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#N canvas 159 26 534 281 output 1;
#X obj 338 160 t b;
#X obj 338 110 f;
#X obj 338 60 inlet;
#X text 344 29 mute;
#X obj 338 185 f;
#X msg 425 178 0;
#X msg 338 85 bang;
#X obj 338 135 moses 1;
#X obj 397 117 moses 1;
#X obj 83 148 dbtorms;
#X obj 397 92 r master-lvl;
#X obj 83 42 r master-lvl;
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#X obj 22 181 inlet~;
#X obj 199 41 inlet;
#X text 199 18 level;
#X obj 199 100 s master-lvl;
#X msg 96 65 set \$1;
#X obj 96 89 outlet;
#X msg 214 64 \; pd dsp 1;
#X obj 83 194 line~;
#X obj 22 212 *~;
#X obj 22 241 dac~;
#X obj 83 171 pack 0 50;
#X text 20 158 audio;
#X text 93 110 show level;
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#X connect 1 0 7 0;
#X connect 2 0 6 0;
#X connect 4 0 12 0;
#X connect 5 0 12 0;
#X connect 6 0 1 0;
#X connect 7 0 0 0;
#X connect 7 1 26 0;
#X connect 8 1 4 1;
#X connect 9 0 23 0;
#X connect 10 0 1 1;
#X connect 10 0 8 0;
#X connect 11 0 9 0;
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#X connect 20 0 21 1;
#X connect 21 0 22 0;
#X connect 21 0 22 1;
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#X restore 43 435 pd output;
#X msg 119 408 MUTE;
#X text 153 407 <-- output amplitude;
#X obj 43 377 catch~ sum;
#X obj 381 288 s frequency;
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#X msg 260 276 \; trigger bang;
#X obj 45 221 partial 0.67 0.56 0 1;
#X obj 45 245 partial 1 0.56 1 0.9;
#X obj 45 269 partial 1 0.92 0 0.65;
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#X text 87 15 ADDITIVE SYNTHESIS;
#X text 32 73 This patch demonstrates using an abstraction \, "partial"
\, to make a simple additive synthesis instrument.;
#X text 28 114 Partial takes as arguments an amplitude \, a relative
frequency \, a detuning frequency \, and a relative duration. You set
absolute duration and pitch using the controls below. Hit hte trigger
to make sound.;
#X text 460 435 updated for Pd version 0.26;
#X text 535 207 duration in tenths;
#X text 535 222 of a second;
#X text 419 215 pitch;
#X text 251 253 click to start;
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