From 8dbec761cf858ea65900c8a094599857208d8c3a Mon Sep 17 00:00:00 2001 From: "N.N." Date: Tue, 5 Jan 2010 22:49:36 +0000 Subject: svn path=/trunk/; revision=12907 --- desiredata/doc/3.audio.examples/H15.phaser.pd | 109 -------------------------- 1 file changed, 109 deletions(-) delete mode 100644 desiredata/doc/3.audio.examples/H15.phaser.pd (limited to 'desiredata/doc/3.audio.examples/H15.phaser.pd') diff --git a/desiredata/doc/3.audio.examples/H15.phaser.pd b/desiredata/doc/3.audio.examples/H15.phaser.pd deleted file mode 100644 index 4de372c1..00000000 --- a/desiredata/doc/3.audio.examples/H15.phaser.pd +++ /dev/null @@ -1,109 +0,0 @@ -#N canvas 25 22 703 596 12; -#X text 448 562 updated for Pd version 0.39; -#X text 167 -1 PHASER; -#N canvas 876 177 375 255 startup 0; -#X obj 22 24 loadbang; -#X obj 22 48 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1 --1; -#X obj 22 67 f \$0; -#X text 35 195 This subpatch loads initial; -#X text 31 219 values in number boxes.; -#X msg 22 91 \; \$1-pole 80; -#X connect 0 0 1 0; -#X connect 1 0 2 0; -#X connect 2 0 5 0; -#X restore 323 561 pd startup; -#N canvas 0 0 660 424 chord 0; -#X obj 87 97 -~ 0.5; -#X obj 87 146 clip~ -0.5 0.5; -#X obj 87 169 cos~; -#X obj 91 252 hip~ 5; -#X obj 91 315 outlet~; -#X obj 87 122 *~ 3; -#X obj 87 74 phasor~ 220; -#X obj 221 97 -~ 0.5; -#X obj 221 146 clip~ -0.5 0.5; -#X obj 221 169 cos~; -#X obj 221 122 *~ 3; -#X obj 356 100 -~ 0.5; -#X obj 356 149 clip~ -0.5 0.5; -#X obj 356 172 cos~; -#X obj 356 125 *~ 3; -#X obj 491 100 -~ 0.5; -#X obj 491 149 clip~ -0.5 0.5; -#X obj 491 172 cos~; -#X obj 491 125 *~ 3; -#X obj 221 74 phasor~ 251; -#X obj 356 77 phasor~ 281; -#X obj 491 77 phasor~ 311; -#X text 147 32 test sound for phaser; -#X obj 91 285 *~ 0.2; -#X connect 0 0 5 0; -#X connect 1 0 2 0; -#X connect 2 0 3 0; -#X connect 3 0 23 0; -#X connect 5 0 1 0; -#X connect 6 0 0 0; -#X connect 7 0 10 0; -#X connect 8 0 9 0; -#X connect 9 0 3 0; -#X connect 10 0 8 0; -#X connect 11 0 14 0; -#X connect 12 0 13 0; -#X connect 13 0 3 0; -#X connect 14 0 12 0; -#X connect 15 0 18 0; -#X connect 16 0 17 0; -#X connect 17 0 3 0; -#X connect 18 0 16 0; -#X connect 19 0 7 0; -#X connect 20 0 11 0; -#X connect 21 0 15 0; -#X connect 23 0 4 0; -#X restore 73 271 pd chord; -#X obj 72 533 output~; -#X obj 95 325 rpole~; -#X obj 95 300 rzero_rev~; -#X obj 95 374 rpole~; -#X obj 95 349 rzero_rev~; -#X obj 95 422 rpole~; -#X obj 95 397 rzero_rev~; -#X obj 95 471 rpole~; -#X obj 95 446 rzero_rev~; -#X obj 72 501 +~; -#X text 23 17 The phaser ranks \, along with fuzz and wah-wah \, as -one of the great guitar pedals. A phaser simply adds an all-passed -copy of the signal to the original \, making phase reinforcement and -cancellation at frequencies that depend on the all-pass coefficients. -In this example the coefficients range from 0.88 to 0.98 \, controlled -by a phasor~ object (no relation). The phasor~ is converted to a symmetrical -triangle wave (abs($v1-0.5)) and then ranged appropriately.; -#X obj 250 417 phasor~ 0.3; -#X text 22 158 Many variations of this have been invented. A deeper -effect can be obtained by using 12 all-pass filters and adding the -outputs of the 4th \, 8th. and 12th one to the original. Various stereo -configurations are possible. Some people use 6 instead of the 4 stages -used here. Controls can be added to change the frequency of sweeping -and the range of the all-pass coeefficients.; -#X obj 250 449 expr~ 1 - 0.03 - 0.6*abs($v1-0.5)*abs($v1-0.5); -#X connect 3 0 6 0; -#X connect 3 0 13 0; -#X connect 5 0 8 0; -#X connect 6 0 5 0; -#X connect 7 0 10 0; -#X connect 8 0 7 0; -#X connect 9 0 12 0; -#X connect 10 0 9 0; -#X connect 11 0 13 1; -#X connect 12 0 11 0; -#X connect 13 0 4 0; -#X connect 13 0 4 1; -#X connect 15 0 17 0; -#X connect 17 0 6 1; -#X connect 17 0 5 1; -#X connect 17 0 8 1; -#X connect 17 0 7 1; -#X connect 17 0 10 1; -#X connect 17 0 9 1; -#X connect 17 0 12 1; -#X connect 17 0 11 1; -- cgit v1.2.1