1 files changed, 226 insertions, 0 deletions
diff --git a/pd/doc/3.audio.examples/56.delay.pitchshift.pd b/pd/doc/3.audio.examples/56.delay.pitchshift.pd
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+#X text 68 9 PITCH SHIFTER;
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+#X msg 492 56 \; transpose 0 \; window 100 \; delay 0;
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+#X text 22 174 audio;
+#X text 102 121 show level;
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+#X text 125 525 <-- output amplitude;
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+#X text 53 86 <-- transposition;
+#X text 96 99 (halftones);
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+#X text 153 538 sample loop for;
+#X text 153 555 test signal;
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+#X text 439 161 This is a classic rotating-tape-head style pitch shifter
+using the vd~ variable delay object. Ther are two moving tape heads
+\, each of which is loudest at the middle of its trajectory \, and
+enveloped out at the moment it has to jump back (or forward) to start
+another scratch. Most of the brain work is in computing how fast the
+tape heads have to move to get the desired transposition.;
+#X text 439 280 The "window size" is the total trajectory of the read
+points in the delay line \, in milliseconds. The delay times are controlled
+by a phasor~ object. The second delay time \, 180 degrees out of phase
+from the first one \, is computed using the "wrap" object.;
+#X text 437 370 The "window size" is the total trajectory of the read
+points in the delay line \, in milliseconds. The delay times are controlled
+by a phasor~ object. The second delay time \, 180 degrees out of phase
+from the first one \, is computed using the "wrap" object.;
+#X text 436 462 The cos~ objects compute the fadein and fadeout of
+the two delay line outputs. They each traverse the positive half of
+the cosine waveform (phase -0.25 to +0.25) over the time the phase
+goes from one end to the other.;
+#X text 757 557 updated for Pd version 0.33;
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