imported version 0.37-0

svn path=/trunk/; revision=1016

1 files changed, 263 insertions, 0 deletions

diff --git a/pd/doc/3.audio.examples/D10.sampler.notes.pd b/pd/doc/3.audio.examples/D10.sampler.notes.pd
new file mode 100644
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--- /dev/null
+++ b/pd/doc/3.audio.examples/D10.sampler.notes.pd
@@ -0,0 +1,263 @@
+#N canvas 12 0 1074 786 12;
+#X msg 257 7 bang;
+#X obj 257 35 delay 5;
+#X text 497 269 end of note;
+#X obj 363 35 r note;
+#N canvas 459 46 678 451 samples 0;
+#N canvas 0 0 450 300 graph1 0;
+#X array sample1 176403 float 0;
+#X coords 0 1.02 176403 -1.02 200 130 1;
+#X restore 262 41 graph;
+#X text 264 376 ------ 4 seconds ------;
+#N canvas 0 0 450 300 graph1 0;
+#X array sample2 176403 float 0;
+#X coords 0 1.02 176403 -1.02 200 130 1;
+#X restore 262 226 graph;
+#X restore 33 277 pd samples;
+#N canvas 21 287 947 410 recorder 0;
+#X obj 318 43 inlet;
+#X obj 272 196 adc~ 1;
+#X obj 272 224 hip~ 5;
+#X obj 341 254 line~;
+#X obj 272 253 *~;
+#X msg 341 226 1;
+#X obj 400 191 del 3990;
+#X msg 377 226 0 10;
+#X obj 272 304 tabwrite~ sample1;
+#X obj 124 110 makefilename sample%1;
+#X msg 124 139 set \$1 \, bang;
+#X msg 446 162 stop;
+#X msg 400 162 bang;
+#X obj 557 182 loadbang;
+#X obj 660 137 openpanel;
+#X msg 660 109 bang;
+#X text 702 108 <-- browse for samples;
+#X text 628 233 v-- re-read original samples;
+#X obj 318 72 route record stop reload browse;
+#X obj 557 319 soundfiler;
+#X msg 557 261 read ../sound/bell.aiff sample1 \, read ../sound/voice2.wav
+sample2;
+#X msg 660 164 read \$1 sample1;
+#X obj 660 191 soundfiler;
+#X connect 0 0 18 0;
+#X connect 1 0 2 0;
+#X connect 2 0 4 0;
+#X connect 3 0 4 1;
+#X connect 4 0 8 0;
+#X connect 5 0 3 0;
+#X connect 6 0 7 0;
+#X connect 7 0 3 0;
+#X connect 9 0 10 0;
+#X connect 10 0 8 0;
+#X connect 11 0 6 0;
+#X connect 12 0 6 0;
+#X connect 13 0 20 0;
+#X connect 14 0 21 0;
+#X connect 15 0 14 0;
+#X connect 18 0 9 0;
+#X connect 18 0 12 0;
+#X connect 18 0 5 0;
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+#X connect 18 2 20 0;
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+#X connect 20 0 19 0;
+#X connect 21 0 22 0;
+#X restore 33 443 pd recorder;
+#X msg 33 305 record 1;
+#X msg 33 360 stop;
+#N canvas 359 226 666 626 playback 0;
+#X obj 20 45 line~;
+#X obj 39 237 line~;
+#X obj 20 268 *~;
+#X obj 39 208 r cutoff;
+#X obj 20 16 r phase;
+#X obj 20 592 outlet~;
+#X obj 20 564 hip~ 5;
+#X obj 32 79 r sample-number;
+#X obj 32 108 makefilename sample%d;
+#X msg 32 136 set \$1;
+#X obj 20 177 tabread4~ sample1;
+#X obj 38 304 r envelope;
+#X obj 38 362 dbtorms;
+#X obj 38 333 unpack;
+#X obj 38 391 sqrt;
+#X obj 38 420 sqrt;
+#X obj 38 448 line~;
+#X obj 20 535 *~;
+#X obj 38 477 *~;
+#X obj 38 506 *~;
+#X text 90 17 messages to the phase generating line~;
+#X text 171 80 setting the sample number.;
+#X text 221 109 compute the name;
+#X text 93 137 and send a "set" message to the tabread4~.;
+#X text 99 236 line~ for de-clicking;
+#X text 139 307 The envelope generator. Rather than sending our message
+straight to the line~ we unpack it in order to fool with the amplitude
+field.;
+#X text 109 363 convert amplitude to linear units.;
+#X text 104 392 take the fourth root. This because we want to raies
+the line~'s output to the 4th power afterward. This is an inexpensive
+way to give the rise and decay a more natural sounding evolution than
+just a straight line.;
+#X text 77 480 square the output twice to get the fourth power.;
+#X connect 0 0 10 0;
+#X connect 1 0 2 1;
+#X connect 2 0 17 0;
+#X connect 3 0 1 0;
+#X connect 4 0 0 0;
+#X connect 6 0 5 0;
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+#X connect 16 0 18 1;
+#X connect 17 0 6 0;
+#X connect 18 0 19 0;
+#X connect 18 0 19 1;
+#X connect 19 0 17 1;
+#X restore 33 480 pd playback;
+#X msg 33 332 record 2;
+#X text 645 25 ARGUMENTS FOR NOTES:;
+#X text 666 53 pitch in halftones;
+#X text 666 77 amplitude (dB);
+#X text 666 125 sample number;
+#X text 666 101 duration (msec);
+#X text 666 149 start location (msec);
+#X text 666 173 rise time (msec);
+#X text 666 197 decay time (msec);
+#X obj 363 62 unpack 0 0 0 0 0 0 0;
+#X text 50 6 CHOCOLATE SAMPLER;
+#X obj 521 168 f;
+#X obj 456 142 f;
+#X obj 387 142 f;
+#X obj 350 142 f;
+#X obj 318 142 f;
+#X obj 224 142 f;
+#X obj 224 169 mtof;
+#X obj 224 197 / 261.62;
+#X obj 224 224 * 4.41e+08;
+#X obj 224 252 +;
+#X obj 489 142 delay;
+#X obj 318 312 pack 0 0 0 0 0;
+#X obj 257 62 t b b b;
+#X text 498 346 This starts the note \, sending to "receives" in the
+playback subptach. The new receive "envelope" is an amplitude control
+in parallel with the cutoff control. The "sample-number" switches the
+tabread4~ between tables.;
+#X msg 156 44 \; pd dsp 1 \; cutoff 0 5;
+#X obj 387 197 + 1;
+#X msg 556 467 60 100 10000 1 0 0 0;
+#X obj 556 737 s note;
+#X msg 521 196 \; envelope 0 \$1;
+#X msg 675 691 62;
+#X msg 710 691 64;
+#X msg 641 691 60;
+#X msg 612 691 55;
+#X msg 743 691 72;
+#X msg 580 691 48;
+#X msg 642 734 60.5;
+#X msg 556 494 60 90 10000 1 0 0 0;
+#X msg 556 522 60 100 10000 2 0 0 0;
+#X msg 556 550 60 100 10000 1 3000 0 0;
+#X obj 387 169 * 44.1;
+#X msg 556 605 60 100 100 1 0 0 0;
+#X msg 556 632 60 100 100 1 0 0 1000;
+#X msg 556 577 60 100 10000 1 0 1000 0;
+#X msg 318 340 \; envelope 0 \, \$1 \$2 \; phase \$3 \, \$4 1e+07 \;
+sample-number \$5 \; cutoff 1 5 \;;
+#X text 117 305 <-- record;
+#X msg 33 388 reload;
+#X msg 33 415 browse;
+#X text 7 109 transposition works;
+#X text 7 133 by altering the phase;
+#X text 7 181 The mtof and / 261;
+#X text 7 205 calculate speed change;
+#X text 7 229 considering 60 as unity.;
+#X text 24 43 as before we;
+#X text 15 64 mute and wait;
+#X text 7 157 target ($4 below right.);
+#X text 450 303 combine amplitude \, rise time \, start phase \, end
+phase \, and sample number in one message;
+#X text 764 467 straight playback;
+#X text 764 493 change amplitude;
+#X text 767 521 change sample number;
+#X text 769 550 change start location;
+#X text 768 576 change rise time;
+#X text 768 609 change duration;
+#X text 769 633 ... and decay time;
+#X text 692 736 microtones OK too.;
+#X text 580 667 If you omit values they stay unchanged;
+#X text 552 426 Here are buttons to demonstrate the effect of varying
+the parameters one by one.;
+#X obj 34 511 output~;
+#X text 13 596 This patch take the same principle as the earlier "one-shot
+sampler" \, but allows you to parametrize sample playback. Since we
+must wait 5 msec before starting the playback \, we store all the parameters
+in "f" objects \, and recall them to construct the new note. Transposition
+is done by altering the amount to play back in the (artificial) ten
+thousand seconds (1e+07). The playback segment can be altered to start
+in the middle of the sample instead of the beginning \, and you can
+change the duration and rise and decay times.;
+#X text 823 763 updated for Pd version 0.37;
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