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Diffstat (limited to 'nqpoly4/nqpoly4-help.pd')
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diff --git a/nqpoly4/nqpoly4-help.pd b/nqpoly4/nqpoly4-help.pd new file mode 100644 index 0000000..4d83131 --- /dev/null +++ b/nqpoly4/nqpoly4-help.pd @@ -0,0 +1,26 @@ +#N canvas 101 68 444 569 10; +#X text 7 26 (not quite poly) is an abstraction that uses various voodoo +to fake the functionality of the [poly~] object in max.; +#X obj 10 6 nqpoly4; +#X text 8 63 in short \, [nqpoly4] can take abstractions that obey +certain requirements and can link them together to make a polyphonic +instrument.; +#X text 9 111 since it automates the normally painful task of making +a patch polyphonic \, it is very easy to do things like 60-nite polyphonism +\, which really starts becoming granular synthesis.; +#X obj 18 459 nqpoly~; +#X text 20 478 is the old version that was tied to audio. Right-click +and select "Help" for more info.; +#X obj 38 369 minimal-test; +#X obj 38 389 petal-test; +#X obj 38 409 tabgrain-test; +#X text 22 346 Here are a few demos:; +#X text 156 388 a simple GEM example; +#X text 157 368 very simple demo; +#X text 157 410 a granular synthesis patch; +#X text 8 191 usage: nqpoly <number of objects> <abstraction name> +<up to 4 creation args>; +#X text 13 241 your abstraction is ultimately called with the parameters: +<index> <number of objects> <arg1> <arg2> <arg3> <arg4>; +#X text 13 280 For [loadbang] \, you need to use the bang from the +right inlet on your objects that are written for [nqpoly4].; |