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author | Jonathan Wilkes <jancsika1@users.sourceforge.net> | 2010-08-25 00:31:27 +0000 |
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committer | Jonathan Wilkes <jancsika1@users.sourceforge.net> | 2010-08-25 00:31:27 +0000 |
commit | 7d6affca746f49f5ffb2818b8a9ccf9d91388e8f (patch) | |
tree | c906633b5bb39eb9b566f5209b2b1eae28703878 /doc/pddp/nqpoly4-help.pd | |
parent | 2f615ffbf13571a928856b8207d1ea215e857e3f (diff) |
revised help docs that conform to the PDDP template
svn path=/trunk/; revision=13942
Diffstat (limited to 'doc/pddp/nqpoly4-help.pd')
-rw-r--r-- | doc/pddp/nqpoly4-help.pd | 26 |
1 files changed, 26 insertions, 0 deletions
diff --git a/doc/pddp/nqpoly4-help.pd b/doc/pddp/nqpoly4-help.pd new file mode 100644 index 00000000..4d83131b --- /dev/null +++ b/doc/pddp/nqpoly4-help.pd @@ -0,0 +1,26 @@ +#N canvas 101 68 444 569 10; +#X text 7 26 (not quite poly) is an abstraction that uses various voodoo +to fake the functionality of the [poly~] object in max.; +#X obj 10 6 nqpoly4; +#X text 8 63 in short \, [nqpoly4] can take abstractions that obey +certain requirements and can link them together to make a polyphonic +instrument.; +#X text 9 111 since it automates the normally painful task of making +a patch polyphonic \, it is very easy to do things like 60-nite polyphonism +\, which really starts becoming granular synthesis.; +#X obj 18 459 nqpoly~; +#X text 20 478 is the old version that was tied to audio. Right-click +and select "Help" for more info.; +#X obj 38 369 minimal-test; +#X obj 38 389 petal-test; +#X obj 38 409 tabgrain-test; +#X text 22 346 Here are a few demos:; +#X text 156 388 a simple GEM example; +#X text 157 368 very simple demo; +#X text 157 410 a granular synthesis patch; +#X text 8 191 usage: nqpoly <number of objects> <abstraction name> +<up to 4 creation args>; +#X text 13 241 your abstraction is ultimately called with the parameters: +<index> <number of objects> <arg1> <arg2> <arg3> <arg4>; +#X text 13 280 For [loadbang] \, you need to use the bang from the +right inlet on your objects that are written for [nqpoly4].; |