1 files changed, 78 insertions, 0 deletions
diff --git a/doc/examples/example03.pd b/doc/examples/example03.pd
new file mode 100644
index 0000000..85f1c01
--- /dev/null
+++ b/doc/examples/example03.pd
@@ -0,0 +1,78 @@
+#N canvas 326 208 841 704 10;
+#X obj 68 318 pdp_noise;
+#X obj 68 85 metro 40;
+#X obj 68 58 bng 15 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
+-1;
+#X obj 68 484 pdp_del 50;
+#X obj 112 424 pdp_gain;
+#X floatatom 240 518 5 0 0;
+#X obj 68 514 pdp_blur;
+#X obj 243 499 hsl 128 15 0 1 0 1 empty empty empty -2 -6 0 8 -262144
+-1 -1 2400 1;
+#X floatatom 240 367 5 0 0;
+#X obj 243 342 hsl 128 15 0 5 0 1 empty empty empty -2 -6 0 8 -262144
+-1 -1 4400 1;
+#X floatatom 240 587 5 0 0;
+#X obj 243 567 hsl 128 15 0 1 0 1 empty empty empty -2 -6 0 8 -262144
+-1 -1 5400 1;
+#X floatatom 239 428 5 0 0;
+#X obj 242 409 hsl 128 15 -5 5 0 1 empty empty empty -2 -6 0 8 -262144
+-1 -1 4200 1;
+#X msg 15 460 reset;
+#X obj 68 459 pdp_add;
+#X obj 68 357 pdp_gain;
+#X text 203 7 this example shows how to use a delay line with a loop
+gain > 1 and some processing inside the loop to produce a plasma like
+effect. (WARNING: this can produce a very intense strobe effect \,
+so if you're sensitive to flashing lights please be careful...);
+#X text 391 407 a |gain| > 1 ensures regeneration;
+#X floatatom 119 56 5 0 0;
+#X obj 68 582 pdp_motion_phase;
+#X floatatom 133 459 5 0 0;
+#X text 392 495 blur ensures spatial coupling (determines the speed
+at which "blobs" move around the screen);
+#X text 392 565 a motion phase effect to spice it up (this causes local
+negative feedback around suddon changes);
+#X msg 109 13 40;
+#X msg 144 13 1000;
+#X msg 109 250 type grey;
+#X msg 109 135 type yv12;
+#X obj 68 619 pdp_xv;
+#X text 201 247 it also works for black and white \, but all negative
+colours will be clipped to 0 (black) on output.;
+#X text 393 340 mix in some noise to get it going (set blur to minimal
+when starting so the added noise won't be blurred to black);
+#X text 202 96 it illustrates one of the advantages of working in an
+additive/subtractive colour space. (here yuv or YCrCb). since legal
+colours can be both positive and negative \, the analogy with audio
+signals is easily drawn. this network can be seen as a nonlinear feedback
+delay network. (nonlinear because of the saturating gain). the image
+delay line can be seen as a parallel delay line \, one for each pixel.
+coupling between the delays is done using a spatial blur effect. the
+additional temporal filtering in't necessary \, but it produces a nice
+additional effect.;
+#X connect 0 0 16 0;
+#X connect 1 0 0 0;
+#X connect 2 0 1 0;
+#X connect 3 0 6 0;
+#X connect 4 0 15 1;
+#X connect 6 0 20 0;
+#X connect 7 0 5 0;
+#X connect 7 0 6 1;
+#X connect 9 0 8 0;
+#X connect 9 0 16 1;
+#X connect 11 0 10 0;
+#X connect 11 0 20 1;
+#X connect 13 0 12 0;
+#X connect 13 0 4 1;
+#X connect 14 0 3 0;
+#X connect 15 0 3 0;
+#X connect 16 0 15 0;
+#X connect 19 0 1 1;
+#X connect 20 0 4 0;
+#X connect 20 0 28 0;
+#X connect 21 0 3 1;
+#X connect 24 0 19 0;
+#X connect 25 0 19 0;
+#X connect 26 0 0 0;
+#X connect 27 0 0 0;