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Diffstat (limited to 'nqpoly~/nqpoly~-help.pd')
| -rw-r--r-- | nqpoly~/nqpoly~-help.pd | 21 |
1 files changed, 21 insertions, 0 deletions
diff --git a/nqpoly~/nqpoly~-help.pd b/nqpoly~/nqpoly~-help.pd new file mode 100644 index 0000000..ffa1a2a --- /dev/null +++ b/nqpoly~/nqpoly~-help.pd @@ -0,0 +1,21 @@ +#N canvas 0 22 465 428 10; +#X obj 206 18 nqpoly~; +#X text 102 18 not-quite-poly; +#X obj 205 398 nqpoly4; +#X text 139 398 see also:; +#X obj 177 247 nqpoly~-test; +#X obj 177 267 tgrain~-test; +#X text 101 230 examples:; +#X text 35 304 The voice allocation is handled automatically \, provided +that the patches for each voice is written properly. This patch should +accept the control messages on its left inlet \, and when it completes +its task and is available for reallocation \, it should send a bang +out of its outlet.; +#X text 29 72 (not quite poly) is an abstraction that uses various +voodoo to fake the functionality of the [poly~] object in max.; +#X text 30 109 in short \, [nqpoly4] can take abstractions that obey +certain requirements and can link them together to make a polyphonic +instrument.; +#X text 31 157 since it automates the normally painful task of making +a patch polyphonic \, it is very easy to do things like 60-nite polyphonism +\, which really starts becoming granular synthesis.; |