From 4d84d14ac1aa13958eaa2971b03f7f929a519105 Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?IOhannes=20m=20zm=C3=B6lnig?= Date: Fri, 8 Feb 2008 13:00:32 +0000 Subject: reorganized svn path=/trunk/; revision=9400 --- .../doc/3.audio.examples/C02.sawtooth-foldover.pd | 39 ++++++++++++++++++++++ 1 file changed, 39 insertions(+) create mode 100644 desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd (limited to 'desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd') diff --git a/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd b/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd new file mode 100644 index 00000000..f52fc548 --- /dev/null +++ b/desiredata/doc/3.audio.examples/C02.sawtooth-foldover.pd @@ -0,0 +1,39 @@ +#N canvas 180 71 562 473 12; +#X obj 155 348 output~; +#X text 310 443 updated for Pd version 0.37; +#X text 56 2 FOLDOVER IN SAWTOOTH WAVES; +#X obj 154 320 clip~ 0 1; +#X obj 155 153 mtof; +#X floatatom 155 131 3 0 0 0 - - -; +#X obj 155 269 *~ 20; +#X obj 155 295 -~ 19; +#X obj 155 177 phasor~; +#N canvas 0 0 560 183 /SUBPATCH/ 0; +#X obj 25 74 loadbang; +#X msg 25 99 61; +#X obj 25 124 outlet; +#X text 7 6 This sets the pitch initially to 61 when the patch is first +opened.; +#X connect 0 0 1 0; +#X connect 1 0 2 0; +#X restore 155 105 pd; +#X text 190 130 <--pitch; +#X obj 164 206 output~; +#X text 237 205 <--sawtooth amplitude; +#X text 233 373 <--pulse train amplitude; +#X text 28 406 We'll explain more about making pulses later on... this +example is mostly intended as ear training.; +#X text 19 23 In more ordinary kinds of waveforms \, foldover comes +across as a "cheap synth" sound. You can hear the foldover clearly +in the pulse train here \, and less clearly (but still audibly) in +the straight sawtooth \, especially at high pitches.; +#X connect 3 0 0 0; +#X connect 3 0 0 1; +#X connect 4 0 8 0; +#X connect 5 0 4 0; +#X connect 6 0 7 0; +#X connect 7 0 3 0; +#X connect 8 0 6 0; +#X connect 8 0 11 0; +#X connect 8 0 11 1; +#X connect 9 0 5 0; -- cgit v1.2.1