1 files changed, 0 insertions, 39 deletions
diff --git a/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd b/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd
deleted file mode 100644
index f52fc548..00000000
--- a/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd
+++ /dev/null
@@ -1,39 +0,0 @@
-#N canvas 180 71 562 473 12;
-#X obj 155 348 output~;
-#X text 310 443 updated for Pd version 0.37;
-#X text 56 2 FOLDOVER IN SAWTOOTH WAVES;
-#X obj 154 320 clip~ 0 1;
-#X obj 155 153 mtof;
-#X floatatom 155 131 3 0 0 0 - - -;
-#X obj 155 269 *~ 20;
-#X obj 155 295 -~ 19;
-#X obj 155 177 phasor~;
-#N canvas 0 0 560 183 /SUBPATCH/ 0;
-#X obj 25 74 loadbang;
-#X msg 25 99 61;
-#X obj 25 124 outlet;
-#X text 7 6 This sets the pitch initially to 61 when the patch is first
-opened.;
-#X connect 0 0 1 0;
-#X connect 1 0 2 0;
-#X restore 155 105 pd;
-#X text 190 130 <--pitch;
-#X obj 164 206 output~;
-#X text 237 205 <--sawtooth amplitude;
-#X text 233 373 <--pulse train amplitude;
-#X text 28 406 We'll explain more about making pulses later on... this
-example is mostly intended as ear training.;
-#X text 19 23 In more ordinary kinds of waveforms \, foldover comes
-across as a "cheap synth" sound. You can hear the foldover clearly
-in the pulse train here \, and less clearly (but still audibly) in
-the straight sawtooth \, especially at high pitches.;
-#X connect 3 0 0 0;
-#X connect 3 0 0 1;
-#X connect 4 0 8 0;
-#X connect 5 0 4 0;
-#X connect 6 0 7 0;
-#X connect 7 0 3 0;
-#X connect 8 0 6 0;
-#X connect 8 0 11 0;
-#X connect 8 0 11 1;
-#X connect 9 0 5 0;