From 64fdb009695828b788fce074135b20a5e52c5fc4 Mon Sep 17 00:00:00 2001 From: Thomas Grill Date: Tue, 23 Sep 2003 00:21:28 +0000 Subject: imported version 0.37-0 svn path=/trunk/; revision=1016 --- pd/doc/3.audio.examples/35.sampler.poly.pd | 228 ----------------------------- 1 file changed, 228 deletions(-) delete mode 100644 pd/doc/3.audio.examples/35.sampler.poly.pd (limited to 'pd/doc/3.audio.examples/35.sampler.poly.pd') diff --git a/pd/doc/3.audio.examples/35.sampler.poly.pd b/pd/doc/3.audio.examples/35.sampler.poly.pd deleted file mode 100644 index e42b586d..00000000 --- a/pd/doc/3.audio.examples/35.sampler.poly.pd +++ /dev/null @@ -1,228 +0,0 @@ -#N canvas 66 253 1119 674 12; -#X floatatom 582 562 0 0 0; -#N canvas 159 26 495 262 output 0; -#X obj 406 192 t b; -#X obj 406 132 f; -#X obj 406 72 inlet; -#X text 413 35 mute; -#X obj 406 222 f; -#X msg 510 214 0; -#X msg 406 102 bang; -#X obj 406 162 moses 1; -#X obj 510 184 t b f; -#X obj 476 140 moses 1; -#X obj 100 178 dbtorms; -#X obj 476 110 r master-lvl; -#X obj 100 50 r master-lvl; -#X obj 406 252 s master-lvl; -#X obj 26 217 inlet~; -#X obj 239 49 inlet; -#X text 239 22 level; -#X obj 239 120 s master-lvl; -#X msg 115 78 set \$1; -#X obj 115 107 outlet; -#X msg 257 77 \; pd dsp 1; -#X obj 100 233 line~; -#X obj 26 254 *~; -#X obj 26 289 dac~; -#X obj 100 205 pack 0 50; -#X text 24 190 audio; -#X text 112 132 show level; -#X connect 0 0 4 0; -#X connect 1 0 7 0; -#X connect 2 0 6 0; -#X connect 4 0 13 0; -#X connect 5 0 13 0; -#X connect 6 0 1 0; -#X connect 7 0 0 0; -#X connect 7 1 8 0; -#X connect 8 0 5 0; -#X connect 9 1 4 1; -#X connect 10 0 24 0; -#X connect 11 0 1 1; -#X connect 11 0 9 0; -#X connect 12 0 10 0; -#X connect 12 0 18 0; -#X connect 14 0 22 0; -#X connect 15 0 17 0; -#X connect 15 0 20 0; -#X connect 18 0 19 0; -#X connect 21 0 22 1; -#X connect 22 0 23 0; -#X connect 22 0 23 1; -#X connect 24 0 21 0; -#X restore 547 595 pd output; -#X msg 617 562 MUTE; -#X text 660 561 <-- output amplitude; -#N canvas 0 0 600 392 samples 0; -#N canvas 0 0 450 300 graph1 0; -#X array sample1 176403 float 0; -#X coords 0 1.02 176403 -1.02 200 130 1; -#X restore 262 41 graph; -#X text 282 385 ------ 4 seconds ------; -#N canvas 0 0 450 300 graph1 0; -#X array sample2 176403 float 0; -#X coords 0 1.02 176403 -1.02 200 130 1; -#X restore 262 226 graph; -#X restore 931 97 pd samples; -#N canvas 52 219 967 340 recorder 0; -#X obj 220 21 inlet; -#X obj 174 174 adc~ 1; -#X obj 174 202 hip~ 5; -#X obj 243 232 line~; -#X obj 174 231 *~; -#X msg 243 204 1; -#X obj 302 169 del 3990; -#X msg 279 204 0 10; -#X obj 174 282 tabwrite~ sample1; -#X obj 26 88 makefilename sample%1; -#X msg 26 117 set \$1 \, bang; -#X msg 348 140 stop; -#X msg 302 140 bang; -#X obj 220 50 route record stop reload browse; -#X obj 411 158 loadbang; -#X obj 514 113 openpanel; -#X msg 514 85 bang; -#X text 556 84 <-- browse for samples; -#X text 482 209 v-- re-read original samples; -#X obj 411 295 soundfiler; -#X msg 411 237 read ../sound/bell.aiff sample1 \, read ../sound/voice2.wav -sample2; -#X msg 514 140 read \$1 sample1; -#X obj 514 167 soundfiler; -#X connect 0 0 13 0; -#X connect 1 0 2 0; -#X connect 2 0 4 0; -#X connect 3 0 4 1; -#X connect 4 0 8 0; -#X connect 5 0 3 0; -#X connect 6 0 7 0; -#X connect 7 0 3 0; -#X connect 9 0 10 0; -#X connect 10 0 8 0; -#X connect 11 0 6 0; -#X connect 12 0 6 0; -#X connect 13 0 9 0; -#X connect 13 0 12 0; -#X connect 13 0 5 0; -#X connect 13 1 7 0; -#X connect 13 1 11 0; -#X connect 13 2 20 0; -#X connect 13 3 16 0; -#X connect 14 0 20 0; -#X connect 15 0 21 0; -#X connect 16 0 15 0; -#X connect 20 0 19 0; -#X connect 21 0 22 0; -#X restore 931 284 pd recorder; -#X msg 931 146 record 1; -#X msg 931 202 stop; -#X msg 931 174 record 2; -#X text 19 49 ARGUMENTS FOR NOTES:; -#X text 19 71 pitch in halftones; -#X text 19 95 amplitude (dB); -#X text 19 143 sample number; -#X text 19 119 duration (msec); -#X text 19 167 start location (msec); -#X text 19 191 rise time (msec); -#X text 19 215 decay time (msec); -#X msg 931 229 reload; -#X msg 931 257 browse; -#X text 47 10 POLYPHONIC SAMPLER; -#X obj 547 522 sampvoice; -#X obj 547 494 sampvoice; -#X obj 547 467 sampvoice; -#X obj 547 439 sampvoice; -#X obj 547 412 sampvoice; -#X obj 547 384 sampvoice; -#X obj 547 356 sampvoice; -#X obj 547 329 sampvoice; -#X obj 631 17 r note; -#X obj 631 44 unpack 0 0 0 0 0 0 0; -#X obj 604 76 t b f; -#X obj 544 109 f; -#X obj 580 109 + 1; -#X obj 552 146 mod 1e+06; -#X obj 544 175 makenote 64; -#X obj 544 203 poly 8 1; -#X obj 544 230 stripnote; -#X obj 617 272 pack 0 0 0 0 0 0 0 0; -#X obj 617 300 route 1 2 3 4 5 6 7 8; -#X text 929 124 record \, etc.; -#X text 206 142 increment mod 1e+06 to make fake pitch; -#X text 326 177 supply note-off message; -#X text 336 207 allocate sampler voice; -#X text 359 232 drop note off again; -#X obj 736 516 qlist; -#X obj 870 520 r comment; -#X text 732 445 sailors to untie him...; -#X text 735 395 Lashed to the mast of his boat \, Ulysses; -#X text 735 420 hears beautiful singing. He begs his; -#X text 19 271 Here we take the previous patch and make it polyphonic -\, with 8 voices. The single voice which we had before has been made -into an abstraction \, "sampvoice.pd" \, which we instantiate in 8 -copies. Earlier we used sends and receives to pass messages to "cutoff" -\, etc \, but here if we did that the copies of sampvoice would be -sending messages to each other \, so we combine the control and the -audio computation in the sampvoice abstraction without using send and -receive. Click on one to see how.; -#X text 20 421 The "poly" object essentially repeats pitch and velocity -pairs to its output \, but also sending a voice number from its left -outlet. To use it \, we unpack the 7 parameters \, calculate the voice -number \, repack the message as 8 parameters with voice number first -\, and use "route" to send it to one of the 8 voices.; -#X text 20 523 There's some bother because poly expects to track note -on and note off messages separately as they would come from a MIDI -keyboard. So we assign each note a unique fake "pitch" \, use makenote -to generate the note-off messages \, and run poly on the resulting -stream. We then discard both pitch and velocity (using the velocity -only to strip note-offs) and rebuild the original message adding the -voice number we just scored.; -#X text 854 639 updated for Pd version 0.33; -#X msg 736 486 read 35.qlist.txt \, rewind \, tempo 1 \, bang; -#X connect 0 0 1 1; -#X connect 1 0 0 0; -#X connect 2 0 1 2; -#X connect 6 0 5 0; -#X connect 7 0 5 0; -#X connect 8 0 5 0; -#X connect 17 0 5 0; -#X connect 18 0 5 0; -#X connect 20 0 1 0; -#X connect 21 0 20 0; -#X connect 22 0 21 0; -#X connect 23 0 22 0; -#X connect 24 0 23 0; -#X connect 25 0 24 0; -#X connect 26 0 25 0; -#X connect 27 0 26 0; -#X connect 28 0 29 0; -#X connect 29 0 30 0; -#X connect 29 1 37 2; -#X connect 29 2 34 2; -#X connect 29 2 37 3; -#X connect 29 3 37 4; -#X connect 29 4 37 5; -#X connect 29 5 37 6; -#X connect 29 6 37 7; -#X connect 30 0 31 0; -#X connect 30 1 37 1; -#X connect 31 0 32 0; -#X connect 31 0 34 0; -#X connect 32 0 33 0; -#X connect 33 0 31 1; -#X connect 34 0 35 0; -#X connect 34 1 35 1; -#X connect 35 0 36 0; -#X connect 35 2 36 1; -#X connect 36 0 37 0; -#X connect 37 0 38 0; -#X connect 38 0 27 1; -#X connect 38 1 26 1; -#X connect 38 2 25 1; -#X connect 38 3 24 1; -#X connect 38 4 23 1; -#X connect 38 5 22 1; -#X connect 38 6 21 1; -#X connect 38 7 20 1; -#X connect 53 0 44 0; -- cgit v1.2.1