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authorMiller Puckette <millerpuckette@users.sourceforge.net>2005-12-31 00:59:49 +0000
committerMiller Puckette <millerpuckette@users.sourceforge.net>2005-12-31 00:59:49 +0000
commit65a1b98552d7c6a93aedfb7c9b5d83f9038227cb (patch)
tree07c884364ea5ba2955497dc88bc68cc283bdfb44 /pd/doc/3.audio.examples/J08.classicsynth.pd
parent2fb9e2d8c8dbea29f27c3d47c3d65d18bc54765c (diff)
Added about 64 files that I hadn't realized weren't in the CVS
repository. Threw in pd/portaudio/pa_win_wdmks for good measure, although I haven't tried compiling that in yet (no windoze machine handy today). svn path=/trunk/; revision=4316
Diffstat (limited to 'pd/doc/3.audio.examples/J08.classicsynth.pd')
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+#N canvas 158 4 781 654 16x 0;
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+#X text 333 501 Updated for Pd version 0.39;
+#X text 151 7 THE CLASSIC SUBTRACTIVE SYNTH SOUND;
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+#X text 31 323 Now that we can make reasonably high-quality classic
+waveforms using upsampling \, we combine an upsampled oscillator with
+a "vcf" filter and ADSR generators to control the filter resonant frequency
+and the amplitude to make the classic subtractive synthesis sound.
+Send an "s \$0-note" object a (pitch \, duration) pair to play a note.
+(Classic VC synths did not have velocity sensitive keyboards!) You
+can add controls to change the parameters of the ADSR envelopes and/or
+the vcf~ "Q" parameter. THe oscillators' waveforms and tuning relationship
+is controlled by other parameters set within the "pd 16x" window.;
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