From 6bd0416d0fc9245ba0efc7a6bf1e0620c4807790 Mon Sep 17 00:00:00 2001 From: Hans-Christoph Steiner Date: Mon, 23 Jul 2007 23:38:22 +0000 Subject: removed spaces from filenames svn path=/trunk/; revision=8219 --- .../cognition/durations_affect_recognition.pd | 18 ++++++++++++++++++ 1 file changed, 18 insertions(+) create mode 100644 doc/tutorials/cognition/durations_affect_recognition.pd (limited to 'doc/tutorials/cognition/durations_affect_recognition.pd') diff --git a/doc/tutorials/cognition/durations_affect_recognition.pd b/doc/tutorials/cognition/durations_affect_recognition.pd new file mode 100644 index 00000000..df1a6468 --- /dev/null +++ b/doc/tutorials/cognition/durations_affect_recognition.pd @@ -0,0 +1,18 @@ +#N canvas 448 122 530 585 10; +#X text 91 14 Note durations affect recognition; +#X text 117 91 (from Thinking in Sound p.52); +#X text 57 122 "Sequences of tones forming melodies are perceived as +more than a series of pitches \, and seem to have an emergent property +characteristic of the particular pattern- in other words \, they form +distinctive auditory gestalten or temporal compounds. If melodies can +be considered as temporal compounds \, then we would expect to find +a 'temporal template' for melody recognition that has both upper and +lower durational limits." [1]; +#X text 31 479 [1] "Thinking in sound: the cognitive psychology of +human audition" \, ed. S. McAdams and E. Bigand. Oxford University +Press \, 1993 \, p52; +#X text 81 294 play happy birthday fast/slow; +#X text 79 320 play twinkle twinkle little star fast/slow; +#X obj 0 0 cnv 15 580 40 empty empty durations_affect_recognition 20 12 +1 18 -216441 -66577 0; +#X text 258 24 'cognition' by Hans-Christoph Steiner; -- cgit v1.2.1