From 4d84d14ac1aa13958eaa2971b03f7f929a519105 Mon Sep 17 00:00:00 2001
From: =?UTF-8?q?IOhannes=20m=20zm=C3=B6lnig?=
 <zmoelnig@users.sourceforge.net>
Date: Fri, 8 Feb 2008 13:00:32 +0000
Subject: reorganized

svn path=/trunk/; revision=9400
---
 .../doc/3.audio.examples/J08.classicsynth.pd       | 135 +++++++++++++++++++++
 1 file changed, 135 insertions(+)
 create mode 100644 desiredata/doc/3.audio.examples/J08.classicsynth.pd

(limited to 'desiredata/doc/3.audio.examples/J08.classicsynth.pd')

diff --git a/desiredata/doc/3.audio.examples/J08.classicsynth.pd b/desiredata/doc/3.audio.examples/J08.classicsynth.pd
new file mode 100644
index 00000000..ae9ce754
--- /dev/null
+++ b/desiredata/doc/3.audio.examples/J08.classicsynth.pd
@@ -0,0 +1,135 @@
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+#N canvas 158 4 781 654 16x 0;
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+#X obj 44 255 output~;
+#X text 333 501 Updated for Pd version 0.39;
+#X text 151 7 THE CLASSIC SUBTRACTIVE SYNTH SOUND;
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+#X text 31 323 Now that we can make reasonably high-quality classic
+waveforms using upsampling \, we combine an upsampled oscillator with
+a "vcf" filter and ADSR generators to control the filter resonant frequency
+and the amplitude to make the classic subtractive synthesis sound.
+Send an "s \$0-note" object a (pitch \, duration) pair to play a note.
+(Classic VC synths did not have velocity sensitive keyboards!) You
+can add controls to change the parameters of the ADSR envelopes and/or
+the vcf~ "Q" parameter. THe oscillators' waveforms and tuning relationship
+is controlled by other parameters set within the "pd 16x" window.;
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-- 
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