aboutsummaryrefslogtreecommitdiff
path: root/pd/doc/3.audio.examples/A00.intro.pd
diff options
context:
space:
mode:
authorThomas Grill <xovo@users.sourceforge.net>2003-09-23 00:21:28 +0000
committerThomas Grill <xovo@users.sourceforge.net>2003-09-23 00:21:28 +0000
commit64fdb009695828b788fce074135b20a5e52c5fc4 (patch)
treea05144197dd339721b6d4a3a0927f7596e8872b6 /pd/doc/3.audio.examples/A00.intro.pd
parenta30193fcd726552364de74984b200be2c30723e7 (diff)
imported version 0.37-0
svn path=/trunk/; revision=1016
Diffstat (limited to 'pd/doc/3.audio.examples/A00.intro.pd')
-rw-r--r--pd/doc/3.audio.examples/A00.intro.pd10
1 files changed, 10 insertions, 0 deletions
diff --git a/pd/doc/3.audio.examples/A00.intro.pd b/pd/doc/3.audio.examples/A00.intro.pd
new file mode 100644
index 00000000..69087781
--- /dev/null
+++ b/pd/doc/3.audio.examples/A00.intro.pd
@@ -0,0 +1,10 @@
+#N canvas 440 252 579 286 12;
+#X text 87 6 INTRODUCTION TO THE PD AUDIO EXAMPLE PATCHES;
+#X text 328 257 updated for Pd version 0.37;
+#X text 34 45 This is the second of three tutorial series on Pd. This
+one shows the time-domain audio processing features. (The first one
+showed how to use Pd to do "control" computations \, and the third
+is about frequency-domain techniques.);
+#X text 33 125 These patches are accompanied by an ONLINE BOOK:;
+#X text 100 158 http://www.crca.ucsd.edu/~msp/techniques.htm;
+#X text 37 189 which develops the underlying theory.;