From 21c068f1916330e90f814bed461fe0821d1665ec Mon Sep 17 00:00:00 2001 From: Hans-Christoph Steiner Date: Sun, 9 Oct 2011 16:36:37 +0000 Subject: checked in pd-0.43-0.src.tar.gz svn path=/trunk/; revision=15557 --- pd/doc/3.audio.examples/E04.difference.tone.pd | 24 ++++++++--------- pd/doc/3.audio.examples/E06.exponential.pd | 10 +++---- pd/doc/3.audio.examples/E07.evenodd.pd | 14 +++++----- pd/doc/3.audio.examples/I07.phase.vocoder.pd | 36 +++++++++++++------------- 4 files changed, 42 insertions(+), 42 deletions(-) (limited to 'pd/doc/3.audio.examples') diff --git a/pd/doc/3.audio.examples/E04.difference.tone.pd b/pd/doc/3.audio.examples/E04.difference.tone.pd index 7272222b..982c6715 100644 --- a/pd/doc/3.audio.examples/E04.difference.tone.pd +++ b/pd/doc/3.audio.examples/E04.difference.tone.pd @@ -1,4 +1,4 @@ -#N canvas 266 135 637 523 12; +#N canvas 263 112 637 523 12; #X obj 19 128 +~; #X obj 18 209 output~; #X text 141 3 NONLINEAR DISTORTION AND DIFFERENCE TONES; @@ -6,7 +6,6 @@ #X floatatom 154 151 5 0 500 0 - - -; #X obj 18 181 clip~ -1 1; #X floatatom 42 81 5 0 0 0 - - -; -#X obj 42 103 osc~ 200; #X obj 18 155 *~; #X obj 42 35 loadbang; #X msg 154 127 50; @@ -30,16 +29,17 @@ no longer as if the two sinusoids had been processed separately. Instead At 300 and 225 Hz \, the subharmonic is at 75 \, two octaves below the upper tone and a twelveth below the lower one. Change the frequency of the second tone and you will hear a variety of effects.; -#X connect 0 0 8 0; -#X connect 3 0 8 1; +#X obj 42 103 osc~; +#X connect 0 0 7 0; +#X connect 3 0 7 1; #X connect 4 0 3 0; #X connect 5 0 1 0; #X connect 5 0 1 1; -#X connect 6 0 7 0; -#X connect 7 0 0 1; -#X connect 8 0 5 0; -#X connect 9 0 17 0; -#X connect 10 0 4 0; -#X connect 11 0 10 0; -#X connect 16 0 0 0; -#X connect 17 0 6 0; +#X connect 6 0 19 0; +#X connect 7 0 5 0; +#X connect 8 0 16 0; +#X connect 9 0 4 0; +#X connect 10 0 9 0; +#X connect 15 0 0 0; +#X connect 16 0 6 0; +#X connect 19 0 0 1; diff --git a/pd/doc/3.audio.examples/E06.exponential.pd b/pd/doc/3.audio.examples/E06.exponential.pd index 02fe058b..7247e44d 100644 --- a/pd/doc/3.audio.examples/E06.exponential.pd +++ b/pd/doc/3.audio.examples/E06.exponential.pd @@ -1,10 +1,10 @@ -#N canvas 88 112 754 729 12; -#N canvas 0 0 450 300 graph1 0; +#N canvas 85 89 754 729 12; +#N canvas 0 0 450 300 (subpatch) 0; #X array E06-signal 882 float 0; #X coords 0 1.02 882 -1.02 200 130 1; #X restore 509 46 graph; #X obj 14 265 hip~ 5; -#N canvas 0 0 450 300 graph1 0; +#N canvas 0 0 450 300 (subpatch) 0; #X array E06-spectrum 128 float 0; #X coords 0 4300 127 -40 257 130 1; #X restore 463 222 graph; @@ -99,7 +99,7 @@ frequency for showing spectra: the 16th bin in a 4096-point spectrum #X text 722 276 0.5; #X obj 82 238 tgl 18 0 empty empty empty 0 -6 0 8 -262144 -1 -1 0 1 ; -#N canvas 0 0 450 300 graph1 0; +#N canvas 0 0 450 300 (subpatch) 0; #X array E06-tab 1003 float 1; #A 0 1.01005 1 0.99005 0.980199 0.970446 0.960789 0.951229 0.941765 0.932394 0.923116 0.913931 0.904837 0.895834 0.88692 0.878095 0.869358 @@ -278,7 +278,7 @@ frequency for showing spectra: the 16th bin in a 4096-point spectrum #X connect 7 0 10 0; #X connect 8 0 4 1; #X restore 302 258 pd make-table; -#X text 251 95 waveshaping function; +#X text 252 85 waveshaping function; #X text 438 210 0; #X text 437 114 1; #X obj 12 168 +~ 1; diff --git a/pd/doc/3.audio.examples/E07.evenodd.pd b/pd/doc/3.audio.examples/E07.evenodd.pd index e6d3851e..6de461b9 100644 --- a/pd/doc/3.audio.examples/E07.evenodd.pd +++ b/pd/doc/3.audio.examples/E07.evenodd.pd @@ -1,9 +1,9 @@ -#N canvas 187 149 784 591 12; +#N canvas 184 126 784 591 12; #X obj 230 101 f; #X obj 264 77 + 1; #X obj 264 101 mod 11; -#N canvas 0 0 450 300 graph1 0; -#X array E07 11 float 0; +#N canvas 0 0 450 300 (subpatch) 0; +#X array E07 11 float 2; #X coords 0 96 11 36 100 160 1; #X restore 528 15 graph; #X floatatom 320 53 0 10 999 0 - - -; @@ -28,7 +28,7 @@ #X text 354 79 <--increment; #X text 355 56 <--msec; #X obj 26 193 *~ 0.01; -#X obj 230 29 tgl 15 0 empty empty empty 0 -6 0 8 -262144 -1 -1 0 1 +#X obj 230 29 tgl 15 0 empty empty empty 0 -6 0 8 -262144 -1 -1 1 1 ; #X obj 27 321 output~; #X text 527 562 updated for Pd version 0.37; @@ -36,13 +36,13 @@ #X obj 230 150 +; #X floatatom 265 150 0 -48 120 0 - - -; #X text 299 152 <--transpose; -#N canvas 0 0 538 208 make-table 0; +#N canvas 61 76 538 208 make-table 0; #X obj 38 71 loadbang; #X text 16 11 This patch loads a sequence of pitches into E07. The values are floating-point \, so we could use microtones (60.5 \, for example) if we wish.; -#X msg 38 99 \; E07 0 55 56 57 55 57 61 55 61 63 57 63 \; E07 -yticks 36 12 1 \; E07 ylabel 12 36 48 60 72 84 96; +#X msg 38 99 \; E07 0 54 55 57 63 61 67 71 57 70 61 63 \; E07 yticks +36 12 1 \; E07 ylabel 12 36 48 60 72 84 96; #X connect 0 0 2 0; #X restore 527 195 pd make-table; #X obj 176 50 sel 0; diff --git a/pd/doc/3.audio.examples/I07.phase.vocoder.pd b/pd/doc/3.audio.examples/I07.phase.vocoder.pd index 735b8cd2..11028419 100644 --- a/pd/doc/3.audio.examples/I07.phase.vocoder.pd +++ b/pd/doc/3.audio.examples/I07.phase.vocoder.pd @@ -1,4 +1,4 @@ -#N canvas 425 33 744 599 12; +#N canvas 0 0 742 597 12; #X floatatom 494 315 5 0 0 0 - transpo-set -; #X floatatom 167 383 3 0 0 0 - speed-set -; #X floatatom 55 385 7 0 0 0 - location-set -; @@ -347,11 +347,11 @@ shifts the signal to the left or right depending on its argument.) #X connect 54 0 21 0; #X restore 55 480 pd fft-analysis; #N canvas 260 23 647 768 phase-tables 0; -#N canvas 0 0 450 300 graph2 0; +#N canvas 0 0 450 300 (subpatch) 0; #X array prev-imag 4096 float 0; #X coords 0 1000 4096 -1000 400 300 1; #X restore 169 326 graph; -#N canvas 0 0 450 300 graph3 0; +#N canvas 0 0 450 300 (subpatch) 0; #X array prev-real 4096 float 0; #X coords 0 500 4096 -500 400 300 1; #X restore 170 17 graph; @@ -362,9 +362,9 @@ shifts the signal to the left or right depending on its argument.) #X text 389 359 normal; #X obj 56 517 output~; #N canvas 0 110 565 454 hann-window 0; -#N canvas 0 0 450 300 graph1 0; -#X array \$0-hann 1024 float 0; -#X coords 0 1 1023 0 300 100 1; +#N canvas 0 0 450 300 (subpatch) 0; +#X array \$0-hann 2048 float 0; +#X coords 0 1 2047 0 300 100 1; #X restore 82 311 graph; #X obj 378 165 osc~; #X obj 378 190 *~ -0.5; @@ -412,9 +412,9 @@ and window-msec (analysis window size in seconds and msec).; #X connect 19 1 18 0; #X restore 440 528 pd hann-window; #N canvas 388 86 694 447 insample 0; -#N canvas 0 0 450 300 graph1 0; -#X array \$0-sample 160161 float 0; -#X coords 0 1 160160 -1 400 150 1; +#N canvas 0 0 450 300 (subpatch) 0; +#X array \$0-sample 62079 float 0; +#X coords 0 1 62078 -1 400 150 1; #X restore 281 135 graph; #X obj 28 133 r read-sample; #X obj 28 184 unpack s f; @@ -495,7 +495,6 @@ and window-msec (analysis window size in seconds and msec).; #X text 57 361 motion); #X text 165 348 motion in; #X text 232 464 read input sound; -#X text 103 7 PHASE VOCODER FOR TIME STETCHING AND CONTRACTION; #X text 604 479 length \, msec; #X floatatom 607 419 5 0 0 0 - window-size -; #X msg 607 307 512; @@ -527,6 +526,7 @@ to see the workings.; #X obj 535 460 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1 -1; #X text 466 458 file ->; +#X text 103 7 PHASE VOCODER FOR TIME STRETCHING AND CONTRACTION; #X connect 0 0 5 0; #X connect 1 0 21 0; #X connect 2 0 20 0; @@ -538,11 +538,11 @@ to see the workings.; #X connect 17 0 11 0; #X connect 19 0 29 0; #X connect 22 0 23 0; -#X connect 24 0 49 0; -#X connect 25 0 49 0; -#X connect 26 0 49 0; -#X connect 39 0 43 0; -#X connect 40 0 43 0; -#X connect 41 0 43 0; -#X connect 42 0 43 0; -#X connect 53 0 11 1; +#X connect 24 0 48 0; +#X connect 25 0 48 0; +#X connect 26 0 48 0; +#X connect 38 0 42 0; +#X connect 39 0 42 0; +#X connect 40 0 42 0; +#X connect 41 0 42 0; +#X connect 52 0 11 1; -- cgit v1.2.1