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Diffstat (limited to 'pd/doc')
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643a155a..88ef528c 100644 --- a/pd/doc/1.manual/fig9.2.jpg +++ b/pd/doc/1.manual/fig9.2.jpg diff --git a/pd/doc/1.manual/fig9.3.jpg b/pd/doc/1.manual/fig9.3.jpg Binary files differindex 643a155a..ecb66004 100644 --- a/pd/doc/1.manual/fig9.3.jpg +++ b/pd/doc/1.manual/fig9.3.jpg diff --git a/pd/doc/2.control.examples/22.sequencing.pd b/pd/doc/2.control.examples/22.sequencing.pd deleted file mode 100644 index 1aa19942..00000000 --- a/pd/doc/2.control.examples/22.sequencing.pd +++ /dev/null @@ -1,28 +0,0 @@ -#N canvas 47 52 758 482 12; -#X text 465 442 updated for Pd version 0.26; -#X text 35 28 You can use "qlist" or "textfile" objects for sequencing. -Qlist is simpler to use than the (more versatile) textfile.; -#X obj 345 144 r receive1; -#X obj 441 146 r receive2; -#X msg 205 88 clear \, add receive1 1 \, add 1000 receive1 0 \, add -receive2 2 \, add 1000 receive2 0 \, add receive1 3 \, bang; -#X obj 205 129 qlist; -#X floatatom 345 170 0 0 0 0 - - -; -#X floatatom 441 171 0 0 0 0 - - -; -#X text 48 202 The "add" messages add lines to the qlist \, so that -it contains:; -#X text 155 238 receive1 1; -#X text 154 259 1000 receive1 0; -#X text 155 279 receive2 2; -#X text 153 299 1000 receive2 0; -#X text 155 317 receive1 3; -#X text 16 391 If you have more than 5 lines or so wou will probably -want to store them as a separate file and have qlist read it. You can -also write files \, set tempo \, and single step... see the help patch -for details.; -#X text 22 341 and the "bang" instructs qlist to play the sequence -by sending messages to "receive" objects. Messages starting with numbers -request that amount of delay.; -#X connect 2 0 6 0; -#X connect 3 0 7 0; -#X connect 4 0 5 0; diff --git a/pd/doc/3.audio.examples/D11.sampler.poly.pd b/pd/doc/3.audio.examples/D11.sampler.poly.pd index 60aa7377..a0863964 100644 --- a/pd/doc/3.audio.examples/D11.sampler.poly.pd +++ b/pd/doc/3.audio.examples/D11.sampler.poly.pd @@ -1,4 +1,4 @@ -#N canvas 66 253 1119 674 12; +#N canvas 91 72 1119 674 12; #N canvas 0 0 600 392 samples 0; #N canvas 0 0 450 300 graph1 0; #X array sample1 176403 float 0; @@ -20,7 +20,6 @@ #X obj 302 169 del 3990; #X msg 279 204 0 10; #X obj 174 282 tabwrite~ sample1; -#X obj 26 88 makefilename sample%1; #X msg 26 117 set \$1 \, bang; #X msg 348 140 stop; #X msg 302 140 bang; @@ -35,7 +34,8 @@ sample2; #X msg 514 140 read \$1 sample1; #X obj 514 167 soundfiler; -#X connect 0 0 13 0; +#X obj 26 88 makefilename sample%d; +#X connect 0 0 12 0; #X connect 1 0 2 0; #X connect 2 0 4 0; #X connect 3 0 4 1; @@ -43,22 +43,22 @@ sample2; #X connect 5 0 3 0; #X connect 6 0 7 0; #X connect 7 0 3 0; -#X connect 9 0 10 0; -#X connect 10 0 8 0; +#X connect 9 0 8 0; +#X connect 10 0 6 0; #X connect 11 0 6 0; -#X connect 12 0 6 0; -#X connect 13 0 9 0; -#X connect 13 0 12 0; -#X connect 13 0 5 0; -#X connect 13 1 7 0; -#X connect 13 1 11 0; -#X connect 13 2 20 0; -#X connect 13 3 16 0; +#X connect 12 0 11 0; +#X connect 12 0 5 0; +#X connect 12 0 22 0; +#X connect 12 1 7 0; +#X connect 12 1 10 0; +#X connect 12 2 19 0; +#X connect 12 3 15 0; +#X connect 13 0 19 0; #X connect 14 0 20 0; -#X connect 15 0 21 0; -#X connect 16 0 15 0; -#X connect 20 0 19 0; -#X connect 21 0 22 0; +#X connect 15 0 14 0; +#X connect 19 0 18 0; +#X connect 20 0 21 0; +#X connect 22 0 9 0; #X restore 931 284 pd recorder; #X msg 931 146 record 1; #X msg 931 202 stop; @@ -74,13 +74,6 @@ sample2; #X msg 931 229 reload; #X msg 931 257 browse; #X text 47 10 POLYPHONIC SAMPLER; -#X obj 547 522 sampvoice; -#X obj 547 494 sampvoice; -#X obj 547 467 sampvoice; -#X obj 547 439 sampvoice; -#X obj 547 412 sampvoice; -#X obj 547 384 sampvoice; -#X obj 547 356 sampvoice; #X obj 547 329 sampvoice; #X obj 631 17 r note; #X obj 631 44 unpack 0 0 0 0 0 0 0; @@ -129,47 +122,54 @@ voice number we just scored.; #X text 276 127 (acts like a MIDI pitch to; #X text 277 146 identify the note to "poly"); #X text 258 175 supply delayed note-off message; +#X obj 547 522 sampvoice; +#X obj 547 494 sampvoice; +#X obj 547 467 sampvoice; +#X obj 547 439 sampvoice; +#X obj 547 412 sampvoice; +#X obj 547 384 sampvoice; +#X obj 547 356 sampvoice; #X connect 2 0 1 0; #X connect 3 0 1 0; #X connect 4 0 1 0; #X connect 13 0 1 0; #X connect 14 0 1 0; -#X connect 16 0 48 0; -#X connect 16 0 48 1; -#X connect 17 0 16 0; -#X connect 18 0 17 0; -#X connect 19 0 18 0; -#X connect 20 0 19 0; -#X connect 21 0 20 0; -#X connect 22 0 21 0; -#X connect 23 0 22 0; +#X connect 16 0 52 0; +#X connect 17 0 18 0; +#X connect 18 0 19 0; +#X connect 18 1 26 2; +#X connect 18 2 23 2; +#X connect 18 2 26 3; +#X connect 18 3 26 4; +#X connect 18 4 26 5; +#X connect 18 5 26 6; +#X connect 18 6 26 7; +#X connect 19 0 20 0; +#X connect 19 1 26 1; +#X connect 20 0 21 0; +#X connect 20 0 23 0; +#X connect 21 0 22 0; +#X connect 22 0 20 1; +#X connect 23 0 24 0; +#X connect 23 1 24 1; #X connect 24 0 25 0; +#X connect 24 2 25 1; #X connect 25 0 26 0; -#X connect 25 1 33 2; -#X connect 25 2 30 2; -#X connect 25 2 33 3; -#X connect 25 3 33 4; -#X connect 25 4 33 5; -#X connect 25 5 33 6; -#X connect 25 6 33 7; #X connect 26 0 27 0; -#X connect 26 1 33 1; -#X connect 27 0 28 0; -#X connect 27 0 30 0; -#X connect 28 0 29 0; -#X connect 29 0 27 1; -#X connect 30 0 31 0; -#X connect 30 1 31 1; -#X connect 31 0 32 0; -#X connect 31 2 32 1; -#X connect 32 0 33 0; -#X connect 33 0 34 0; -#X connect 34 0 23 1; -#X connect 34 1 22 1; -#X connect 34 2 21 1; -#X connect 34 3 20 1; -#X connect 34 4 19 1; -#X connect 34 5 18 1; -#X connect 34 6 17 1; -#X connect 34 7 16 1; -#X connect 47 0 38 0; +#X connect 27 0 16 1; +#X connect 27 1 52 1; +#X connect 27 2 51 1; +#X connect 27 3 50 1; +#X connect 27 4 49 1; +#X connect 27 5 48 1; +#X connect 27 6 47 1; +#X connect 27 7 46 1; +#X connect 40 0 31 0; +#X connect 46 0 41 0; +#X connect 46 0 41 1; +#X connect 47 0 46 0; +#X connect 48 0 47 0; +#X connect 49 0 48 0; +#X connect 50 0 49 0; +#X connect 51 0 50 0; +#X connect 52 0 51 0; diff --git a/pd/doc/3.audio.examples/D12.sampler.bis.pd b/pd/doc/3.audio.examples/D12.sampler.bis.pd index cad81484..f0fa13fd 100644 --- a/pd/doc/3.audio.examples/D12.sampler.bis.pd +++ b/pd/doc/3.audio.examples/D12.sampler.bis.pd @@ -19,7 +19,6 @@ #X obj 302 299 del 3990; #X msg 279 334 0 10; #X obj 174 412 tabwrite~ sample1; -#X obj 26 218 makefilename sample%1; #X msg 26 247 set \$1 \, bang; #X msg 348 270 stop; #X msg 302 270 bang; @@ -40,6 +39,7 @@ sample2; #X msg 220 124 reload; #X msg 220 152 browse; #X text 218 19 record \, etc.; +#X obj 26 218 makefilename sample%d; #X connect 0 0 1 0; #X connect 1 0 3 0; #X connect 2 0 3 1; @@ -47,27 +47,27 @@ sample2; #X connect 4 0 2 0; #X connect 5 0 6 0; #X connect 6 0 2 0; -#X connect 8 0 9 0; -#X connect 9 0 7 0; +#X connect 8 0 7 0; +#X connect 9 0 5 0; #X connect 10 0 5 0; -#X connect 11 0 5 0; -#X connect 12 0 8 0; -#X connect 12 0 11 0; -#X connect 12 0 4 0; -#X connect 12 1 6 0; -#X connect 12 1 10 0; -#X connect 12 2 19 0; -#X connect 12 3 15 0; +#X connect 11 0 10 0; +#X connect 11 0 4 0; +#X connect 11 0 27 0; +#X connect 11 1 6 0; +#X connect 11 1 9 0; +#X connect 11 2 18 0; +#X connect 11 3 14 0; +#X connect 12 0 18 0; #X connect 13 0 19 0; -#X connect 14 0 20 0; -#X connect 15 0 14 0; -#X connect 19 0 18 0; -#X connect 20 0 21 0; -#X connect 22 0 12 0; -#X connect 23 0 12 0; -#X connect 24 0 12 0; -#X connect 25 0 12 0; -#X connect 26 0 12 0; +#X connect 14 0 13 0; +#X connect 18 0 17 0; +#X connect 19 0 20 0; +#X connect 21 0 11 0; +#X connect 22 0 11 0; +#X connect 23 0 11 0; +#X connect 24 0 11 0; +#X connect 25 0 11 0; +#X connect 27 0 8 0; #X restore 785 586 pd recorder; #X text 782 458 sample number; #X obj 619 96 unpack 0 0 0 0 0 0 0; diff --git a/pd/doc/3.audio.examples/E03.octave.divider.pd b/pd/doc/3.audio.examples/E03.octave.divider.pd index a0f77844..251e4561 100644 --- a/pd/doc/3.audio.examples/E03.octave.divider.pd +++ b/pd/doc/3.audio.examples/E03.octave.divider.pd @@ -1,9 +1,9 @@ -#N canvas 129 17 793 665 12; +#N canvas 159 17 793 665 12; #X obj 477 135 loadbang; -#X obj 32 286 hip~ 5; +#X obj 31 289 hip~ 5; #X obj 477 53 adc~ 1; #X obj 477 190 soundfiler; -#X obj 32 313 output~; +#X obj 32 322 output~; #X text 544 646 updated for Pd version 0.37; #X obj 478 100 tabwrite~ E03-table; #X msg 477 162 read ../sound/voice.wav E03-table; @@ -60,7 +60,7 @@ with an adc~ if you want to go live.; #X connect 3 0 4 0; #X connect 4 0 2 0; #X connect 5 0 6 0; -#X restore 31 30 pd looper; +#X restore 118 18 pd looper; #X text 561 141 re-read original sample; #X obj 489 77 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1 -1; @@ -111,6 +111,8 @@ we'd rather stick with the most recent good one). This is converted from MIDI to Hertz \, and multiplied by 1/2 to control the modulation oscillator. (You can also try large-ish integers which leave the pitch intact but introduce funny formants.); +#X msg 406 237 read ../../saucisse.wav E03-table; +#X obj 25 16 adc~ 1; #X connect 0 0 7 0; #X connect 1 0 4 0; #X connect 1 0 4 1; @@ -135,3 +137,5 @@ intact but introduce funny formants.); #X connect 24 0 6 0; #X connect 25 0 19 0; #X connect 25 0 12 0; +#X connect 34 0 3 0; +#X connect 35 0 25 0; diff --git a/pd/doc/3.audio.examples/G01.delays.pd b/pd/doc/3.audio.examples/G01.delays.pd deleted file mode 100644 index 5c4f20de..00000000 --- a/pd/doc/3.audio.examples/G01.delays.pd +++ /dev/null @@ -1,225 +0,0 @@ -#N canvas 22 1 729 584 12; -#X floatatom 62 506 0 0 0; -#N canvas 159 26 495 266 output 0; -#X obj 338 160 t b; -#X obj 338 110 f; -#X obj 338 60 inlet; -#X text 344 29 mute; -#X obj 338 185 f; -#X msg 425 178 0; -#X msg 338 85 bang; -#X obj 338 135 moses 1; -#X obj 425 153 t b f; -#X obj 397 117 moses 1; -#X obj 83 148 dbtorms; -#X obj 397 92 r master-lvl; -#X obj 83 42 r master-lvl; -#X obj 338 210 s master-lvl; -#X obj 22 181 inlet~; -#X obj 199 41 inlet; -#X text 199 18 level; -#X obj 199 100 s master-lvl; -#X msg 96 65 set \$1; -#X obj 96 89 outlet; -#X msg 214 64 \; pd dsp 1; -#X obj 83 194 line~; -#X obj 22 212 *~; -#X obj 22 241 dac~; -#X obj 83 171 pack 0 50; -#X text 20 158 audio; -#X text 93 110 show level; -#X connect 0 0 4 0; -#X connect 1 0 7 0; -#X connect 2 0 6 0; -#X connect 4 0 13 0; -#X connect 5 0 13 0; -#X connect 6 0 1 0; -#X connect 7 0 0 0; -#X connect 7 1 8 0; -#X connect 8 0 5 0; -#X connect 9 1 4 1; -#X connect 10 0 24 0; -#X connect 11 0 1 1; -#X connect 11 0 9 0; -#X connect 12 0 10 0; -#X connect 12 0 18 0; -#X connect 14 0 22 0; -#X connect 15 0 17 0; -#X connect 15 0 20 0; -#X connect 18 0 19 0; -#X connect 21 0 22 1; -#X connect 22 0 23 0; -#X connect 22 0 23 1; -#X connect 24 0 21 0; -#X restore 33 534 pd output; -#X msg 91 506 MUTE; -#X text 130 505 <-- output amplitude; -#X obj 33 482 hip~ 5; -#X text 92 12 DELAYS; -#X obj 33 341 -~; -#X obj 30 241 tabread4~ mtof; -#X obj 33 317 *~ 3; -#X obj 69 318 *~ 2; -#X obj 49 266 phasor~; -#X floatatom 81 215 0 0 0; -#X obj 33 293 clip~ 0 0.667; -#X obj 30 190 line~; -#X obj 30 165 pack 0 1000; -#X obj 28 64 metro 1000; -#X obj 28 88 random 200; -#X obj 29 114 - 100; -#X obj 30 141 * 0.001; -#X obj 33 453 +~; -#X obj 44 374 delwrite~ delay1 2000; -#X floatatom 49 401 0 0 0; -#X obj 49 426 delread~ delay1 1000; -#X obj 27 41 loadbang; -#X text 210 37 You can delay a signal using the delwrite~ and delread~ -objects. In this example \, the pitch of the oscillator is varying -slightly so that the delayed signal is different from the straight -signal.; -#X text 212 99 delread always delays the signal an integer number of -samples and does no interpolation.; -#X text 211 137 The delwrite~ object creates the delay line \; you -give it a name and a size in milliseconds. Each delwrite~ should have -a different name.; -#X text 209 184 Delread~'s arguments are the name of a delwrite (of -which there should be exactly one) and a delay time in milliseconds -between 0 and the length of the delay line. Each delwrite~ may have -as many delread~s as you wish \, which function as multiple delay taps. -; -#X obj 30 215 +~ 60; -#X text 112 215 <-- pitch; -#X text 83 401 <-- delay time; -#X text 60 341 asymmetric triangle wave; -#X text 236 372 write to delay line; -#X text 232 425 read from delay line; -#X text 59 454 add the original and the delayed signal; -#N canvas 0 0 600 392 conversion-tables 0; -#N canvas 0 0 450 300 graph1 0; -#X array dbtorms 123 float 1; -#A 0 0 0 1.25893e-05 1.41254e-05 1.58489e-05 1.77828e-05 1.99526e-05 -2.23872e-05 2.51189e-05 2.81838e-05 3.16228e-05 3.54813e-05 3.98107e-05 -4.46684e-05 5.01187e-05 5.62341e-05 6.30957e-05 7.07946e-05 7.94328e-05 -8.91251e-05 1e-04 0.000112202 0.000125893 0.000141254 0.000158489 0.000177828 -0.000199526 0.000223872 0.000251189 0.000281838 0.000316228 0.000354813 -0.000398107 0.000446684 0.000501187 0.000562341 0.000630957 0.000707946 -0.000794328 0.000891251 0.001 0.00112202 0.00125893 0.00141254 0.00158489 -0.00177828 0.00199526 0.00223872 0.00251189 0.00281838 0.00316228 0.00354813 -0.00398107 0.00446684 0.00501187 0.00562341 0.00630957 0.00707946 0.00794328 -0.00891251 0.01 0.0112202 0.0125893 0.0141254 0.0158489 0.0177828 0.0199526 -0.0223872 0.0251189 0.0281838 0.0316228 0.0354813 0.0398107 0.0446684 -0.0501187 0.0562341 0.0630957 0.0707946 0.0794328 0.0891251 0.1 0.112202 -0.125893 0.141254 0.158489 0.177828 0.199526 0.223872 0.251189 0.281838 -0.316228 0.354813 0.398107 0.446684 0.501187 0.562341 0.630957 0.707946 -0.794328 0.891251 1 1.12202 1.25893 1.41254 1.58489 1.77828 1.99526 -2.23872 2.51189 2.81838 3.16228 3.54813 3.98107 4.46684 5.01187 5.62341 -6.30957 7.07946 7.94328 8.91251 10 11.2202 12.5893; 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Ther are two moving tape heads -\, each of which is loudest at the middle of its trajectory \, and -enveloped out at the moment it has to jump back (or forward) to start -another scratch. Most of the brain work is in computing how fast the -tape heads have to move to get the desired transposition.; -#X text 439 280 The "window size" is the total trajectory of the read -points in the delay line \, in milliseconds. The delay times are controlled -by a phasor~ object. The second delay time \, 180 degrees out of phase -from the first one \, is computed using the "wrap" object.; -#X text 437 370 The "window size" is the total trajectory of the read -points in the delay line \, in milliseconds. The delay times are controlled -by a phasor~ object. The second delay time \, 180 degrees out of phase -from the first one \, is computed using the "wrap" object.; -#X text 436 462 The cos~ objects compute the fadein and fadeout of -the two delay line outputs. 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-#X connect 11 0 15 0; -#X connect 11 0 17 0; -#X connect 14 0 18 0; -#X connect 14 0 20 0; -#X connect 15 0 20 1; -#X connect 15 0 18 1; -#X connect 16 0 19 0; -#X connect 16 0 21 0; -#X connect 17 0 19 1; -#X connect 17 0 21 1; -#X connect 18 0 22 0; -#X connect 19 0 24 0; -#X connect 20 0 26 0; -#X connect 21 0 28 0; -#X connect 22 0 23 0; -#X connect 23 0 8 0; -#X connect 24 0 25 0; -#X connect 25 0 5 0; -#X connect 26 0 27 0; -#X connect 27 0 2 0; -#X connect 28 0 29 0; -#X connect 29 0 9 0; -#X connect 30 0 31 0; -#X connect 31 0 32 0; -#X connect 31 1 33 0; -#X connect 32 0 34 0; -#X connect 32 1 35 0; -#X connect 33 0 32 0; -#X connect 34 0 35 0; -#X connect 35 0 28 1; -#X connect 35 0 26 1; -#X connect 35 0 24 1; -#X connect 35 0 22 1; -#X connect 36 0 37 0; -#X connect 36 1 37 1; -#X connect 37 0 38 0; -#X connect 37 1 38 1; -#X connect 38 0 39 0; -#X connect 38 1 39 1; -#X connect 39 0 40 0; -#X connect 39 1 40 1; -#X connect 40 0 10 0; -#X connect 40 1 11 0; -#X restore 50 193 pd reverb; -#X floatatom 108 163 0 0 0 0 - - -; -#X text 143 163 <-- feedback (100 maximum); -#X text 32 41 Here is a simple recirculating reverberator. "Feedback" -should be between -100 and 100; -#X text 37 285 You can spend a lifetime tweaking reverberators... we'll -just leave it at that for now.; -#X connect 0 0 9 0; -#X connect 0 0 6 0; -#X connect 3 0 0 0; -#X connect 5 0 6 2; -#X connect 6 0 5 0; -#X connect 7 0 6 3; -#X connect 9 0 6 0; -#X connect 9 1 6 1; -#X connect 10 0 9 1; diff --git a/pd/doc/3.audio.examples/J07.execution.order.pd b/pd/doc/3.audio.examples/J07.execution.order.pd deleted file mode 100644 index 2bea8e92..00000000 --- a/pd/doc/3.audio.examples/J07.execution.order.pd +++ /dev/null @@ -1,127 +0,0 @@ -#N canvas 100 17 724 631 12; -#X floatatom 448 290 0 0 0; -#X obj 70 432 +~; -#X obj 91 401 vd~ delay1; -#X floatatom 108 559 0 0 0; -#N canvas 159 26 495 266 output 0; -#X obj 338 160 t b; -#X obj 338 110 f; -#X obj 338 60 inlet; -#X text 344 29 mute; -#X obj 338 185 f; -#X msg 425 178 0; -#X msg 338 85 bang; -#X obj 338 135 moses 1; -#X obj 397 110 moses 1; -#X obj 83 148 dbtorms; -#X obj 397 85 r master-lvl; -#X obj 83 42 r master-lvl; -#X obj 338 210 s master-lvl; -#X obj 18 152 inlet~; -#X obj 199 41 inlet; -#X text 199 18 level; -#X obj 197 104 s master-lvl; -#X msg 96 65 set \$1; -#X obj 96 89 outlet; -#X msg 214 64 \; pd dsp 1; -#X obj 83 194 line~; -#X obj 22 212 *~; -#X obj 22 241 dac~; -#X obj 83 171 pack 0 50; -#X text 16 129 audio; -#X text 93 110 show level; -#X obj 18 179 hip~ 5; -#X connect 0 0 4 0; -#X connect 1 0 7 0; -#X connect 2 0 6 0; -#X connect 4 0 12 0; -#X connect 5 0 12 0; -#X connect 6 0 1 0; -#X connect 7 0 0 0; -#X connect 7 1 5 0; -#X connect 8 1 4 1; -#X connect 9 0 23 0; -#X connect 10 0 1 1; -#X connect 10 0 8 0; -#X connect 11 0 9 0; -#X connect 11 0 17 0; -#X connect 13 0 26 0; -#X connect 14 0 16 0; -#X connect 14 0 19 0; -#X connect 17 0 18 0; -#X connect 20 0 21 1; -#X connect 21 0 22 0; -#X connect 21 0 22 1; -#X connect 23 0 20 0; -#X connect 26 0 21 0; -#X restore 70 585 pd output; -#X msg 145 559 MUTE; -#X text 184 558 <-- output amplitude; -#X text 86 9 ORDER OF EXECUTION OF DELWRITE~ AND DELREAD~/VD~; -#X text 43 35 If you're writing to and reading from a delay line \, -you have to get the write sorted before the read or else you'll never -get less than a block's delay. This patch compares a "wrong" flanger -with a "right" one:; -#X obj 69 299 noise~; -#X obj 91 375 line~; -#X obj 448 344 pack 0 100; -#X text 518 292 <-- delay in samples; -#X obj 92 505 *~; -#X obj 92 481 -~; -#X floatatom 175 505 1 0 0; -#X obj 293 297 noise~; -#X obj 423 398 line~; -#N canvas 0 0 600 400 delay-writer 0; -#X obj 96 107 inlet~; -#X obj 96 180 outlet~; -#X obj 116 144 delwrite~ delay2 1000; -#X connect 0 0 1 0; -#X connect 0 0 2 0; -#X restore 293 325 pd delay-writer; -#N canvas 0 0 280 330 delay-reader 0; -#X obj 96 107 inlet~; -#X obj 89 267 outlet~; -#X obj 112 163 inlet~; -#X obj 112 198 vd~ delay2; -#X obj 89 237 +~; -#X connect 0 0 4 0; -#X connect 2 0 3 0; -#X connect 3 0 4 1; -#X connect 4 0 1 0; -#X restore 293 427 pd delay-reader; -#X obj 70 533 +~; -#X text 194 505 <-- 0 to hear left-hand side \, 1 to hear right hand -side.; -#X text 46 105 All it took was to put the delread~ and vd~ objects -in subpatches. The audio connections between the subpatches force the -"reader" to be sorted after the "writer". DSP sorting in Pd follows -the hierarchy of windows.; -#X obj 447 318 / 44.1; -#X obj 82 329 delwrite~ delay1 1000; -#X text 450 596 updated for Pd version 0.34; -#X text 43 173 To hear the difference scroll the delay time between -0 and 100 samples. The patch at left doesn't let you get below 64 samples. -; -#X text 43 228 You can use the same strategy to avoid picking up 64-sample -delays in send~/receive~ and throw~/catch~ pairs.; -#X connect 0 0 23 0; -#X connect 1 0 14 1; -#X connect 1 0 20 0; -#X connect 2 0 1 1; -#X connect 3 0 4 1; -#X connect 4 0 3 0; -#X connect 5 0 4 2; -#X connect 9 0 1 0; -#X connect 9 0 24 0; -#X connect 10 0 2 0; -#X connect 11 0 10 0; -#X connect 11 0 17 0; -#X connect 13 0 20 1; -#X connect 14 0 13 0; -#X connect 15 0 13 1; -#X connect 16 0 18 0; -#X connect 17 0 19 1; -#X connect 18 0 19 0; -#X connect 19 0 14 0; -#X connect 20 0 4 0; -#X connect 23 0 11 0; diff --git a/pd/doc/3.audio.examples/J08.control.blocksize.pd b/pd/doc/3.audio.examples/J08.control.blocksize.pd deleted file mode 100644 index 05bad0d2..00000000 --- a/pd/doc/3.audio.examples/J08.control.blocksize.pd +++ /dev/null @@ -1,111 +0,0 @@ -#N canvas 100 17 662 466 12; -#X floatatom 130 389 0 0 0; -#N canvas 159 26 495 266 output 0; -#X obj 338 160 t b; -#X obj 338 110 f; -#X obj 338 60 inlet; -#X text 344 29 mute; -#X obj 338 185 f; -#X msg 425 178 0; -#X msg 338 85 bang; -#X obj 338 135 moses 1; -#X obj 397 110 moses 1; -#X obj 83 148 dbtorms; -#X obj 397 85 r master-lvl; -#X obj 83 42 r master-lvl; -#X obj 338 210 s master-lvl; -#X obj 18 152 inlet~; -#X obj 199 41 inlet; -#X text 199 18 level; -#X obj 197 104 s master-lvl; -#X msg 96 65 set \$1; -#X obj 96 89 outlet; -#X msg 214 64 \; pd dsp 1; -#X obj 83 194 line~; -#X obj 22 212 *~; -#X obj 22 241 dac~; -#X obj 83 171 pack 0 50; -#X text 16 129 audio; -#X text 93 110 show level; -#X obj 18 179 hip~ 5; -#X connect 0 0 4 0; -#X connect 1 0 7 0; -#X connect 2 0 6 0; -#X connect 4 0 12 0; -#X connect 5 0 12 0; -#X connect 6 0 1 0; -#X connect 7 0 0 0; -#X connect 7 1 5 0; -#X connect 8 1 4 1; -#X connect 9 0 23 0; -#X connect 10 0 1 1; -#X connect 10 0 8 0; -#X connect 11 0 9 0; -#X connect 11 0 17 0; -#X connect 13 0 26 0; -#X connect 14 0 16 0; -#X connect 14 0 19 0; -#X connect 17 0 18 0; -#X connect 20 0 21 1; -#X connect 21 0 22 0; -#X connect 21 0 22 1; -#X connect 23 0 20 0; -#X connect 26 0 21 0; -#X restore 92 415 pd output; -#X msg 167 389 MUTE; -#X text 206 388 <-- output amplitude; -#X obj 51 203 noise~; -#N canvas 0 0 760 350 delay-writer 0; -#X obj 75 100 inlet~; -#X obj 79 250 outlet~; -#X obj 90 194 delwrite~ delay3 1000; -#X obj 379 97 block~ 1; -#X obj 145 131 delread~ delay3; -#X obj 144 159 *~ 0.99; -#X obj 79 164 +~; -#X obj 146 100 inlet; -#X text 84 22 Because of the feedback \, the delwrite~ has to go after -the delread~. So we set the blocksize to 1 to minimize the resulting -delay.; -#X connect 0 0 6 0; -#X connect 4 0 5 0; -#X connect 5 0 6 1; -#X connect 6 0 2 0; -#X connect 6 0 1 0; -#X connect 7 0 4 0; -#X restore 91 328 pd delay-writer; -#X text 401 435 updated for Pd version 0.34; -#X obj 77 285 *~; -#X obj 273 275 expr 1000/$f1; -#X obj 273 249 mtof; -#X msg 176 220 1; -#X msg 176 282 0; -#X obj 177 164 metro 500; -#X obj 273 195 random 60; -#X obj 177 135 loadbang; -#X obj 216 217 del 2; -#X obj 273 221 + 30; -#X obj 51 228 lop~ 1000; -#X text 86 9 CONTROLLING DELAY WITH BLOCK~; -#X text 75 52 In situations where a delay read feeds pack to a delay -write \, you can shorten the minimum delay by changing the block size. -Do this in a subpatch...; -#X text 238 328 <-- here is the delay loop; -#X connect 0 0 1 1; -#X connect 1 0 0 0; -#X connect 2 0 1 2; -#X connect 4 0 17 0; -#X connect 5 0 1 0; -#X connect 7 0 5 0; -#X connect 8 0 5 1; -#X connect 9 0 8 0; -#X connect 10 0 7 1; -#X connect 11 0 7 1; -#X connect 12 0 10 0; -#X connect 12 0 13 0; -#X connect 12 0 15 0; -#X connect 13 0 16 0; -#X connect 14 0 12 0; -#X connect 15 0 11 0; -#X connect 16 0 9 0; -#X connect 17 0 7 0; diff --git a/pd/doc/3.audio.examples/reverb-echo.pd b/pd/doc/3.audio.examples/reverb-echo.pd index e627e9fc..81c96131 100644 --- a/pd/doc/3.audio.examples/reverb-echo.pd +++ b/pd/doc/3.audio.examples/reverb-echo.pd @@ -1,14 +1,20 @@ -#N canvas 0 0 600 492 12; +#N canvas 118 224 600 492 12; #X obj 66 95 inlet~; #X obj 130 96 inlet~; -#X obj 69 216 outlet~; +#X obj 68 216 outlet~; #X obj 141 215 outlet~; #X obj 67 143 +~; #X obj 140 141 -~; #X obj 141 165 delwrite~ \$1 \$2; #X obj 140 191 delread~ \$1 \$2; -#X text 68 24 This appears as an abstraction in patch G05.reverb.pd +#X text 48 14 This appears as an abstraction in patch G08.reverb.pd ; +#X text 27 267 This network makes two copies of the (stereo) input +\, one in phase \, the other out of phase and delayed. The total frequency +response is flat. The total signal power out is exactly twice that +of the input \, no matter what freqiencies the input contains. This +is used to increase echo density \, by stacking several of these units +with different delay times. Each stage doubles the echo density.; #X connect 0 0 4 0; #X connect 0 0 5 0; #X connect 1 0 4 1; diff --git a/pd/doc/3.audio.examples/sampvoice.pd b/pd/doc/3.audio.examples/sampvoice.pd index ee9c19b4..b277d345 100644 --- a/pd/doc/3.audio.examples/sampvoice.pd +++ b/pd/doc/3.audio.examples/sampvoice.pd @@ -5,13 +5,12 @@ #X msg 104 419 set \$1; #X obj 104 442 tabread4~ sample1; #X obj 360 419 dbtorms; -#X obj 360 396 unpack; +#X obj 381 395 unpack; #X obj 360 442 sqrt; #X obj 360 465 sqrt; -#X obj 360 488 line~; #X obj 338 559 *~; -#X obj 360 511 *~; -#X obj 360 534 *~; +#X obj 406 513 *~; +#X obj 406 536 *~; #X msg 201 42 bang; #X obj 201 72 delay 5; #X obj 289 95 unpack 0 0 0 0 0 0 0; @@ -51,64 +50,65 @@ #X text 505 233 decay time (msec); #X obj 45 396 vline~; #X obj 301 396 vline~; -#X connect 0 0 10 0; +#X obj 406 490 vline~; +#X connect 0 0 9 0; #X connect 2 0 3 0; #X connect 3 0 4 0; #X connect 4 0 0 0; #X connect 5 0 7 0; #X connect 6 0 5 0; -#X connect 6 1 9 1; +#X connect 6 1 50 1; #X connect 7 0 8 0; -#X connect 8 0 9 0; -#X connect 9 0 11 0; -#X connect 9 0 11 1; -#X connect 10 0 39 1; -#X connect 11 0 12 0; -#X connect 11 0 12 1; -#X connect 12 0 10 1; -#X connect 13 0 14 0; -#X connect 13 0 31 0; -#X connect 14 0 28 0; -#X connect 15 0 21 1; -#X connect 15 0 13 0; -#X connect 15 1 20 1; -#X connect 15 2 26 1; -#X connect 15 3 19 1; -#X connect 15 4 18 1; -#X connect 15 5 17 1; -#X connect 15 6 16 1; -#X connect 16 0 36 0; -#X connect 17 0 27 1; -#X connect 18 0 30 0; -#X connect 19 0 27 4; -#X connect 20 0 27 0; +#X connect 8 0 50 0; +#X connect 9 0 38 1; +#X connect 10 0 11 0; +#X connect 10 0 11 1; +#X connect 11 0 9 1; +#X connect 12 0 13 0; +#X connect 12 0 30 0; +#X connect 13 0 27 0; +#X connect 14 0 20 1; +#X connect 14 0 12 0; +#X connect 14 1 19 1; +#X connect 14 2 25 1; +#X connect 14 3 18 1; +#X connect 14 4 17 1; +#X connect 14 5 16 1; +#X connect 14 6 15 1; +#X connect 15 0 35 0; +#X connect 16 0 26 1; +#X connect 17 0 29 0; +#X connect 18 0 26 4; +#X connect 19 0 26 0; +#X connect 20 0 21 0; #X connect 21 0 22 0; #X connect 22 0 23 0; #X connect 23 0 24 0; -#X connect 24 0 25 0; -#X connect 25 0 27 3; -#X connect 26 0 16 0; -#X connect 27 0 32 0; -#X connect 27 0 33 0; -#X connect 27 0 34 0; -#X connect 27 0 35 0; -#X connect 28 0 20 0; -#X connect 28 1 21 0; -#X connect 28 2 17 0; -#X connect 28 2 18 0; -#X connect 28 2 19 0; -#X connect 28 2 26 0; -#X connect 29 0 27 2; -#X connect 29 0 25 1; -#X connect 30 0 29 0; -#X connect 31 0 50 0; -#X connect 32 0 50 0; -#X connect 33 0 6 0; -#X connect 34 0 49 0; -#X connect 35 0 2 0; -#X connect 36 0 6 0; -#X connect 37 0 15 0; -#X connect 38 0 39 0; -#X connect 39 0 1 0; -#X connect 49 0 4 0; -#X connect 50 0 0 1; +#X connect 24 0 26 3; +#X connect 25 0 15 0; +#X connect 26 0 31 0; +#X connect 26 0 32 0; +#X connect 26 0 33 0; +#X connect 26 0 34 0; +#X connect 27 0 19 0; +#X connect 27 1 20 0; +#X connect 27 2 16 0; +#X connect 27 2 17 0; +#X connect 27 2 18 0; +#X connect 27 2 25 0; +#X connect 28 0 26 2; +#X connect 28 0 24 1; +#X connect 29 0 28 0; +#X connect 30 0 49 0; +#X connect 31 0 49 0; +#X connect 32 0 6 0; +#X connect 33 0 48 0; +#X connect 34 0 2 0; +#X connect 35 0 6 0; +#X connect 36 0 14 0; +#X connect 37 0 38 0; +#X connect 38 0 1 0; +#X connect 48 0 4 0; +#X connect 49 0 0 1; +#X connect 50 0 10 0; +#X connect 50 0 10 1; diff --git a/pd/doc/4.fft.examples/10.phaselockedvoc.pd b/pd/doc/4.fft.examples/10.phaselockedvoc.pd index a3592330..7c8be2bb 100644 --- a/pd/doc/4.fft.examples/10.phaselockedvoc.pd +++ b/pd/doc/4.fft.examples/10.phaselockedvoc.pd @@ -1,8 +1,8 @@ #N canvas 117 53 719 544 12; -#X floatatom 279 354 0 0 0; +#X floatatom 279 354 0 0 0 0 - - -; #X msg 563 169 bang; -#X floatatom 186 351 0 0 0; -#X floatatom 84 350 0 0 0; +#X floatatom 186 351 0 0 0 0 - - -; +#X floatatom 84 350 0 0 0 0 - - -; #N canvas 5 5 986 679 fft-analysis 0; #X obj 177 242 *~; #X obj 146 242 *~; @@ -71,12 +71,11 @@ #X obj 28 455 /; #X obj 187 496 tabsend~ phase-real; #X obj 288 474 tabsend~ phase-imag; -#X obj 50 71 sig~ 1.5e-20; #X obj 632 180 * 0.01; #X obj 691 212 s speed; #X obj 474 263 s see-location; #X obj 598 618 block~ 2048 4; -#X floatatom 672 360 0 0 0; +#X floatatom 672 360 0 0 0 0 - - -; #X obj 670 339 *; #X obj 829 234 r transpo; #X obj 829 256 * 0.01; @@ -85,7 +84,7 @@ #X obj 832 320 / 440; #X obj 689 316 t b f; #X obj 14 390 r window-size; -#X floatatom 835 353 0 0 0; +#X floatatom 835 353 0 0 0 0 - - -; #X obj 551 543 tabreceive~ hanning; #X obj 534 489 tabread4~ sample; #X obj 516 515 tabread4~ sample; @@ -98,16 +97,17 @@ #X obj 210 432 -~; #X obj 161 397 *~ 0; #X obj 226 408 *~ 0; +#X obj 50 71 sig~ 1e-15; #X connect 0 0 2 1; #X connect 1 0 2 0; +#X connect 2 0 86 0; #X connect 2 0 87 0; -#X connect 2 0 88 0; -#X connect 2 0 85 0; +#X connect 2 0 84 0; #X connect 3 0 5 1; #X connect 4 0 5 0; +#X connect 5 0 88 0; #X connect 5 0 89 0; #X connect 5 0 90 0; -#X connect 5 0 91 0; #X connect 6 0 57 1; #X connect 7 0 57 0; #X connect 8 0 10 1; @@ -126,11 +126,11 @@ #X connect 14 1 6 1; #X connect 14 1 8 1; #X connect 15 0 14 0; -#X connect 16 0 73 0; +#X connect 16 0 72 0; #X connect 17 0 44 0; #X connect 18 0 37 0; #X connect 18 0 45 0; -#X connect 18 0 70 0; +#X connect 18 0 69 0; #X connect 19 0 34 0; #X connect 20 0 22 0; #X connect 21 0 22 0; @@ -143,16 +143,16 @@ #X connect 30 0 18 0; #X connect 31 0 27 0; #X connect 31 0 50 0; -#X connect 31 0 84 0; +#X connect 31 0 83 0; #X connect 32 0 43 2; #X connect 32 0 38 1; #X connect 34 0 21 0; -#X connect 35 0 68 0; +#X connect 35 0 67 0; #X connect 36 0 39 0; #X connect 36 0 18 1; #X connect 37 0 18 1; #X connect 38 0 37 1; -#X connect 39 0 69 0; +#X connect 39 0 68 0; #X connect 40 0 43 1; #X connect 41 0 43 0; #X connect 41 1 40 0; @@ -162,7 +162,7 @@ #X connect 45 0 41 0; #X connect 47 0 49 0; #X connect 49 0 50 1; -#X connect 50 0 83 0; +#X connect 50 0 82 0; #X connect 53 0 9 0; #X connect 53 0 6 0; #X connect 54 0 55 0; @@ -183,37 +183,37 @@ #X connect 62 1 64 1; #X connect 63 0 64 0; #X connect 64 0 61 0; -#X connect 67 0 10 0; -#X connect 68 0 38 0; -#X connect 72 0 47 0; -#X connect 72 0 40 1; -#X connect 73 0 72 0; +#X connect 67 0 38 0; +#X connect 71 0 47 0; +#X connect 71 0 40 1; +#X connect 72 0 71 0; +#X connect 73 0 74 0; #X connect 74 0 75 0; #X connect 75 0 76 0; #X connect 76 0 77 0; #X connect 77 0 78 0; -#X connect 78 0 79 0; -#X connect 78 0 81 0; -#X connect 79 0 73 0; -#X connect 79 1 73 1; -#X connect 80 0 62 0; -#X connect 82 0 23 1; -#X connect 82 0 15 1; -#X connect 82 0 12 1; -#X connect 83 0 23 0; -#X connect 84 0 15 0; -#X connect 85 0 65 0; -#X connect 85 0 25 0; -#X connect 86 0 93 1; -#X connect 86 0 92 1; -#X connect 87 0 92 0; +#X connect 77 0 80 0; +#X connect 78 0 72 0; +#X connect 78 1 72 1; +#X connect 79 0 62 0; +#X connect 81 0 23 1; +#X connect 81 0 15 1; +#X connect 81 0 12 1; +#X connect 82 0 23 0; +#X connect 83 0 15 0; +#X connect 84 0 65 0; +#X connect 84 0 25 0; +#X connect 85 0 92 1; +#X connect 85 0 91 1; +#X connect 86 0 91 0; +#X connect 87 0 91 0; #X connect 88 0 92 0; -#X connect 89 0 93 0; -#X connect 90 0 93 0; -#X connect 91 0 66 0; -#X connect 91 0 25 1; -#X connect 92 0 85 1; -#X connect 93 0 91 1; +#X connect 89 0 92 0; +#X connect 90 0 66 0; +#X connect 90 0 25 1; +#X connect 91 0 84 1; +#X connect 92 0 90 1; +#X connect 93 0 10 0; #X restore 37 422 pd fft-analysis; #X obj 37 508 dac~; #N canvas 260 23 647 768 phase-tables 0; @@ -231,7 +231,7 @@ #X obj 37 448 hip~ 5; #X obj 37 478 *~; #N canvas 249 280 600 398 loc&precess 0; -#X floatatom 160 229 0 0 0; +#X floatatom 160 229 0 0 0 0 - - -; #X msg 270 175 set \$1; #X obj 269 207 outlet; #X obj 83 267 outlet; @@ -317,7 +317,7 @@ #X connect 18 0 9 0; #X restore 417 512 pd hanning-window; #X msg 25 192 \; window-size 2048 \; transpo 0 \; pd dsp 1; -#X floatatom 587 68 0 0 0; +#X floatatom 587 68 0 0 0 0 - - -; #N canvas 194 37 397 591 output 0; #X obj 62 191 t b; #X obj 62 144 f; @@ -405,7 +405,7 @@ #X msg 190 217 \; read-sample ../sound/voice.wav \; transpo -530; #X obj 563 204 tabwrite~ sample; #X obj 583 411 s lock; -#X floatatom 583 386 0 0 0; +#X floatatom 583 386 0 0 0 0 - - -; #X msg 584 359 0; #X msg 618 358 1; #X text 135 18 PHASE LOCKING VOCODER; diff --git a/pd/doc/4.fft.examples/x.wav b/pd/doc/4.fft.examples/x.wav Binary files differindex bccdad63..3a2fd446 100644 --- a/pd/doc/4.fft.examples/x.wav +++ b/pd/doc/4.fft.examples/x.wav diff --git a/pd/doc/5.reference/help-x_all_guis.pd b/pd/doc/5.reference/x_all_guis.pd index 3c18031b..3c18031b 100644 --- a/pd/doc/5.reference/help-x_all_guis.pd +++ b/pd/doc/5.reference/x_all_guis.pd diff --git a/pd/doc/7.stuff/tools/testtone.pd b/pd/doc/7.stuff/tools/testtone.pd index 8ca1eb55..80e4e475 100644 --- a/pd/doc/7.stuff/tools/testtone.pd +++ b/pd/doc/7.stuff/tools/testtone.pd @@ -60,14 +60,14 @@ started" in the Help menu.; #X text 24 341 PD is COPYRIGHT 1997-2002 by Miller Puckette and others but is free for you to use for any reasonable purpose. See the file \, LICENSE.txt in the distribution.; -#X obj 145 115 tgl 20 0 tone-ch1 tone-ch1 1 5 -8 192 12 -262144 -1 --1 1 1; -#X obj 170 115 tgl 20 0 tone-ch2 tone-ch2 2 5 -8 192 12 -262144 -1 --1 1 1; +#X obj 145 115 tgl 20 0 tone-ch1 tone-ch1 1 5 -8 0 12 -262144 -1 -1 +0 1; +#X obj 170 115 tgl 20 0 tone-ch2 tone-ch2 2 5 -8 0 12 -262144 -1 -1 +0 1; #X obj 236 282 tgl 20 0 empty empty empty 20 8 0 8 -262144 -1 -1 0 1; #X obj 394 110 tgl 20 0 tone-monitor set-tone-monitor monitor 25 10 -192 12 -262144 -1 -1 0 1; +0 12 -262144 -1 -1 0 1; #X obj 36 132 vdl 20 1 0 3 tone-radio set-tone-radio empty 20 8 192 8 -262144 -1 -1 2; #X text 62 177 OFF; @@ -93,18 +93,18 @@ but is free for you to use for any reasonable purpose. See the file #X connect 4 0 3 0; #X restore 459 298 pd more; #X obj 393 148 tgl 20 0 tone-hipass set-tone-hipass input-hipass 25 -10 192 12 -262144 -1 -1 0 1; -#X obj 195 115 tgl 20 0 tone-ch3 tone-ch3 3 5 -8 192 12 -262144 -1 --1 1 1; -#X obj 220 115 tgl 20 0 tone-ch4 tone-ch4 4 5 -8 192 12 -262144 -1 --1 1 1; -#X obj 245 115 tgl 20 0 tone-ch5 tone-ch5 5 5 -8 192 12 -262144 -1 --1 1 1; -#X obj 270 115 tgl 20 0 tone-ch6 tone-ch6 6 5 -8 192 12 -262144 -1 --1 1 1; -#X obj 304 106 bng 15 250 50 0 tone-all empty ALL 20 8 128 12 -262144 +10 0 12 -262144 -1 -1 0 1; +#X obj 195 115 tgl 20 0 tone-ch3 tone-ch3 3 5 -8 0 12 -262144 -1 -1 +0 1; +#X obj 220 115 tgl 20 0 tone-ch4 tone-ch4 4 5 -8 0 12 -262144 -1 -1 +0 1; +#X obj 245 115 tgl 20 0 tone-ch5 tone-ch5 5 5 -8 0 12 -262144 -1 -1 +0 1; +#X obj 270 115 tgl 20 0 tone-ch6 tone-ch6 6 5 -8 0 12 -262144 -1 -1 +0 1; +#X obj 304 106 bng 15 250 50 0 tone-all empty ALL 20 8 0 12 -262144 -1 -1; -#X obj 304 127 bng 15 250 50 0 tone-none empty NONE 20 8 128 12 -262144 +#X obj 304 127 bng 15 250 50 0 tone-none empty NONE 20 8 0 12 -262144 -1 -1; #X floatatom 215 183 3 0 0 0 - - -; #X floatatom 248 183 3 0 0 0 - - -; @@ -114,7 +114,7 @@ but is free for you to use for any reasonable purpose. See the file #X text 41 83 TEST; #X text 40 103 TONE; #X text 152 76 test tone channels:; -#N canvas 29 216 908 548 -------audio---- 0; +#N canvas 54 126 908 548 -------audio---- 0; #X obj 23 351 *~; #X obj 45 324 line~; #X obj 190 169 outlet; @@ -139,7 +139,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 192 192 r~ tone-mon; #X obj 201 327 line~; #X obj 182 217 *~; -#X obj 201 300 pack 0 50; #X obj 201 274 r tone-ch1; #X obj 192 247 r~ tone-osc; #X obj 192 352 *~; @@ -156,7 +155,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 312 191 r~ tone-mon; #X obj 321 326 line~; #X obj 302 216 *~; -#X obj 321 299 pack 0 50; #X obj 312 246 r~ tone-osc; #X obj 312 351 *~; #X obj 302 381 +~; @@ -187,7 +185,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 434 193 r~ tone-mon; #X obj 443 328 line~; #X obj 424 218 *~; -#X obj 443 301 pack 0 50; #X obj 434 248 r~ tone-osc; #X obj 434 353 *~; #X obj 424 383 +~; @@ -198,7 +195,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 554 192 r~ tone-mon; #X obj 563 327 line~; #X obj 544 217 *~; -#X obj 563 300 pack 0 50; #X obj 554 247 r~ tone-osc; #X obj 554 352 *~; #X obj 544 382 +~; @@ -209,7 +205,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 671 192 r~ tone-mon; #X obj 680 327 line~; #X obj 661 217 *~; -#X obj 680 300 pack 0 50; #X obj 671 247 r~ tone-osc; #X obj 671 352 *~; #X obj 661 382 +~; @@ -220,7 +215,6 @@ but is free for you to use for any reasonable purpose. See the file #X obj 791 191 r~ tone-mon; #X obj 800 326 line~; #X obj 781 216 *~; -#X obj 800 299 pack 0 50; #X obj 791 246 r~ tone-osc; #X obj 791 351 *~; #X obj 781 381 +~; @@ -243,6 +237,12 @@ but is free for you to use for any reasonable purpose. See the file #X obj 544 92 hip~; #X obj 661 92 hip~; #X obj 781 91 hip~; +#X obj 201 300 pack 0 0; +#X obj 321 299 pack 0 0; +#X obj 443 301 pack 0 0; +#X obj 563 300 pack 0 0; +#X obj 679 300 pack 0 0; +#X obj 800 299 pack 0 0; #X connect 0 0 14 0; #X connect 1 0 0 1; #X connect 3 0 1 0; @@ -255,7 +255,7 @@ but is free for you to use for any reasonable purpose. See the file #X connect 10 0 11 0; #X connect 11 0 4 0; #X connect 12 0 7 0; -#X connect 13 0 109 0; +#X connect 13 0 103 0; #X connect 15 0 17 0; #X connect 16 0 9 0; #X connect 17 0 19 0; @@ -265,91 +265,91 @@ but is free for you to use for any reasonable purpose. See the file #X connect 19 0 5 0; #X connect 20 0 5 0; #X connect 21 0 23 1; -#X connect 22 0 27 1; -#X connect 23 0 29 0; -#X connect 24 0 22 0; -#X connect 25 0 24 0; -#X connect 26 0 27 0; -#X connect 27 0 29 1; -#X connect 29 0 28 0; -#X connect 30 0 109 1; +#X connect 22 0 26 1; +#X connect 23 0 28 0; +#X connect 24 0 109 0; +#X connect 25 0 26 0; +#X connect 26 0 28 1; +#X connect 28 0 27 0; +#X connect 29 0 103 1; +#X connect 31 0 30 0; #X connect 32 0 31 0; #X connect 33 0 32 0; -#X connect 34 0 33 0; +#X connect 35 0 34 0; #X connect 36 0 35 0; -#X connect 37 0 36 0; -#X connect 38 0 40 1; -#X connect 39 0 43 1; -#X connect 40 0 44 0; -#X connect 41 0 39 0; -#X connect 42 0 43 0; -#X connect 43 0 44 1; -#X connect 44 0 47 0; -#X connect 45 0 110 1; +#X connect 37 0 39 1; +#X connect 38 0 41 1; +#X connect 39 0 42 0; +#X connect 40 0 41 0; +#X connect 41 0 42 1; +#X connect 42 0 45 0; +#X connect 43 0 104 1; +#X connect 44 0 104 0; #X connect 46 0 110 0; -#X connect 48 0 41 0; -#X connect 49 0 50 0; -#X connect 51 0 49 0; -#X connect 54 0 53 0; -#X connect 55 0 54 0; -#X connect 56 0 58 1; -#X connect 57 0 61 1; -#X connect 58 0 62 0; -#X connect 59 0 57 0; -#X connect 60 0 61 0; -#X connect 61 0 62 1; -#X connect 62 0 105 0; -#X connect 63 0 111 1; -#X connect 65 0 64 0; -#X connect 66 0 65 0; -#X connect 67 0 69 1; -#X connect 68 0 72 1; -#X connect 69 0 73 0; -#X connect 70 0 68 0; -#X connect 71 0 72 0; -#X connect 72 0 73 1; -#X connect 73 0 106 0; -#X connect 74 0 112 1; -#X connect 76 0 75 0; -#X connect 77 0 76 0; -#X connect 78 0 80 1; -#X connect 79 0 83 1; -#X connect 80 0 84 0; -#X connect 81 0 79 0; -#X connect 82 0 83 0; -#X connect 83 0 84 1; -#X connect 84 0 107 0; -#X connect 85 0 113 1; -#X connect 87 0 86 0; -#X connect 88 0 87 0; -#X connect 89 0 91 1; -#X connect 90 0 94 1; -#X connect 91 0 95 0; -#X connect 92 0 90 0; -#X connect 93 0 94 0; -#X connect 94 0 95 1; -#X connect 95 0 108 0; -#X connect 96 0 114 1; -#X connect 97 0 111 0; -#X connect 98 0 112 0; -#X connect 99 0 113 0; -#X connect 100 0 114 0; -#X connect 101 0 59 0; -#X connect 102 0 70 0; -#X connect 103 0 81 0; -#X connect 104 0 92 0; -#X connect 109 0 23 0; -#X connect 109 0 12 0; -#X connect 110 0 40 0; -#X connect 110 0 37 0; -#X connect 111 0 58 0; +#X connect 47 0 48 0; +#X connect 49 0 47 0; +#X connect 52 0 51 0; +#X connect 53 0 52 0; +#X connect 54 0 56 1; +#X connect 55 0 58 1; +#X connect 56 0 59 0; +#X connect 57 0 58 0; +#X connect 58 0 59 1; +#X connect 59 0 99 0; +#X connect 60 0 105 1; +#X connect 62 0 61 0; +#X connect 63 0 62 0; +#X connect 64 0 66 1; +#X connect 65 0 68 1; +#X connect 66 0 69 0; +#X connect 67 0 68 0; +#X connect 68 0 69 1; +#X connect 69 0 100 0; +#X connect 70 0 106 1; +#X connect 72 0 71 0; +#X connect 73 0 72 0; +#X connect 74 0 76 1; +#X connect 75 0 78 1; +#X connect 76 0 79 0; +#X connect 77 0 78 0; +#X connect 78 0 79 1; +#X connect 79 0 101 0; +#X connect 80 0 107 1; +#X connect 82 0 81 0; +#X connect 83 0 82 0; +#X connect 84 0 86 1; +#X connect 85 0 88 1; +#X connect 86 0 89 0; +#X connect 87 0 88 0; +#X connect 88 0 89 1; +#X connect 89 0 102 0; +#X connect 90 0 108 1; +#X connect 91 0 105 0; +#X connect 92 0 106 0; +#X connect 93 0 107 0; +#X connect 94 0 108 0; +#X connect 95 0 111 0; +#X connect 96 0 112 0; +#X connect 97 0 113 0; +#X connect 98 0 114 0; +#X connect 103 0 23 0; +#X connect 103 0 12 0; +#X connect 104 0 39 0; +#X connect 104 0 36 0; +#X connect 105 0 56 0; +#X connect 105 0 53 0; +#X connect 106 0 66 0; +#X connect 106 0 63 0; +#X connect 107 0 76 0; +#X connect 107 0 73 0; +#X connect 108 0 86 0; +#X connect 108 0 83 0; +#X connect 109 0 22 0; +#X connect 110 0 38 0; #X connect 111 0 55 0; -#X connect 112 0 69 0; -#X connect 112 0 66 0; -#X connect 113 0 80 0; -#X connect 113 0 77 0; -#X connect 114 0 91 0; -#X connect 114 0 88 0; +#X connect 112 0 65 0; +#X connect 113 0 75 0; +#X connect 114 0 85 0; #X restore 149 157 pd -------audio----; #X connect 1 0 2 0; #X connect 1 1 2 1; diff --git a/pd/doc/sound/bell.aiff b/pd/doc/sound/bell.aiff Binary files differindex 374faecb..4b2a49ae 100644 --- a/pd/doc/sound/bell.aiff +++ b/pd/doc/sound/bell.aiff diff --git a/pd/doc/sound/voice.wav b/pd/doc/sound/voice.wav Binary files differindex d0c1a570..8b7f1acc 100644 --- a/pd/doc/sound/voice.wav +++ b/pd/doc/sound/voice.wav diff --git a/pd/doc/sound/voice2.wav b/pd/doc/sound/voice2.wav Binary files differindex 7ceba74b..9bd9d484 100644 --- a/pd/doc/sound/voice2.wav +++ b/pd/doc/sound/voice2.wav |
