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author | Hans-Christoph Steiner <eighthave@users.sourceforge.net> | 2007-07-23 23:38:22 +0000 |
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committer | Hans-Christoph Steiner <eighthave@users.sourceforge.net> | 2007-07-23 23:38:22 +0000 |
commit | 6bd0416d0fc9245ba0efc7a6bf1e0620c4807790 (patch) | |
tree | 5b5e1ea5d4397938a4d24fa48dd87572e1dd2326 /doc/tutorials/cognition/durations affect recognition.pd | |
parent | 454c643bcfdf8f36820a3895af0b7174de746e4c (diff) |
removed spaces from filenames
svn path=/trunk/; revision=8219
Diffstat (limited to 'doc/tutorials/cognition/durations affect recognition.pd')
-rw-r--r-- | doc/tutorials/cognition/durations affect recognition.pd | 18 |
1 files changed, 0 insertions, 18 deletions
diff --git a/doc/tutorials/cognition/durations affect recognition.pd b/doc/tutorials/cognition/durations affect recognition.pd deleted file mode 100644 index df1a6468..00000000 --- a/doc/tutorials/cognition/durations affect recognition.pd +++ /dev/null @@ -1,18 +0,0 @@ -#N canvas 448 122 530 585 10; -#X text 91 14 Note durations affect recognition; -#X text 117 91 (from Thinking in Sound p.52); -#X text 57 122 "Sequences of tones forming melodies are perceived as -more than a series of pitches \, and seem to have an emergent property -characteristic of the particular pattern- in other words \, they form -distinctive auditory gestalten or temporal compounds. If melodies can -be considered as temporal compounds \, then we would expect to find -a 'temporal template' for melody recognition that has both upper and -lower durational limits." [1]; -#X text 31 479 [1] "Thinking in sound: the cognitive psychology of -human audition" \, ed. S. McAdams and E. Bigand. Oxford University -Press \, 1993 \, p52; -#X text 81 294 play happy birthday fast/slow; -#X text 79 320 play twinkle twinkle little star fast/slow; -#X obj 0 0 cnv 15 580 40 empty empty durations_affect_recognition 20 12 -1 18 -216441 -66577 0; -#X text 258 24 'cognition' by Hans-Christoph Steiner; |