nqpoly is no longer distributed with Pd-extended

svn path=/trunk/; revision=15501

2 files changed, 0 insertions, 47 deletions

diff --git a/doc/pddp/nqpoly4-help.pd b/doc/pddp/nqpoly4-help.pd
deleted file mode 100644
index 4d83131b..00000000
--- a/doc/pddp/nqpoly4-help.pd
+++ /dev/null
@@ -1,26 +0,0 @@
-#N canvas 101 68 444 569 10;
-#X text 7 26 (not quite poly) is an abstraction that uses various voodoo
-to fake the functionality of the [poly~] object in max.;
-#X obj 10 6 nqpoly4;
-#X text 8 63 in short \, [nqpoly4] can take abstractions that obey
-certain requirements and can link them together to make a polyphonic
-instrument.;
-#X text 9 111 since it automates the normally painful task of making
-a patch polyphonic \, it is very easy to do things like 60-nite polyphonism
-\, which really starts becoming granular synthesis.;
-#X obj 18 459 nqpoly~;
-#X text 20 478 is the old version that was tied to audio. Right-click
-and select "Help" for more info.;
-#X obj 38 369 minimal-test;
-#X obj 38 389 petal-test;
-#X obj 38 409 tabgrain-test;
-#X text 22 346 Here are a few demos:;
-#X text 156 388 a simple GEM example;
-#X text 157 368 very simple demo;
-#X text 157 410 a granular synthesis patch;
-#X text 8 191 usage: nqpoly <number of objects> <abstraction name>
-<up to 4 creation args>;
-#X text 13 241 your abstraction is ultimately called with the parameters:
-<index> <number of objects> <arg1> <arg2> <arg3> <arg4>;
-#X text 13 280 For [loadbang] \, you need to use the bang from the
-right inlet on your objects that are written for [nqpoly4].;
diff --git a/doc/pddp/nqpoly~-help.pd b/doc/pddp/nqpoly~-help.pd
deleted file mode 100644
index ffa1a2a5..00000000
--- a/doc/pddp/nqpoly~-help.pd
+++ /dev/null
@@ -1,21 +0,0 @@
-#N canvas 0 22 465 428 10;
-#X obj 206 18 nqpoly~;
-#X text 102 18 not-quite-poly;
-#X obj 205 398 nqpoly4;
-#X text 139 398 see also:;
-#X obj 177 247 nqpoly~-test;
-#X obj 177 267 tgrain~-test;
-#X text 101 230 examples:;
-#X text 35 304 The voice allocation is handled automatically \, provided
-that the patches for each voice is written properly. This patch should
-accept the control messages on its left inlet \, and when it completes
-its task and is available for reallocation \, it should send a bang
-out of its outlet.;
-#X text 29 72 (not quite poly) is an abstraction that uses various
-voodoo to fake the functionality of the [poly~] object in max.;
-#X text 30 109 in short \, [nqpoly4] can take abstractions that obey
-certain requirements and can link them together to make a polyphonic
-instrument.;
-#X text 31 157 since it automates the normally painful task of making
-a patch polyphonic \, it is very easy to do things like 60-nite polyphonism
-\, which really starts becoming granular synthesis.;