From 4d84d14ac1aa13958eaa2971b03f7f929a519105 Mon Sep 17 00:00:00 2001 From: =?UTF-8?q?IOhannes=20m=20zm=C3=B6lnig?= Date: Fri, 8 Feb 2008 13:00:32 +0000 Subject: reorganized svn path=/trunk/; revision=9400 --- desiredata/doc/3.audio.examples/sampvoice2.pd | 122 ++++++++++++++++++++++++++ 1 file changed, 122 insertions(+) create mode 100644 desiredata/doc/3.audio.examples/sampvoice2.pd (limited to 'desiredata/doc/3.audio.examples/sampvoice2.pd') diff --git a/desiredata/doc/3.audio.examples/sampvoice2.pd b/desiredata/doc/3.audio.examples/sampvoice2.pd new file mode 100644 index 00000000..4350ea48 --- /dev/null +++ b/desiredata/doc/3.audio.examples/sampvoice2.pd @@ -0,0 +1,122 @@ +#N canvas 231 67 770 791 12; +#X obj 284 616 *~; +#X obj 183 744 outlet~; +#X obj 110 536 makefilename sample%d; +#X msg 110 559 set \$1; +#X obj 110 582 tabread4~ sample1; +#X obj 367 559 dbtorms; +#X obj 367 536 unpack; +#X obj 367 582 sqrt; +#X obj 367 605 sqrt; +#X obj 367 628 line~; +#X obj 344 699 *~; +#X obj 367 651 *~; +#X obj 367 674 *~; +#X msg 122 184 bang; +#X obj 130 207 delay 5; +#X obj 437 275 f; +#X obj 399 276 f; +#X obj 322 276 f; +#X obj 283 276 f; +#X obj 252 276 f; +#X obj 159 263 f; +#X obj 159 286 mtof; +#X obj 159 309 / 261.62; +#X obj 159 332 * 4.41e+08; +#X obj 159 363 +; +#X obj 253 443 pack 0 0 0 0 0; +#X obj 130 230 t b b b; +#X obj 322 322 + 1; +#X obj 322 299 * 44.1; +#X msg 85 478 0 5; +#X msg 295 477 1 5; +#X msg 331 477 0 \, \$1 \$2; +#X msg 134 478 \$3 \, \$4 1e+07; +#X msg 259 477 \$5; +#X msg 411 477 0 \$1; +#X obj 230 119 inlet; +#X obj 183 693 inlet~; +#X obj 183 719 +~; +#X text 498 181 pitch in halftones; +#X text 499 158 amplitude (dB); +#X text 499 206 sample number; +#X text 499 230 start location (msec); +#X text 499 254 rise time (msec); +#X text 499 278 decay time (msec); +#X text 498 133 ARGUMENTS FOR NOTE ON:; +#X text 460 317 (Zero amplitude means note off \;; +#X text 481 338 other parameters are ignored.); +#X obj 230 144 route 0; +#X obj 288 175 unpack 0 0 0 0 0 0; +#X text 35 5 This is an abstraction used by the polyphonic sampler +\, version 2 \, which takes separate note-on and note-off messages. +Unlike "sampvoice" (the first version) \, there is no "duration" field +\, and the amplitude and pitch fields are reversed to make it easy +to separate note-on from note-off messages (which have amplitude zero.) +; +#X text 299 153 note-on; +#X text 155 153 note-off; +#X obj 50 536 vline~; +#X obj 307 536 vline~; +#X msg 230 166 bang; +#X connect 0 0 10 0; +#X connect 2 0 3 0; +#X connect 3 0 4 0; +#X connect 4 0 0 0; +#X connect 5 0 7 0; +#X connect 6 0 5 0; +#X connect 6 1 9 1; +#X connect 7 0 8 0; +#X connect 8 0 9 0; +#X connect 9 0 11 0; +#X connect 9 0 11 1; +#X connect 10 0 37 1; +#X connect 11 0 12 0; +#X connect 11 0 12 1; +#X connect 12 0 10 1; +#X connect 13 0 14 0; +#X connect 13 0 29 0; +#X connect 14 0 26 0; +#X connect 15 0 34 0; +#X connect 16 0 25 1; +#X connect 17 0 28 0; +#X connect 18 0 25 4; +#X connect 19 0 25 0; +#X connect 20 0 21 0; +#X connect 21 0 22 0; +#X connect 22 0 23 0; +#X connect 23 0 24 0; +#X connect 24 0 25 3; +#X connect 25 0 30 0; +#X connect 25 0 31 0; +#X connect 25 0 32 0; +#X connect 25 0 33 0; +#X connect 26 0 19 0; +#X connect 26 1 20 0; +#X connect 26 2 16 0; +#X connect 26 2 17 0; +#X connect 26 2 18 0; +#X connect 27 0 25 2; +#X connect 27 0 24 1; +#X connect 28 0 27 0; +#X connect 29 0 53 0; +#X connect 30 0 53 0; +#X connect 31 0 6 0; +#X connect 32 0 52 0; +#X connect 33 0 2 0; +#X connect 34 0 6 0; +#X connect 35 0 47 0; +#X connect 36 0 37 0; +#X connect 37 0 1 0; +#X connect 47 0 54 0; +#X connect 47 1 48 0; +#X connect 48 0 13 0; +#X connect 48 0 19 1; +#X connect 48 1 20 1; +#X connect 48 2 18 1; +#X connect 48 3 17 1; +#X connect 48 4 16 1; +#X connect 48 5 15 1; +#X connect 52 0 4 0; +#X connect 53 0 0 1; +#X connect 54 0 15 0; -- cgit v1.2.1