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diff --git a/desiredata/doc/3.audio.examples/E03.octave.divider.pd b/desiredata/doc/3.audio.examples/E03.octave.divider.pd
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--- a/desiredata/doc/3.audio.examples/E03.octave.divider.pd
+++ /dev/null
@@ -1,141 +0,0 @@
-#N canvas 159 17 793 665 12;
-#X obj 477 135 loadbang;
-#X obj 31 289 hip~ 5;
-#X obj 477 53 adc~ 1;
-#X obj 477 190 soundfiler;
-#X obj 32 322 output~;
-#X text 544 646 updated for Pd version 0.37;
-#X obj 478 100 tabwrite~ E03-table;
-#X msg 477 162 read ../sound/voice.wav E03-table;
-#X obj 117 64 fiddle~ 2048;
-#X obj 118 95 unpack;
-#X obj 111 199 osc~;
-#X obj 118 119 moses 1;
-#X obj 77 199 *~;
-#X obj 145 147 mtof;
-#X obj 145 170 *;
-#X msg 194 125 0.5;
-#X floatatom 194 154 3 0 0 0 - - -;
-#X msg 232 125 15;
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-;
-#X obj 100 20 inlet~;
-#X obj 99 87 *~;
-#X obj 98 159 outlet~;
-#X text 381 181 corner;
-#X connect 0 0 2 1;
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-#X obj 99 87 *~;
-#X obj 98 159 outlet~;
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-#X restore 32 248 pd;
-#X obj 78 222 *~ 2;
-#X obj 194 100 loadbang;
-#N canvas 414 195 613 302 looper 0;
-#N canvas 0 0 450 300 graph1 0;
-#X array E03-table 44103 float 0;
-#X coords 0 1.02 44103 -1.02 200 130 1;
-#X restore 349 22 graph;
-#X text 347 161 ---- 44103 samples ----;
-#X obj 35 77 +~ 1;
-#X obj 35 25 phasor~ 1;
-#X obj 35 50 *~ 44100;
-#X obj 35 106 tabread4~ E03-table;
-#X obj 35 132 outlet~;
-#X text 46 238 one-second sample reader loop. You can replace this
-with an adc~ if you want to go live.;
-#X connect 2 0 5 0;
-#X connect 3 0 4 0;
-#X connect 4 0 2 0;
-#X connect 5 0 6 0;
-#X restore 118 18 pd looper;
-#X text 561 141 re-read original sample;
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--1;
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-#X obj 15 222 outlet~;
-#X obj 14 21 inlet~;
-#X obj 15 102 loadbang;
-#X obj 14 49 delwrite~ E03-del 40;
-#X obj 15 195 delread~ E03-del;
-#X obj 15 152 expr 1000*1024/$f1;
-#X obj 15 128 samplerate~;
-#X text 208 47 write to delay line which has enough memory to hold
-40 msec;
-#X text 125 128 get sample rate at load time;
-#X text 185 152 divide 1024 by sample rate to give time in seconds
-\; multiply by 1000 to convert to milliseconds.;
-#X text 168 197 read from the delay line at the calculater delay;
-#X text 317 268 1024-sample delay;
-#X connect 1 0 3 0;
-#X connect 2 0 6 0;
-#X connect 4 0 0 0;
-#X connect 5 0 4 0;
-#X connect 6 0 5 0;
-#X restore 31 71 pd delay;
-#X text 242 4 OCTAVE DIVIDING VIA RING MODULATION;
-#X text 508 75 <-- record a sample;
-#X text 265 125 <-- choose an effect;
-#X text 157 231 on/off for original;
-#X text 128 247 <--and processed sounds;
-#X text 196 274 This patch demonstrates using ring modulation to alias
-a sound down one octave. The ring modulation itself ("osc~" and multiplier)
-is easy. (We step it up by a factor of 2 to balance the original better.)
-;
-#X text 198 340 Harder is getting the fundamental frequency of the
-original sound. We do this with the complicated "fiddle~" object \,
-which puts out a stream of analysis data for an incoming signal. The
-"2048" argument specifies the analysis window size. The analysis is
-most closely aligned with what the sound was doing at the middle of
-the window \, i.e. \, 1024 samples ago. The "pd delay" window delays
-the signal itself 1024 samples so it will be as tightly synchronized
-with the analysis data as possible. (If you're doing this on a real-time
-input \, you might drop the delay and settle for less perfect synchronization.)
-;
-#X text 198 512 About fiddle~ \, suffice it to say that the third outlet
-contains (pitch \, amplitude) pairs. We unpack the pitch and strip
-out any zeros (when fiddle~ fails to find a pitch it outputs zero but
-we'd rather stick with the most recent good one). This is converted
-from MIDI to Hertz \, and multiplied by 1/2 to control the modulation
-oscillator. (You can also try large-ish integers which leave the pitch
-intact but introduce funny formants.);
-#X msg 406 237 read ../../saucisse.wav E03-table;
-#X obj 25 16 adc~ 1;
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