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| -rw-r--r-- | doc/pddp/nqpoly4-help.pd | 26 | ||||
| -rw-r--r-- | doc/pddp/nqpoly~-help.pd | 21 |
2 files changed, 0 insertions, 47 deletions
diff --git a/doc/pddp/nqpoly4-help.pd b/doc/pddp/nqpoly4-help.pd deleted file mode 100644 index 4d83131b..00000000 --- a/doc/pddp/nqpoly4-help.pd +++ /dev/null @@ -1,26 +0,0 @@ -#N canvas 101 68 444 569 10; -#X text 7 26 (not quite poly) is an abstraction that uses various voodoo -to fake the functionality of the [poly~] object in max.; -#X obj 10 6 nqpoly4; -#X text 8 63 in short \, [nqpoly4] can take abstractions that obey -certain requirements and can link them together to make a polyphonic -instrument.; -#X text 9 111 since it automates the normally painful task of making -a patch polyphonic \, it is very easy to do things like 60-nite polyphonism -\, which really starts becoming granular synthesis.; -#X obj 18 459 nqpoly~; -#X text 20 478 is the old version that was tied to audio. Right-click -and select "Help" for more info.; -#X obj 38 369 minimal-test; -#X obj 38 389 petal-test; -#X obj 38 409 tabgrain-test; -#X text 22 346 Here are a few demos:; -#X text 156 388 a simple GEM example; -#X text 157 368 very simple demo; -#X text 157 410 a granular synthesis patch; -#X text 8 191 usage: nqpoly <number of objects> <abstraction name> -<up to 4 creation args>; -#X text 13 241 your abstraction is ultimately called with the parameters: -<index> <number of objects> <arg1> <arg2> <arg3> <arg4>; -#X text 13 280 For [loadbang] \, you need to use the bang from the -right inlet on your objects that are written for [nqpoly4].; diff --git a/doc/pddp/nqpoly~-help.pd b/doc/pddp/nqpoly~-help.pd deleted file mode 100644 index ffa1a2a5..00000000 --- a/doc/pddp/nqpoly~-help.pd +++ /dev/null @@ -1,21 +0,0 @@ -#N canvas 0 22 465 428 10; -#X obj 206 18 nqpoly~; -#X text 102 18 not-quite-poly; -#X obj 205 398 nqpoly4; -#X text 139 398 see also:; -#X obj 177 247 nqpoly~-test; -#X obj 177 267 tgrain~-test; -#X text 101 230 examples:; -#X text 35 304 The voice allocation is handled automatically \, provided -that the patches for each voice is written properly. This patch should -accept the control messages on its left inlet \, and when it completes -its task and is available for reallocation \, it should send a bang -out of its outlet.; -#X text 29 72 (not quite poly) is an abstraction that uses various -voodoo to fake the functionality of the [poly~] object in max.; -#X text 30 109 in short \, [nqpoly4] can take abstractions that obey -certain requirements and can link them together to make a polyphonic -instrument.; -#X text 31 157 since it automates the normally painful task of making -a patch polyphonic \, it is very easy to do things like 60-nite polyphonism -\, which really starts becoming granular synthesis.; |