1 files changed, 0 insertions, 109 deletions
diff --git a/desiredata/doc/3.audio.examples/E07.evenodd.pd b/desiredata/doc/3.audio.examples/E07.evenodd.pd
deleted file mode 100644
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--- a/desiredata/doc/3.audio.examples/E07.evenodd.pd
+++ /dev/null
@@ -1,109 +0,0 @@
-#N canvas 187 149 784 591 12;
-#X obj 230 101 f;
-#X obj 264 77 + 1;
-#X obj 264 101 mod 11;
-#N canvas 0 0 450 300 graph1 0;
-#X array E07 11 float 0;
-#X coords 0 96 11 36 100 160 1;
-#X restore 528 15 graph;
-#X floatatom 320 53 0 10 999 0 - - -;
-#X obj 230 173 mtof;
-#X msg 26 92 1;
-#X obj 27 217 *~;
-#X obj 27 267 cos~;
-#X obj 27 292 hip~ 5;
-#X obj 27 244 +~ 0.1;
-#X floatatom 61 144 0 0 0 0 - - -;
-#X floatatom 166 145 0 0 200 0 - - -;
-#X floatatom 96 144 0 0 999 0 - - -;
-#X floatatom 131 144 0 0 999 0 - - -;
-#X msg 112 267 0;
-#X msg 112 245 0.1;
-#X msg 112 289 0.25;
-#X text 68 108 ADSR controls;
-#X text 106 125 A;
-#X text 141 125 D;
-#X text 176 125 S;
-#X floatatom 320 77 0 1 11 0 - - -;
-#X text 354 79 <--increment;
-#X text 355 56 <--msec;
-#X obj 26 193 *~ 0.01;
-#X obj 230 29 tgl 15 0 empty empty empty 0 -6 0 8 -262144 -1 -1 0 1
-;
-#X obj 27 321 output~;
-#X text 527 562 updated for Pd version 0.37;
-#X obj 26 170 adsr 70 10 90 50 500;
-#X obj 230 150 +;
-#X floatatom 265 150 0 -48 120 0 - - -;
-#X text 299 152 <--transpose;
-#N canvas 0 0 538 208 make-table 0;
-#X obj 38 71 loadbang;
-#X text 16 11 This patch loads a sequence of pitches into array1. The
-values are floating-point \, so we could use microtones (60.5 \, for
-example) if we wish.;
-#X msg 38 99 \; array1 0 55 56 57 55 57 61 55 61 63 57 63 \; array1
-yticks 36 12 1 \; array1 ylabel 12 36 48 60 72 84 96;
-#X connect 0 0 2 0;
-#X restore 527 195 pd make-table;
-#X obj 176 50 sel 0;
-#X msg 26 69 0;
-#X text 48 125 level;
-#X obj 230 53 metro 130;
-#X obj 60 217 osc~;
-#X text 111 225 symmetry;
-#X text 157 265 even;
-#X text 165 288 odd;
-#X text 147 244 mixed;
-#X obj 230 126 tabread E07;
-#X text 253 26 <--ON/OFF;
-#X text 238 232 This patch uses a stepping sequencer to control a waveshaping
-instrument. A metronome (metro 130) drives a counter (f \, +1 \, and
-mod 11) which counts repeatedly through 11 values which are read from
-the stored table (tabread E07). The values may be read in sequence
-\, by twos or threes \, etc. \, according to the "increment" parameter.
-;
-#X text 239 328 The metronome also triggers an ADSR envelope \, whose
-parameters may also be changed using the "level" \, "A" \, "D" \, and
-"S" controls.;
-#X text 142 5 SEQUENCED WAVESHAPING SYNTHESIZER;
-#X text 240 380 The synthesis (osc~ \, *~ \, +~ 0.1 \, cos~) is a very
-simple application of the waveshaping technique. The oscillator (whose
-amplitude depends on the ADSR generator) is used as an index into the
-"cos~" wavetable. An additional offset ("symmetry") controls how the
-oscillator's waveform is centered on the wavetable. If the offset is
-zero \, the oscillator reads into the (even) cosine function (producing
-only even harmonics). If the offset is 0.25 \, we read 1/4 wave into
-the cosine function: the result is an odd function and we get odd harmonics.
-Between the two we get mixtures of even and odd.;
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