diff options
author | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
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committer | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
commit | 8dbec761cf858ea65900c8a094599857208d8c3a (patch) | |
tree | 3228c023f87f23a354da3b57fdc2afe5b7052032 /desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd | |
parent | 529e59635598e2d90a7a49f6b4c676f8366109ba (diff) |
svn path=/trunk/; revision=12907
Diffstat (limited to 'desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd')
-rw-r--r-- | desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd | 167 |
1 files changed, 0 insertions, 167 deletions
diff --git a/desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd b/desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd deleted file mode 100644 index f112d2b6..00000000 --- a/desiredata/doc/3.audio.examples/H16.adsr.filter.qlist.pd +++ /dev/null @@ -1,167 +0,0 @@ -#N canvas 131 52 921 585 12; -#X obj 12 219 r trigger; -#X obj 12 437 *~; -#X obj 12 330 *~ 0.01; -#X obj 12 365 *~; -#X obj 12 395 *~; -#X obj 59 359 r pitch; -#X obj 59 409 mtof; -#X floatatom 59 384 4 0 0 0 - - -; -#X floatatom 36 271 4 0 0 0 - - -; -#X obj 36 246 r level; -#X floatatom 110 271 4 0 0 0 - - -; -#X obj 110 246 r attack; -#X floatatom 195 271 4 0 0 0 - - -; -#X obj 195 246 r decay; -#X floatatom 270 271 4 0 0 0 - - -; -#X floatatom 364 271 4 0 0 0 - - -; -#X obj 270 246 r sustain; -#X obj 364 246 r release; -#X obj 499 158 r note; -#X msg 500 236 \; trigger 1; -#X obj 602 225 del; -#X msg 602 247 \; trigger 0; -#X obj 14 166 qlist; -#X obj 14 7 r qlist; -#X msg 35 34 bang; -#X msg 35 59 rewind; -#X obj 42 88 r tempo; -#X floatatom 42 113 4 0 0 0 - - -; -#X msg 42 138 tempo \$1; -#X obj 499 201 t b f; -#X obj 550 198 s pitch; -#X obj 624 176 r duration; -#X floatatom 624 201 4 0 0 0 - - -; -#X floatatom 499 181 4 0 0 0 - - -; -#X obj 268 319 r trigger; -#X floatatom 294 375 4 0 0 0 - - -; -#X floatatom 366 405 4 0 0 0 - - -; -#X floatatom 456 405 4 0 0 0 - - -; -#X floatatom 542 405 4 0 0 0 - - -; -#X floatatom 638 405 4 0 0 0 - - -; -#X obj 294 350 r level2; -#X obj 366 380 r attack2; -#X obj 456 380 r decay2; -#X obj 542 380 r sustain2; -#X obj 638 380 r release2; -#X obj 59 434 tabosc4~ array1; -#X floatatom 218 365 4 0 0 0 - - -; -#X obj 12 481 vcf~; -#X floatatom 119 487 4 0 0 0 - - -; -#X obj 119 462 r q; -#X obj 12 305 adsr 0 0 0 0 0; -#X obj 268 443 adsr 0 0 0 0 0; -#X obj 294 400 / 69.23; -#X obj 218 390 mtof; -#X obj 218 415 sqrt; -#X obj 218 440 sqrt; -#X obj 176 335 r filter; -#X obj 219 493 *~; -#X obj 219 518 *~; -#X obj 268 468 +~ 1; -#X obj 218 465 *~; -#X text 118 214 ADSR for amplitude:; -#N canvas 0 258 703 380 otherstuff 0; -#X obj 289 86 loadbang; -#X obj 418 85 loadbang; -#N canvas 0 0 450 300 graph2 0; -#X array array1 67 float 1; -#A 0 0 0 0 0 0.714286 0.742857 0.757143 0.771429 0.778571 0.785714 -0.785714 0.785714 0.785714 0.790476 0.795238 0.614286 0.585714 0.442857 -0.271429 -0.128571 -0.142857 -0.157143 -0.171429 -0.642857 -0.528571 --0.614286 -0.685714 -0.828571 -0.828571 0 0 0 0 0 0 0 0 0 0 0 0 0 0 -0.557143 0.571429 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0; -#X coords 0 1 66 -1 200 140 1; -#X restore 62 81 graph; -#X msg 418 115 \; qlist read qlist2.txt; -#X msg 289 111 \; level 100 \; attack 20 \; decay 300 \; sustain 70 -\; release 300 \; duration 300 \; pitch 72 \; filter 38 \; level2 49 -\; attack2 19 \; decay2 300 \; sustain2 17 \; release2 700 \; q 3 \; -tempo 4; -#X connect 0 0 4 0; -#X connect 1 0 3 0; -#X restore 134 560 pd otherstuff; -#X text 87 33 <--start loop; -#X text 104 61 <--stop loop; -#X text 90 113 <--set tempo; -#X text 257 562 <--loadbangs and table; -#X msg 447 517 \; qlist read qlist2.txt; -#X text 441 493 click to reload qlist2.txt; -#X obj 12 509 output~; -#X text 229 19 This is an analog-synth sound made using a wavetable -oscillator and a "vcf~' object. Unkike the "floyd" example earlier -\, we use a qlist object to do the sequencing. This can also be adapted -to make a keyboard synth.; -#X text 227 85 The qlist reads the file \, "qlist2.txt" \, which contains -four "note" messages and a message at the end that restarts the qlist -at the beginning. The "note" messages are translated into a pitch change -and triggers for the ADSRs.; -#X text 667 551 updated for Pd version 0.39; -#X text 379 305 ADSR for filter. Here \, it works better to make the -envelope modify a constant "filter pitch"--so the "filter" receive -gets the "mtof" treatment and the ADSR is an offset in halftones.; -#X text 231 1 ANALOG_STYLE SYNTH USING QLIST; -#X connect 0 0 50 0; -#X connect 1 0 47 0; -#X connect 2 0 3 0; -#X connect 2 0 3 1; -#X connect 3 0 4 0; -#X connect 3 0 4 1; -#X connect 4 0 1 0; -#X connect 5 0 7 0; -#X connect 6 0 45 0; -#X connect 7 0 6 0; -#X connect 8 0 50 1; -#X connect 9 0 8 0; -#X connect 10 0 50 2; -#X connect 11 0 10 0; -#X connect 12 0 50 3; -#X connect 13 0 12 0; -#X connect 14 0 50 4; -#X connect 15 0 50 5; -#X connect 16 0 14 0; -#X connect 17 0 15 0; -#X connect 18 0 33 0; -#X connect 20 0 21 0; -#X connect 23 0 22 0; -#X connect 24 0 22 0; -#X connect 25 0 22 0; -#X connect 26 0 27 0; -#X connect 27 0 28 0; -#X connect 28 0 22 0; -#X connect 29 0 20 0; -#X connect 29 0 19 0; -#X connect 29 1 30 0; -#X connect 31 0 32 0; -#X connect 32 0 20 1; -#X connect 33 0 29 0; -#X connect 34 0 51 0; -#X connect 35 0 52 0; -#X connect 36 0 51 2; -#X connect 37 0 51 3; -#X connect 38 0 51 4; -#X connect 39 0 51 5; -#X connect 40 0 35 0; -#X connect 41 0 36 0; -#X connect 42 0 37 0; -#X connect 43 0 38 0; -#X connect 44 0 39 0; -#X connect 45 0 1 1; -#X connect 46 0 53 0; -#X connect 47 0 69 0; -#X connect 47 0 69 1; -#X connect 48 0 47 2; -#X connect 49 0 48 0; -#X connect 50 0 2 0; -#X connect 51 0 59 0; -#X connect 52 0 51 1; -#X connect 53 0 54 0; -#X connect 54 0 55 0; -#X connect 55 0 60 0; -#X connect 56 0 46 0; -#X connect 57 0 58 0; -#X connect 57 0 58 1; -#X connect 58 0 47 1; -#X connect 59 0 60 1; -#X connect 60 0 57 0; -#X connect 60 0 57 1; |