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Diffstat (limited to 'pd/doc/5.reference/acoustics.pd')
-rw-r--r-- | pd/doc/5.reference/acoustics.pd | 40 |
1 files changed, 40 insertions, 0 deletions
diff --git a/pd/doc/5.reference/acoustics.pd b/pd/doc/5.reference/acoustics.pd new file mode 100644 index 00000000..2a46f589 --- /dev/null +++ b/pd/doc/5.reference/acoustics.pd @@ -0,0 +1,40 @@ +#N canvas 163 25 582 408 12; +#X obj 15 269 ftom; +#X obj 8 10 mtof; +#X obj 15 217 mtof; +#X floatatom 15 189 0 0 0; +#X floatatom 15 244 0 0 0; +#X obj 64 10 ftom; +#X floatatom 15 293 0 0 0; +#X obj 120 11 dbtorms; +#X obj 196 11 rmstodb; +#X obj 275 11 dbtopow; +#X obj 352 11 powtodb; +#X text 21 53 The mtof object transposes a midi value into a frequency +in Hertz \, so that "69" goes to "440". You can specify microtonal +pitches as in "69.5" (a quarter tone higher than 69). Ftom does the +reverse.; +#X floatatom 147 185 0 0 0; +#X floatatom 147 240 0 0 0; +#X floatatom 147 289 0 0 0; +#X obj 147 213 dbtorms; +#X obj 147 265 rmstodb; +#X floatatom 261 186 0 0 0; +#X floatatom 261 241 0 0 0; +#X floatatom 261 290 0 0 0; +#X obj 261 214 dbtopow; +#X obj 261 266 powtodb; +#X text 27 336 Overflows and underflows are clipped.; +#X text 300 376 updated for pd version 0.33; +#X connect 0 0 6 0; +#X connect 2 0 4 0; +#X connect 3 0 2 0; +#X connect 4 0 0 0; +#X connect 12 0 15 0; +#X connect 13 0 16 0; +#X connect 15 0 13 0; +#X connect 16 0 14 0; +#X connect 17 0 20 0; +#X connect 18 0 21 0; +#X connect 20 0 18 0; +#X connect 21 0 19 0; |