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+#N canvas 391 85 515 557 10;
+#X msg 289 125 a a b a;
+#X obj 132 98 tgl 15 0 empty empty empty 0 -6 0 8 -262144 -1 -1 0 1
+;
+#X obj 290 99 loadbang;
+#X msg 282 212 a b a c a b a;
+#X obj 132 124 metro 350;
+#X text 64 -40 Mainly for musical forms;
+#X text 25 -5 Does not use arguments \, but the right inlet;
+#X msg 288 264 a b;
+#X text 25 16 2nd inlet : list representing the form;
+#X msg 287 289 a a b b;
+#X msg 290 149 a b a;
+#X msg 285 333 a b a c a d a;
+#X text 399 333 Rondo;
+#X text 390 125 Ternary;
+#X text 391 212 Arch form;
+#X text 395 266 Binary;
+#X msg 58 134 reset;
+#X msg 52 226 behave \$1;
+#X obj 50 201 tgl 15 0 empty empty empty 0 -6 0 8 -262144 -1 -1 0 1
+;
+#X text 25 37 behave : (1 0) reset when the moment you change the form.
+Defaults to false;
+#X text 25 70 reset : resets to the first part of the form (0);
+#X text 40 390 For instance \, you could have a set of chords for each
+part of the form. You could bang this to get the current part \, looping
+through all the parts of the form you set it to use. You might want
+to use a sequencer with this \, with a different use of it in each
+part.;
+#X msg 284 355 1 2 1 3 1 4 1;
+#X obj 143 196 mtl/form;
+#X text 22 -53 Description: States machine looping through a sequence
+of states;
+#X obj 143 221 cyclone/prepend set;
+#X msg 143 247;
+#X text 25 -21 tags: musical behavior;
+#X connect 0 0 23 1;
+#X connect 1 0 4 0;
+#X connect 2 0 0 0;
+#X connect 3 0 23 1;
+#X connect 4 0 23 0;
+#X connect 7 0 23 1;
+#X connect 9 0 23 1;
+#X connect 10 0 23 1;
+#X connect 11 0 23 1;
+#X connect 16 0 23 0;
+#X connect 17 0 23 0;
+#X connect 18 0 17 0;
+#X connect 22 0 23 1;
+#X connect 23 0 25 0;
+#X connect 25 0 26 0;