From 4d84d14ac1aa13958eaa2971b03f7f929a519105 Mon Sep 17 00:00:00 2001
From: =?UTF-8?q?IOhannes=20m=20zm=C3=B6lnig?=
 <zmoelnig@users.sourceforge.net>
Date: Fri, 8 Feb 2008 13:00:32 +0000
Subject: reorganized

svn path=/trunk/; revision=9400
---
 .../doc/3.audio.examples/G03.delay.variable.pd     | 77 ++++++++++++++++++++++
 1 file changed, 77 insertions(+)
 create mode 100644 desiredata/doc/3.audio.examples/G03.delay.variable.pd

(limited to 'desiredata/doc/3.audio.examples/G03.delay.variable.pd')

diff --git a/desiredata/doc/3.audio.examples/G03.delay.variable.pd b/desiredata/doc/3.audio.examples/G03.delay.variable.pd
new file mode 100644
index 00000000..c2ece553
--- /dev/null
+++ b/desiredata/doc/3.audio.examples/G03.delay.variable.pd
@@ -0,0 +1,77 @@
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+#X obj 33 377 hip~ 5;
+#X obj 226 263 +~ 1;
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+#X obj 226 311 +~ 1.46;
+#X text 154 164 <-- timbre;
+#X text 66 135 <-- pitch;
+#X text 279 191 <-- cycle frequency (hundredths);
+#X text 354 222 <-- cycle depth (msec);
+#X text 431 298 <-- feedback (hundredths);
+#X text 89 6 VARIABLE DELAYS;
+#X obj 33 206 osc~ 0;
+#X text 46 32 This is a fuzzed FM generator going into a delay loop
+\, this time using a variable delay object (vd~). You can get several
+interesting effects this way. We have taken the precaution of clipping
+inside the loop to avoid instabilities. You can push the loop gain
+past 1 if you want \, it will just oscillate.;
+#X obj 32 409 output~;
+#X obj 226 335 vd~ G03-del;
+#X obj 361 443 delwrite~ G03-del 1000;
+#X obj 361 419 clip~ -1 1;
+#X text 387 481 updated for Pd version 0.37-1;
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-- 
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