From 4cde391f5f1ba80c803fc02adece857e5eb720f7 Mon Sep 17 00:00:00 2001 From: Miller Puckette Date: Sun, 21 Aug 2005 17:46:52 +0000 Subject: Fixed scalar_redraw to check if glist is visible; moved 'data' doc and updated it somewhat. svn path=/trunk/; revision=3441 --- pd/doc/4.data.structures/voice.pd | 119 ++++++++++++++++++++++++++++++++++++++ 1 file changed, 119 insertions(+) create mode 100644 pd/doc/4.data.structures/voice.pd (limited to 'pd/doc/4.data.structures/voice.pd') diff --git a/pd/doc/4.data.structures/voice.pd b/pd/doc/4.data.structures/voice.pd new file mode 100644 index 00000000..20f2856d --- /dev/null +++ b/pd/doc/4.data.structures/voice.pd @@ -0,0 +1,119 @@ +#N canvas 0 34 918 591 12; +#X obj 180 96 inlet; +#X obj 169 288 pack; +#X obj 169 395 line~; +#X obj 169 262 sqrt; +#X obj 169 480 *~; +#X obj 169 419 *~; +#X obj 169 443 *~; +#X obj 92 478 inlet~; +#X obj 92 526 outlet~; +#X obj 92 502 +~; +#X obj 434 411 line~; +#X obj 434 435 *~; +#X obj 434 459 *~; +#X obj 434 283 mtof; +#X obj 405 187 +; +#X obj 434 307 sqrt; +#X obj 434 331 sqrt; +#X obj 434 387 pack; +#X obj 189 343 r reset; +#X msg 189 367 0 20; +#X obj 180 120 data-start template-toplevel; +#X obj 6 150 data-array template-toplevel amp template-amp; +#X obj 433 148 data-array template-toplevel pitch template-pitch; +#X obj 308 437 noise~; +#X obj 485 259 +; +#X obj 485 282 mtof; +#X obj 485 306 sqrt; +#X obj 485 330 sqrt; +#X obj 485 411 line~; +#X obj 485 435 *~; +#X obj 485 459 *~; +#X obj 485 387 pack; +#X obj 384 411 line~; +#X obj 384 435 *~; +#X obj 384 459 *~; +#X obj 384 387 pack; +#X obj 384 284 mtof; +#X obj 384 308 sqrt; +#X obj 384 332 sqrt; +#X obj 384 262 -; +#X obj 240 520 vcf~ 10; +#X obj 315 520 vcf~ 10; +#X obj 390 516 vcf~ 10; +#X text 13 7 This is an abstraction used in the sequencer example. +Here we take care of the audio synthesis \, according to timed controls +from the the "data-start" and "data-array" subpatches.; +#X text 521 459 calculate time-varying center frequencies; +#X text 470 512 ... for three VCFs acting on a noise source.; +#X text 85 394 Amplitude; +#X text 86 410 envelope; +#X text 94 549 summing bus; +#X text 346 62 Pitch is in eighth-tones (because 4 pixels per half +tone looks reasonable on the screen.) Hence the * 0.25 objects below. +; +#X obj 169 235 / 2; +#X connect 0 0 20 0; +#X connect 1 0 2 0; +#X connect 2 0 5 0; +#X connect 2 0 5 1; +#X connect 3 0 1 0; +#X connect 4 0 9 1; +#X connect 5 0 6 0; +#X connect 5 0 6 1; +#X connect 6 0 4 0; +#X connect 7 0 9 0; +#X connect 9 0 8 0; +#X connect 10 0 11 0; +#X connect 10 0 11 1; +#X connect 11 0 12 0; +#X connect 11 0 12 1; +#X connect 12 0 41 1; +#X connect 13 0 15 0; +#X connect 14 0 39 0; +#X connect 14 0 13 0; +#X connect 14 0 24 0; +#X connect 15 0 16 0; +#X connect 16 0 17 0; +#X connect 17 0 10 0; +#X connect 18 0 19 0; +#X connect 19 0 2 0; +#X connect 20 0 21 0; +#X connect 20 0 22 0; +#X connect 20 1 14 1; +#X connect 21 1 50 0; +#X connect 21 2 1 1; +#X connect 22 0 14 0; +#X connect 22 1 39 1; +#X connect 22 1 24 1; +#X connect 22 2 17 1; +#X connect 22 2 35 1; +#X connect 22 2 31 1; +#X connect 23 0 40 0; +#X connect 23 0 41 0; +#X connect 23 0 42 0; +#X connect 24 0 25 0; +#X connect 25 0 26 0; +#X connect 26 0 27 0; +#X connect 27 0 31 0; +#X connect 28 0 29 0; +#X connect 28 0 29 1; +#X connect 29 0 30 0; +#X connect 29 0 30 1; +#X connect 30 0 42 1; +#X connect 31 0 28 0; +#X connect 32 0 33 0; +#X connect 32 0 33 1; +#X connect 33 0 34 0; +#X connect 33 0 34 1; +#X connect 34 0 40 1; +#X connect 35 0 32 0; +#X connect 36 0 37 0; +#X connect 37 0 38 0; +#X connect 38 0 35 0; +#X connect 39 0 36 0; +#X connect 40 0 4 1; +#X connect 41 0 4 1; +#X connect 42 0 4 1; +#X connect 50 0 3 0; -- cgit v1.2.1