diff options
Diffstat (limited to 'pd/doc/7.stuff/data-structures/7.sequencer.pd')
-rw-r--r-- | pd/doc/7.stuff/data-structures/7.sequencer.pd | 193 |
1 files changed, 0 insertions, 193 deletions
diff --git a/pd/doc/7.stuff/data-structures/7.sequencer.pd b/pd/doc/7.stuff/data-structures/7.sequencer.pd deleted file mode 100644 index f270b48e..00000000 --- a/pd/doc/7.stuff/data-structures/7.sequencer.pd +++ /dev/null @@ -1,193 +0,0 @@ -#N struct template-toplevel float x float y float voiceno array pitch -template-pitch array amp template-amp; -#N struct template-pitch float x float y float w; -#N struct template-amp float x float y float w; -#N canvas 467 44 543 446 12; -#N canvas 565 104 524 166 template-toplevel 0; -#X obj 25 86 plot pitch voiceno 3 10 0; -#X obj 25 113 plot amp 0 3 10 0; -#X obj 25 21 struct template-toplevel float x float y float voiceno -array pitch template-pitch array amp template-amp; -#X obj 27 61 filledpolygon 9 9 0 0 -2 0 2 5 2 5 -2; -#X restore 64 197 pd template-toplevel; -#N canvas 0 0 419 102 template-amp 0; -#X obj 15 41 struct template-amp float x float y float w; -#X restore 64 219 pd template-amp; -#N canvas 42 221 452 87 template-pitch 0; -#X obj 21 29 struct template-pitch float x float y float w; -#X restore 66 242 pd template-pitch; -#N canvas 323 50 551 562 synthesis 0; -#X msg 125 220 next; -#X msg 108 172 traverse pd-data \, next; -#X obj 108 250 pointer template-toplevel; -#X obj 108 273 t p p; -#X obj 108 296 get template-toplevel voiceno; -#X obj 108 325 pack 0 p; -#X obj 108 4 inlet; -#X obj 108 33 route start stop; -#X msg 161 54 \; reset bang; -#X obj 298 30 r reset; -#X obj 152 112 s reset; -#X obj 125 194 r next-evt; -#X obj 108 354 route 0 9 90 900 99 909 990; -#X obj 55 372 voice; -#X obj 55 536 outlet~; -#X msg 298 58 \; reset-stop stop \; time-of-last-evt 0 \; pd-data sort -; -#X obj 372 351 s delay-multiplier; -#X obj 375 276 t b f; -#X msg 372 303 1000; -#X obj 389 327 /; -#X obj 375 250 r tempo; -#X obj 108 90 t b b b; -#X msg 130 136 \; pd-data sort; -#X obj 55 395 voice; -#X obj 55 418 voice; -#X obj 55 441 voice; -#X obj 55 465 voice; -#X obj 55 488 voice; -#X obj 55 511 voice; -#X connect 0 0 2 0; -#X connect 1 0 2 0; -#X connect 2 0 3 0; -#X connect 3 0 4 0; -#X connect 3 1 5 1; -#X connect 4 0 5 0; -#X connect 5 0 12 0; -#X connect 6 0 7 0; -#X connect 7 0 21 0; -#X connect 7 1 8 0; -#X connect 9 0 15 0; -#X connect 11 0 0 0; -#X connect 12 0 13 1; -#X connect 12 1 23 1; -#X connect 12 2 24 1; -#X connect 12 3 25 1; -#X connect 12 4 26 1; -#X connect 12 5 27 1; -#X connect 12 6 28 1; -#X connect 13 0 23 0; -#X connect 17 0 18 0; -#X connect 17 1 19 1; -#X connect 18 0 19 0; -#X connect 19 0 16 0; -#X connect 20 0 17 0; -#X connect 21 0 1 0; -#X connect 21 1 22 0; -#X connect 21 2 10 0; -#X connect 23 0 24 0; -#X connect 24 0 25 0; -#X connect 25 0 26 0; -#X connect 26 0 27 0; -#X connect 27 0 28 0; -#X connect 28 0 14 0; -#X restore 64 323 pd synthesis; -#X floatatom 278 276 0 0 0 0 - - -; -#X floatatom 92 358 0 0 0 0 - - -; -#N canvas 159 26 495 270 output 0; -#X obj 345 163 t b; -#X obj 345 112 f; -#X obj 345 61 inlet; -#X text 351 30 mute; -#X obj 345 189 f; -#X msg 434 182 0; -#X msg 345 87 bang; -#X obj 345 138 moses 1; -#X obj 434 156 t b f; -#X obj 405 119 moses 1; -#X obj 85 151 dbtorms; -#X obj 405 94 r master-lvl; -#X obj 85 43 r master-lvl; -#X obj 345 214 s master-lvl; -#X obj 22 185 inlet~; -#X obj 203 42 inlet; -#X text 203 18 level; -#X obj 203 102 s master-lvl; -#X msg 98 67 set \$1; -#X obj 98 91 outlet; -#X msg 218 65 \; pd dsp 1; -#X obj 85 198 line~; -#X obj 22 216 *~; -#X obj 22 246 dac~; -#X obj 85 175 pack 0 50; -#X text 20 162 audio; -#X text 95 112 show level; -#X connect 0 0 4 0; -#X connect 1 0 7 0; -#X connect 2 0 6 0; -#X connect 4 0 13 0; -#X connect 5 0 13 0; -#X connect 6 0 1 0; -#X connect 7 0 0 0; -#X connect 7 1 8 0; -#X connect 8 0 5 0; -#X connect 9 1 4 1; -#X connect 10 0 24 0; -#X connect 11 0 1 1; -#X connect 11 0 9 0; -#X connect 12 0 10 0; -#X connect 12 0 18 0; -#X connect 14 0 22 0; -#X connect 15 0 17 0; -#X connect 15 0 20 0; -#X connect 18 0 19 0; -#X connect 21 0 22 1; -#X connect 22 0 23 0; -#X connect 22 0 23 1; -#X connect 24 0 21 0; -#X restore 64 380 pd output; -#X msg 122 358 MUTE; -#X msg 64 296 start; -#X msg 115 296 stop; -#N canvas 22 39 471 498 data 1; -#X scalar template-toplevel 3 86 900 \; 0 0 12 \; 10 0 12 \; \; 0 0 -0 \; 10 0 2.5 \; 11 0 0 \; \;; -#X scalar template-toplevel 14 80 990 \; 0 0 12 \; 10 0 12 \; \; 0 -0 2.5 \; 10 0 2.5 \; 11 0 0 \; \;; -#X scalar template-toplevel 38 43.25 90 \; 0 65 12 \; 100 10 0 \; 100 -10 12 \; 230 50 0 \; 230 10 3 \; 240 60 0 \; 240 25 10 \; 250 60 0 -\; 250 37 10 \; 260 65 0.5 \; 285 65 0.5 \; \; 1 0 2 \; 103 0 1 \; -195 0 2 \; 220 0 0.75 \; 225 0 1.25 \; 248 0 2.5 \; 251 0 2.25 \; 255 -0 0 \; 256 0 1.5 \; 260 0 0 \; 261 0 2 \; 265 0 0 \; 266 0 2.5 \; 270 -0 0 \; 271 0 3 \; 275 0 0 \; \;; -#X scalar template-toplevel 64 80 900 \; 0 5 0.25 \; 60 5 0.25 \; \; -0 0 0 \; 28 -0.25 3.5 \; 58 -0.25 0 \; \;; -#X scalar template-toplevel 142 105 900 \; 0 0 12 \; 70 -20 12 \; \; -0 0 0 \; 10 0 2.5 \; 20 0 0 \; 30 0 0 \; 40 0 2.5 \; 50 0 0 \; 60 0 -2.5 \; 70 0 0 \; \;; -#X scalar template-toplevel 319 63.5 909 \; 0 0 12 \; 50 0 12 \; \; -0 0 4 \; 10 0 2.5 \; 50 0 0 \; \;; -#X coords 0 124.5 1 124.25 0 0 0; -#X restore 64 176 pd data; -#N canvas 82 467 332 145 stuff 0; -#X msg 1 101 \; pd-data write xx.txt; -#X msg -3 39 \; pd-data read score.txt; -#X obj 208 7 loadbang; -#X msg 208 34 \; tempo 60; -#X msg 198 101 \; pd-data sort; -#X connect 2 0 3 0; -#X restore 65 264 pd stuff; -#X obj 278 229 r tempo; -#X msg 278 252 set \$1; -#X obj 278 300 s tempo; -#X text 13 4 This patch shows an example of how to use data collections -as musical sequences (with apologies to Yuasa and Stockhausen). Here -the black traces show dynamics and the colored ones show pitch. The -fatness of the pitch traces give bandwidth. Any of the three can change -over the life of the event.; -#X text 160 357 <--- volume in dB; -#X text 13 96 To hear the result \, turn the volume up to 70 or so -(higher if it's not loud enough the first time) and hit "start". You -can set the tempo lower if that helps you follow the "score" the first -couple of times.; -#X text 311 276 <--- tempo; -#X text 256 416 Updated for Pd version 0.36; -#X connect 3 0 6 0; -#X connect 4 0 14 0; -#X connect 5 0 6 1; -#X connect 6 0 5 0; -#X connect 7 0 6 2; -#X connect 8 0 3 0; -#X connect 9 0 3 0; -#X connect 12 0 13 0; -#X connect 13 0 4 0; |