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authorHans-Christoph Steiner <eighthave@users.sourceforge.net>2010-04-01 13:27:15 +0000
committerHans-Christoph Steiner <eighthave@users.sourceforge.net>2010-04-01 13:27:15 +0000
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-freeverb~ version 1.2
-reverb external for Pure Data and Max/MSP
-written by Olaf Matthes <olaf.matthes@gmx.de>
-
-based on Freeverb, the free, studio-quality reverb SOURCE CODE in the public
-domain, Written by Jezar at Dreampoint - http://www.dreampoint.co.uk
-
-This software is published under GPL terms, see file LICENSE.
-
-This is software with ABSOLUTELY NO WARRANTY.
-Use it at your OWN RISK. It's possible to damage e.g. hardware or your hearing
-due to a bug or for other reasons.
-
-Recent changes:
-- added check for NANs
-- added a hand unrolled version of the perform routine for DSP vector sizes that
- are a multiple of 8. This should speed up things a bit
-
-
-Below some notes taken from Freeverb readme:
--------------------------------------------------------------------------------------
-
-Note that this version of Freeverb doesn't contain predelay, or any EQ. I thought
-that might make it difficult to understand the "reverb" part of the code. Once you
-figure out how Freeverb works, you should find it trivial to add such features with
-little CPU overhead.
-
-Technical Explanation
----------------------
-
-Freeverb is a simple implementation of the standard Schroeder/Moorer reverb model.
-I guess the only reason why it sounds better than other reverbs, is simply because
-I spent a long while doing listening tests in order to create the values found in "tuning.h". It uses 8 comb filters on both the left and right channels), and you
-might possibly be able to get away with less if CPU power is a serious constraint
-for you. It then feeds the result of the reverb through 4 allpass filters on both
-the left and right channels. These "smooth" the sound. Adding more than four allpasses
-doesn't seem to add anything significant to the sound, and if you use less, the sound
-gets a bit "grainy". The filters on the right channel are slightly detuned compared
-to the left channel in order to create a stereo effect.
-