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diff --git a/desiredata/doc/3.audio.examples/osc-voice.pd b/desiredata/doc/3.audio.examples/osc-voice.pd
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-#N canvas 153 209 946 576 12;
-#X obj 163 390 line~;
-#X obj 401 438 line~;
-#X obj 163 511 *~;
-#X obj 383 229 r \$1;
-#X obj 363 316 dbtorms;
-#X obj 383 281 unpack;
-#X obj 383 255 t l b;
-#X obj 401 412 pack;
-#X obj 447 283 30;
-#X obj 163 286 unpack;
-#X obj 163 260 r \$2;
-#X obj 163 470 osc~;
-#X obj 163 312 mtof;
-#X obj 363 342 sqrt;
-#X obj 363 368 sqrt;
-#X obj 163 338 sqrt;
-#X obj 163 364 sqrt;
-#X obj 163 418 *~;
-#X obj 163 444 *~;
-#X obj 401 464 *~;
-#X obj 400 492 *~;
-#X obj 96 486 inlet~;
-#X obj 96 538 outlet~;
-#X obj 96 512 +~;
-#X floatatom 293 342 0 0 0;
-#X msg 294 316 set \$1;
-#X obj 294 368 s \$1;
-#X floatatom 96 336 0 0 0;
-#X msg 96 310 set \$1;
-#X obj 96 362 s \$2;
-#X text 370 201 amplitude;
-#X text 157 233 pitch;
-#X text 27 36 The amplitude and pitch are controlled by quartic envelopes
-as in the previous example. Here we introduce two new features. First
-\, there are number boxes to show the most recent targets for amplitude
-and frequency \, which you can also use to change the values. Also
-\, if amplitude gets a message without an explicit time value \, we
-supply a default of "30".;
-#X text 27 149 Other small differences from the previous patch: pitch
-and amplitude are now in MIDI and dB \, and there's a summing bus arrangement
-(the inlet~ \, +~ \, and outlet~).;
-#X text 15 295 see or;
-#X text 16 315 change;
-#X text 16 336 pitch-->;
-#X text 233 325 and;
-#X text 233 342 amp-->;
-#X text 488 283 "30" is short for "float 30." This is;
-#X text 495 302 more CPU efficient than a message.;
-#X text 451 403 The "pack" always gets a 30 \, but if you send a pair
-of numbers to amplitude \, the second one overrides the 30;
-#X text 439 254 first bang the "30" \, then pass the list on;
-#X text 62 7 This abstraction is used in patch 68.qlist.pd.;
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