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Diffstat (limited to 'formant~-help.pd')
| -rw-r--r-- | formant~-help.pd | 56 |
1 files changed, 56 insertions, 0 deletions
diff --git a/formant~-help.pd b/formant~-help.pd new file mode 100644 index 0000000..c8102b4 --- /dev/null +++ b/formant~-help.pd @@ -0,0 +1,56 @@ +#N canvas 190 63 711 524 10; +#X msg 172 385 \; pd dsp 1; +#X msg 238 385 \; pd dsp 0; +#X floatatom 150 58 10 0 0; +#X floatatom 232 121 5 0 0; +#X floatatom 190 93 5 0 0; +#X floatatom 295 140 5 0 0; +#X text 149 42 Size of the synthetized sound; +#X text 189 78 Central frequency; +#X text 232 104 Filter width; +#X text 294 125 Skirt width ( "largeur de jupe" in french ); +#X msg 114 136 bang; +#X text 99 13 Formant synthesis as described by JP Smets; +#X floatatom 340 159 5 0 0; +#X text 382 158 Time Stretch; +#X obj 333 390 dac~; +#X obj 303 244 delay 200; +#X floatatom 364 244 5 0 0; +#X obj 368 298 f; +#X floatatom 367 343 5 0 0; +#X obj 446 297 loadbang; +#X text 323 217 Theoretically \, a singing voice is a combination of +formants but you have to set right frequencies; +#X msg 406 298 2500; +#X obj 367 320 + 100; +#X obj 121 263 formant~ 10000 2600 50 25; +#X obj 303 263 formant~ 10000 1750 70 25; +#X obj 199 319 formant~ 20000 4500 60 25; +#X obj 466 263 formant~ 10000 1200 30 45; +#X connect 2 0 23 1; +#X connect 3 0 23 3; +#X connect 4 0 23 2; +#X connect 5 0 23 4; +#X connect 10 0 15 0; +#X connect 10 0 23 0; +#X connect 10 0 26 0; +#X connect 12 0 23 5; +#X connect 15 0 24 0; +#X connect 16 0 15 1; +#X connect 17 0 22 0; +#X connect 17 0 25 2; +#X connect 19 0 21 0; +#X connect 21 0 17 1; +#X connect 22 0 17 1; +#X connect 22 0 18 0; +#X connect 23 0 14 0; +#X connect 23 0 14 1; +#X connect 23 1 17 0; +#X connect 23 1 25 0; +#X connect 24 0 14 1; +#X connect 24 0 14 0; +#X connect 25 0 14 1; +#X connect 25 0 14 0; +#X connect 25 1 10 0; +#X connect 26 0 14 1; +#X connect 26 0 14 0; |