1 files changed, 0 insertions, 56 deletions
diff --git a/formant~/formant~-help.pd b/formant~/formant~-help.pd
deleted file mode 100644
index c8102b4..0000000
--- a/formant~/formant~-help.pd
+++ /dev/null
@@ -1,56 +0,0 @@
-#N canvas 190 63 711 524 10;
-#X msg 172 385 \; pd dsp 1;
-#X msg 238 385 \; pd dsp 0;
-#X floatatom 150 58 10 0 0;
-#X floatatom 232 121 5 0 0;
-#X floatatom 190 93 5 0 0;
-#X floatatom 295 140 5 0 0;
-#X text 149 42 Size of the synthetized sound;
-#X text 189 78 Central frequency;
-#X text 232 104 Filter width;
-#X text 294 125 Skirt width ( "largeur de jupe" in french );
-#X msg 114 136 bang;
-#X text 99 13 Formant synthesis as described by JP Smets;
-#X floatatom 340 159 5 0 0;
-#X text 382 158 Time Stretch;
-#X obj 333 390 dac~;
-#X obj 303 244 delay 200;
-#X floatatom 364 244 5 0 0;
-#X obj 368 298 f;
-#X floatatom 367 343 5 0 0;
-#X obj 446 297 loadbang;
-#X text 323 217 Theoretically \, a singing voice is a combination of
-formants but you have to set right frequencies;
-#X msg 406 298 2500;
-#X obj 367 320 + 100;
-#X obj 121 263 formant~ 10000 2600 50 25;
-#X obj 303 263 formant~ 10000 1750 70 25;
-#X obj 199 319 formant~ 20000 4500 60 25;
-#X obj 466 263 formant~ 10000 1200 30 45;
-#X connect 2 0 23 1;
-#X connect 3 0 23 3;
-#X connect 4 0 23 2;
-#X connect 5 0 23 4;
-#X connect 10 0 15 0;
-#X connect 10 0 23 0;
-#X connect 10 0 26 0;
-#X connect 12 0 23 5;
-#X connect 15 0 24 0;
-#X connect 16 0 15 1;
-#X connect 17 0 22 0;
-#X connect 17 0 25 2;
-#X connect 19 0 21 0;
-#X connect 21 0 17 1;
-#X connect 22 0 17 1;
-#X connect 22 0 18 0;
-#X connect 23 0 14 0;
-#X connect 23 0 14 1;
-#X connect 23 1 17 0;
-#X connect 23 1 25 0;
-#X connect 24 0 14 1;
-#X connect 24 0 14 0;
-#X connect 25 0 14 1;
-#X connect 25 0 14 0;
-#X connect 25 1 10 0;
-#X connect 26 0 14 1;
-#X connect 26 0 14 0;