aboutsummaryrefslogtreecommitdiff
path: root/doc/tutorials/cognition/cognition_patch_ideas.txt
diff options
context:
space:
mode:
Diffstat (limited to 'doc/tutorials/cognition/cognition_patch_ideas.txt')
-rw-r--r--doc/tutorials/cognition/cognition_patch_ideas.txt42
1 files changed, 42 insertions, 0 deletions
diff --git a/doc/tutorials/cognition/cognition_patch_ideas.txt b/doc/tutorials/cognition/cognition_patch_ideas.txt
new file mode 100644
index 00000000..e947ea23
--- /dev/null
+++ b/doc/tutorials/cognition/cognition_patch_ideas.txt
@@ -0,0 +1,42 @@
+
+Pd patches for demonstrating ideas of the cognitive psychology of music
+
+
+From "Music, Cognition, and Computerized Sound", Perry Cook:
+p31: sine sweeps with bursts of masking white noise
+ music with bursts of masking white noise
+
+p33: "common fate" groups of dots moving through random dots
+ "common fate" using onset time, AM, FM
+
+p34: Chownings female voice/bell demo
+
+
+"Auditory Scene Analysis", by Albert Bregman:
+
+repeating reading person while talking, then adding other sound source (Psych of Music class demo)
+
+
+Found. of Cog. Psych p224-225:
+ Bregman and Ruddnicky(1975): CCCFFCC stream segregation
+ Deutsch (1974): alternating high/low tones in each ear
+pp225-226
+ Bregman: a stream of alternating high/low tones turns into two
+ distinct streams when sped up. Make sure the notes remain distinct with small silences as separation.
+pp234-235
+ masking tones and stream perception
+
+
+
+from class:
+ take two meoldies and layers them in the same pitch range. then
+ move them an octave apart.
+
+
+Interval Classes
+ take melody and scramble the octaves while keeping the pitches the
+ same (after Deutsch)
+
+Deutsch: alternating ear notes form scales
+
+