diff options
author | Thomas O Fredericks <mrtof@users.sourceforge.net> | 2009-10-25 00:39:13 +0000 |
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committer | Thomas O Fredericks <mrtof@users.sourceforge.net> | 2009-10-25 00:39:13 +0000 |
commit | f18d063d9312c95e25294e0777bc135ee9a3fd8a (patch) | |
tree | 54763b4c61f53c8ec696be54bc1c0e8d816c05aa /closestNote-help.pd |
Adding mtlsvn2git-root
svn path=/trunk/abstractions/mtl/; revision=12667
Diffstat (limited to 'closestNote-help.pd')
-rw-r--r-- | closestNote-help.pd | 89 |
1 files changed, 89 insertions, 0 deletions
diff --git a/closestNote-help.pd b/closestNote-help.pd new file mode 100644 index 0000000..95e9404 --- /dev/null +++ b/closestNote-help.pd @@ -0,0 +1,89 @@ +#N canvas 515 25 670 581 10; +#X obj 10 361 mtof; +#X msg 240 51 0 2 4 5 7 9 11; +#X text 337 52 major; +#X msg 251 74 0 1 4 5 7 8 11; +#X msg 263 97 0 2 4 6 7 9 10; +#X msg 274 119 0 2 3 5 7 8 11; +#X msg 297 164 0 2 4 6 8 10; +#X msg 307 186 0 2 3 5 6 8 9 11; +#X msg 327 252 0 0.5 1 1.5 2 2.5 3 3.5 4; +#X text 349 74 middle-east-like minor; +#X text 360 98 lydian-dominant (jazzy); +#X text 372 121 harmonic minor; +#X msg 285 142 0 2 3 4 5 6 7 9 10 11; +#X text 423 142 chromatic blues; +#X text 383 166 whole-tones scale; +#X text 415 187 diminished scale; +#X msg 315 208 0 2 4 7 9; +#X text 383 209 pentatonic; +#X text 415 229 pentatonic blues; +#X msg 323 230 0 2 3 4 7 8 9; +#X msg 332 274 0 0.33 0.66 1 1.33 1.66 2; +#X msg 374 421 60 61 62 63 64 65 66 67 68 69 70 71 72; +#X obj 373 443 t a b; +#X msg 425 509 set; +#X msg 373 531 60 62 62 63.1 65 65 67 67 69 69 70 72 72; +#X msg 373 508 add2 \$1; +#X obj 373 465 zexy/drip; +#X msg 520 465 0 2 3.1 5 7 9 10; +#X msg 338 297 0 1.5 3 4.5 6 7.5 9 10.5; +#X text 53 375 Argument: the list of the current chord.; +#X text 7 8 Description: Rounds an incoming MIDI note to a note listed +in a given chord or scale.; +#X text 53 361 inlets: note offset to play \, scale/chord list (any +length); +#X text 5 61 Author: Alexandre Quessy (c) 2006; +#X text 494 250 tests; +#X floatatom 339 322 5 0 0 0 - - -; +#X obj 10 383 osc~; +#X obj 10 314 + 60; +#X obj 9 409 mtl/out~; +#X text 9 479 Of course \, if you use several [closestNote] objects +at a time with the same scale and key \, you will be able to compose +a realtime symphony. It will always be continuous if you use scales +with the same number of notes. Also \, it will prevent the notes from +being too high.; +#X text 7 40 tags: musical; +#X obj 240 341 mtl/transpose; +#X obj 10 337 mtl/closestNote 0 2 4 7 9; +#X obj 373 487 mtl/closestNote 0 2 4 7 9; +#X obj 10 270 t b; +#X obj 10 292 iemlib/modulo_counter 14 0; +#X obj 11 96 mtl/clkMaster 120; +#X obj 10 178 loadbang; +#X obj 10 232 mtl/clkSlave; +#X obj 10 207 bng 15 250 50 0 empty empty empty 17 7 0 10 -262144 -1 +-1; +#X connect 0 0 35 0; +#X connect 1 0 40 0; +#X connect 3 0 40 0; +#X connect 4 0 40 0; +#X connect 5 0 40 0; +#X connect 6 0 40 0; +#X connect 7 0 40 0; +#X connect 8 0 40 0; +#X connect 12 0 40 0; +#X connect 16 0 40 0; +#X connect 19 0 40 0; +#X connect 20 0 40 0; +#X connect 21 0 22 0; +#X connect 22 0 26 0; +#X connect 22 1 23 0; +#X connect 23 0 24 0; +#X connect 25 0 24 0; +#X connect 26 0 42 0; +#X connect 27 0 42 1; +#X connect 28 0 40 0; +#X connect 34 0 40 1; +#X connect 35 0 37 0; +#X connect 35 0 37 1; +#X connect 36 0 41 0; +#X connect 40 0 41 1; +#X connect 41 0 0 0; +#X connect 42 0 25 0; +#X connect 43 0 44 0; +#X connect 44 0 36 0; +#X connect 46 0 48 0; +#X connect 47 0 43 0; +#X connect 48 0 47 0; |