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-#N canvas 0 22 465 428 10;
-#X obj 206 18 nqpoly~;
-#X text 102 18 not-quite-poly;
-#X obj 205 398 nqpoly4;
-#X text 139 398 see also:;
-#X obj 177 247 nqpoly~-test;
-#X obj 177 267 tgrain~-test;
-#X text 101 230 examples:;
-#X text 35 304 The voice allocation is handled automatically \, provided
-that the patches for each voice is written properly. This patch should
-accept the control messages on its left inlet \, and when it completes
-its task and is available for reallocation \, it should send a bang
-out of its outlet.;
-#X text 29 72 (not quite poly) is an abstraction that uses various
-voodoo to fake the functionality of the [poly~] object in max.;
-#X text 30 109 in short \, [nqpoly4] can take abstractions that obey
-certain requirements and can link them together to make a polyphonic
-instrument.;
-#X text 31 157 since it automates the normally painful task of making
-a patch polyphonic \, it is very easy to do things like 60-nite polyphonism
-\, which really starts becoming granular synthesis.;