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author | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
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committer | N.N. <matju@users.sourceforge.net> | 2010-01-05 22:49:36 +0000 |
commit | 8dbec761cf858ea65900c8a094599857208d8c3a (patch) | |
tree | 3228c023f87f23a354da3b57fdc2afe5b7052032 /desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd | |
parent | 529e59635598e2d90a7a49f6b4c676f8366109ba (diff) |
svn path=/trunk/; revision=12907
Diffstat (limited to 'desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd')
-rw-r--r-- | desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd | 84 |
1 files changed, 0 insertions, 84 deletions
diff --git a/desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd b/desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd deleted file mode 100644 index f75d5517..00000000 --- a/desiredata/doc/3.audio.examples/C05.sampler.oneshot.pd +++ /dev/null @@ -1,84 +0,0 @@ -#N canvas 34 0 985 746 12; -#N canvas 0 0 450 300 graph1 0; -#X array tab28 176403 float 0; -#X coords 0 1.02 176403 -1.02 200 130 1; -#X restore 740 126 graph; -#X obj 577 486 loadbang; -#X obj 31 340 hip~ 5; -#X obj 587 345 adc~ 1; -#X obj 587 375 hip~ 5; -#X msg 558 306 bang; -#X text 681 492 v-- re-read the original sample; -#X text 20 6 ONE-SHOT SAMPLER USING LINE~ AS PHASE; -#X obj 31 306 *~; -#X obj 71 279 r cutoff; -#X obj 31 194 r phase; -#X msg 24 37 bang; -#X obj 124 92 delay 5; -#X text 77 37 <-- play the sample; -#X msg 24 128 \; cutoff 0 5; -#X text 34 85 cut the; -#X text 34 104 sound off; -#X text 204 77 Wait for the; -#X text 202 97 cutoff to finish; -#X text 349 121 set the upper line~ to start; -#X text 349 140 at the first sample and go; -#X text 348 161 forever (until the next trigger); -#X text 18 486 To start a note \, first we have to mute the output -in case ther's already something playing---otherwise we'll get a click. -The "cutoff" line~ then takes 5 msec to get to zero. After that amount -of delay \, we reset the phase to sample number 1 and set it in motion. -We want the line~ output to increase by 1 each sample of output \, -so we ask for it to do 4.41e+08 samples in 1e+07 milliseconds.; -#X text 18 602 The cutoff mechanism is still safe if we happen to ask -for two notes in under 5 msec. The second request would reset the delay -\, so that there's no way the delay can possibly fire without the cutoff -line~ at zero.; -#X text 596 305 <-- record; -#X obj 622 405 line~; -#X obj 587 410 *~; -#X text 738 267 ------ 4 seconds ------; -#X obj 655 342 del 3990; -#X msg 655 370 0 10; -#X text 706 371 <--stop recording; -#X text 19 672 We avoid clicking at the end of the table by getting -the table's own contents to go smoothly to zero. To do this we added -a level control to the recording patch that cuts off just before the -recording reaches the end of the table.; -#X text 576 599 this is.; -#X text 578 575 My apologies to Jonathan Harvey whose bell; -#X obj 577 545 soundfiler; -#X text 19 443 Here's how to make a sampler with a line~ object \, -instead of a phasor~ \, to generate the read location signal.; -#X obj 71 306 vline~; -#X obj 30 369 output~; -#X obj 31 224 vline~; -#X obj 558 439 tabwrite~ tab28; -#X msg 577 516 read ../sound/bell.aiff tab28; -#X obj 31 254 tabread4~ tab28; -#X msg 124 127 \; phase 1 \, 4.41e+08 1e+07 \; cutoff 1; -#X msg 497 386 0 \, 1 5; -#X text 719 717 updated for Pd version 0.37; -#X connect 1 0 40 0; -#X connect 2 0 37 0; -#X connect 2 0 37 1; -#X connect 3 0 4 0; -#X connect 4 0 26 0; -#X connect 5 0 28 0; -#X connect 5 0 43 0; -#X connect 5 0 39 0; -#X connect 8 0 2 0; -#X connect 9 0 36 0; -#X connect 10 0 38 0; -#X connect 11 0 14 0; -#X connect 11 0 12 0; -#X connect 12 0 42 0; -#X connect 25 0 26 1; -#X connect 26 0 39 0; -#X connect 28 0 29 0; -#X connect 29 0 25 0; -#X connect 36 0 8 1; -#X connect 38 0 41 0; -#X connect 40 0 34 0; -#X connect 41 0 8 0; -#X connect 43 0 25 0; |