From 4d84d14ac1aa13958eaa2971b03f7f929a519105 Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?IOhannes=20m=20zm=C3=B6lnig?= Date: Fri, 8 Feb 2008 13:00:32 +0000 Subject: reorganized svn path=/trunk/; revision=9400 --- .../doc/3.audio.examples/A05.output.subpatch.pd | 30 ++++++++++++++++++++++ 1 file changed, 30 insertions(+) create mode 100644 desiredata/doc/3.audio.examples/A05.output.subpatch.pd (limited to 'desiredata/doc/3.audio.examples/A05.output.subpatch.pd') diff --git a/desiredata/doc/3.audio.examples/A05.output.subpatch.pd b/desiredata/doc/3.audio.examples/A05.output.subpatch.pd new file mode 100644 index 00000000..d24fdba2 --- /dev/null +++ b/desiredata/doc/3.audio.examples/A05.output.subpatch.pd @@ -0,0 +1,30 @@ +#N canvas 300 159 635 486 12; +#X text 261 20 CONTROLLING OUTPUT AMPLITUDE; +#X obj 32 27 osc~ 440; +#X obj 54 55 osc~ 550; +#X obj 54 116 osc~ 660; +#X obj 32 88 +~; +#X obj 32 142 +~; +#X text 108 177 <-- this is a subwindow--right click on it; +#X text 149 197 and select "open" to see inside.; +#X text 30 401 The output control automatically starts DSP whenever +you touch the level control. Hitting "mute" toggles between the current +level and zero.; +#X obj 32 173 output~; +#X text 383 463 updated for Pd version 0.36; +#X text 143 115 <-- Here we make an A major triad as a test signal. +; +#X text 31 250 In this and subsequent patches \, we'll use a subwindow +\, "output" \, to control overall amplitude. The amplitudes are in +decibels \, with 100 being full blast. In this example \, you can't +actually push the output amplitude past 90 or so without clipping. +You'll know you're clipping if \, instead of an A major chord \, you +hear a single \, distorted tone two octaves down. The clipping happens +at Pd's last stage of audio output. Audio signals internal to Pd have +essentially no level limit.; +#X connect 1 0 4 0; +#X connect 2 0 4 1; +#X connect 3 0 5 1; +#X connect 4 0 5 0; +#X connect 5 0 9 0; +#X connect 5 0 9 1; -- cgit v1.2.1