 loadbang; -#X obj 660 137 openpanel; -#X msg 660 109 bang; -#X text 702 108 <-- browse for samples; -#X text 628 233 v-- re-read original samples; -#X obj 318 72 route record stop reload browse; -#X obj 557 319 soundfiler; -#X msg 557 261 read ../sound/bell.aiff sample1 \, read ../sound/voice2.wav -sample2; -#X msg 660 164 read \$1 sample1; -#X obj 660 191 soundfiler; -#X connect 0 0 18 0; -#X connect 1 0 2 0; -#X connect 2 0 4 0; -#X connect 3 0 4 1; -#X connect 4 0 8 0; -#X connect 5 0 3 0; -#X connect 6 0 7 0; -#X connect 7 0 3 0; -#X connect 9 0 10 0; -#X connect 10 0 8 0; -#X connect 11 0 6 0; -#X connect 12 0 6 0; -#X connect 13 0 20 0; -#X connect 14 0 21 0; -#X connect 15 0 14 0; -#X connect 18 0 9 0; -#X connect 18 0 12 0; -#X connect 18 0 5 0; -#X connect 18 1 7 0; -#X connect 18 1 11 0; -#X connect 18 2 20 0; -#X connect 18 3 15 0; -#X connect 20 0 19 0; -#X connect 21 0 22 0; -#X restore 33 443 pd recorder; -#X msg 33 305 record 1; -#X msg 33 360 stop; -#N canvas 359 226 666 626 playback 0; -#X obj 20 45 line~; -#X obj 39 237 line~; -#X obj 20 268 *~; -#X obj 39 208 r cutoff; -#X obj 20 16 r phase; -#X obj 20 592 outlet~; -#X obj 20 564 hip~ 5; -#X obj 32 79 r sample-number; -#X obj 32 108 makefilename sample%d; -#X msg 32 136 set \$1; -#X obj 20 177 tabread4~ sample1; -#X obj 38 304 r envelope; -#X obj 38 362 dbtorms; -#X obj 38 333 unpack; -#X obj 38 391 sqrt; -#X obj 38 420 sqrt; -#X obj 38 448 line~; -#X obj 20 535 *~; -#X obj 38 477 *~; -#X obj 38 506 *~; -#X text 90 17 messages to the phase generating line~; -#X text 171 80 setting the sample number.; -#X text 221 109 compute the name; -#X text 93 137 and send a "set" message to the tabread4~.; -#X text 99 236 line~ for de-clicking; -#X text 139 307 The envelope generator. Rather than sending our message -straight to the line~ we unpack it in order to fool with the amplitude -field.; -#X text 109 363 convert amplitude to linear units.; -#X text 104 392 take the fourth root. This because we want to raies -the line~'s output to the 4th power afterward. This is an inexpensive -way to give the rise and decay a more natural sounding evolution than -just a straight line.; -#X text 77 480 square the output twice to get the fourth power.; -#X connect 0 0 10 0; -#X connect 1 0 2 1; -#X connect 2 0 17 0; -#X connect 3 0 1 0; -#X connect 4 0 0 0; -#X connect 6 0 5 0; -#X connect 7 0 8 0; -#X connect 8 0 9 0; -#X connect 9 0 10 0; -#X connect 10 0 2 0; -#X connect 11 0 13 0; -#X connect 12 0 14 0; -#X connect 13 0 12 0; -#X connect 13 1 16 1; -#X connect 14 0 15 0; -#X connect 15 0 16 0; -#X connect 16 0 18 0; -#X connect 16 0 18 1; -#X connect 17 0 6 0; -#X connect 18 0 19 0; -#X connect 18 0 19 1; -#X connect 19 0 17 1; -#X restore 33 480 pd playback; -#X msg 33 332 record 2; -#X text 645 25 ARGUMENTS FOR NOTES:; -#X text 666 53 pitch in halftones; -#X text 666 77 amplitude (dB); -#X text 666 125 sample number; -#X text 666 101 duration (msec); -#X text 666 149 start location (msec); -#X text 666 173 rise time (msec); -#X text 666 197 decay time (msec); -#X obj 363 62 unpack 0 0 0 0 0 0 0; -#X text 50 6 CHOCOLATE SAMPLER; -#X obj 521 168 f; -#X obj 456 142 f; -#X obj 387 142 f; -#X obj 350 142 f; -#X obj 318 142 f; -#X obj 224 142 f; -#X obj 224 169 mtof; -#X obj 224 197 / 261.62; -#X obj 224 224 * 4.41e+08; -#X obj 224 252 +; -#X obj 489 142 delay; -#X obj 318 312 pack 0 0 0 0 0; -#X obj 257 62 t b b b; -#X text 498 346 This starts the note \, sending to "receives" in the -playback subptach. The new receive "envelope" is an amplitude control -in parallel with the cutoff control. The "sample-number" switches the -tabread4~ between tables.; -#X msg 156 44 \; pd dsp 1 \; cutoff 0 5; -#X obj 387 197 + 1; -#X msg 556 467 60 100 10000 1 0 0 0; -#X obj 556 737 s note; -#X msg 521 196 \; envelope 0 \$1; -#X msg 675 691 62; -#X msg 710 691 64; -#X msg 641 691 60; -#X msg 612 691 55; -#X msg 743 691 72; -#X msg 580 691 48; -#X msg 642 734 60.5; -#X msg 556 494 60 90 10000 1 0 0 0; -#X msg 556 522 60 100 10000 2 0 0 0; -#X msg 556 550 60 100 10000 1 3000 0 0; -#X obj 387 169 * 44.1; -#X msg 556 605 60 100 100 1 0 0 0; -#X msg 556 632 60 100 100 1 0 0 1000; -#X msg 556 577 60 100 10000 1 0 1000 0; -#X msg 318 340 \; envelope 0 \, \$1 \$2 \; phase \$3 \, \$4 1e+07 \; -sample-number \$5 \; cutoff 1 5 \;; -#X text 117 305 <-- record; -#X msg 33 388 reload; -#X msg 33 415 browse; -#X text 7 109 transposition works; -#X text 7 133 by altering the phase; -#X text 7 181 The mtof and / 261; -#X text 7 205 calculate speed change; -#X text 7 229 considering 60 as unity.; -#X text 24 43 as before we; -#X text 15 64 mute and wait; -#X text 7 157 target ($4 below right.); -#X text 450 303 combine amplitude \, rise time \, start phase \, end -phase \, and sample number in one message; -#X text 764 467 straight playback; -#X text 764 493 change amplitude; -#X text 767 521 change sample number; -#X text 769 550 change start location; -#X text 768 576 change rise time; -#X text 768 609 change duration; -#X text 769 633 ... and decay time; -#X text 692 736 microtones OK too.; -#X text 580 667 If you omit values they stay unchanged; -#X text 552 426 Here are buttons to demonstrate the effect of varying -the parameters one by one.; -#X obj 34 511 output~; -#X text 13 596 This patch take the same principle as the earlier "one-shot -sampler" \, but allows you to parametrize sample playback. Since we -must wait 5 msec before starting the playback \, we store all the parameters -in "f" objects \, and recall them to construct the new note. Transposition -is done by altering the amount to play back in the (artificial) ten -thousand seconds (1e+07). The playback segment can be altered to start -in the middle of the sample instead of the beginning \, and you can -change the duration and rise and decay times.; -#X text 823 763 updated for Pd version 0.37; -#X connect 0 0 1 0; -#X connect 0 0 34 0; -#X connect 1 0 32 0; -#X connect 3 0 18 0; -#X connect 6 0 5 0; -#X connect 7 0 5 0; -#X connect 8 0 76 0; -#X connect 8 0 76 1; -#X connect 9 0 5 0; -#X connect 18 0 25 1; -#X connect 18 0 0 0; -#X connect 18 1 24 1; -#X connect 18 2 30 1; -#X connect 18 3 23 1; -#X connect 18 4 22 1; -#X connect 18 5 21 1; -#X connect 18 6 20 1; -#X connect 20 0 38 0; -#X connect 21 0 31 1; -#X connect 22 0 49 0; -#X connect 23 0 31 4; -#X connect 24 0 31 0; -#X connect 25 0 26 0; -#X connect 26 0 27 0; -#X connect 27 0 28 0; -#X connect 28 0 29 0; -#X connect 29 0 31 3; -#X connect 30 0 20 0; -#X connect 31 0 53 0; -#X connect 32 0 24 0; -#X connect 32 1 25 0; -#X connect 32 2 21 0; -#X connect 32 2 22 0; -#X connect 32 2 23 0; -#X connect 32 2 30 0; -#X connect 35 0 31 2; -#X connect 35 0 29 1; -#X connect 36 0 37 0; -#X connect 39 0 37 0; -#X connect 40 0 37 0; -#X connect 41 0 37 0; -#X connect 42 0 37 0; -#X connect 43 0 37 0; -#X connect 44 0 37 0; -#X connect 45 0 37 0; -#X connect 46 0 37 0; -#X connect 47 0 37 0; -#X connect 48 0 37 0; -#X connect 49 0 35 0; -#X connect 50 0 37 0; -#X connect 51 0 37 0; -#X connect 52 0 37 0; -#X connect 55 0 5 0; -#X connect 56 0 5 0; |