Removing renamed files

svn path=/trunk/; revision=5163

3 files changed, 112 insertions, 95 deletions

diff --git a/pd/doc/3.audio.examples/A07.frequency.mod.pd b/pd/doc/3.audio.examples/A07.frequency.mod.pd
deleted file mode 100644
index aedb1cc1..00000000
--- a/pd/doc/3.audio.examples/A07.frequency.mod.pd
+++ /dev/null
@@ -1,54 +0,0 @@
-#N canvas 92 96 760 640 12;
-#X obj 259 168 *~;
-#X floatatom 259 83 0 0 0 0 - - -;
-#X floatatom 169 118 0 0 0 0 - - -;
-#X obj 169 188 +~;
-#N canvas 0 0 450 300 graph1 0;
-#X array fm-output 441 float 0;
-#X coords 0 1.02 440 -1.02 200 130 1;
-#X restore 527 40 graph;
-#X msg 244 228 bang;
-#X text 286 228 <-- click to graph;
-#X obj 244 252 tabwrite~ fm-output;
-#X floatatom 281 138 0 0 0 0 - - -;
-#X text 166 75 carrier;
-#X text 165 93 frequency;
-#X text 244 59 frequency;
-#X text 245 42 modulation;
-#X text 33 8 FREQUENCY MODULATION ("FM") USING TWO OSCILLATORS;
-#X obj 168 232 osc~;
-#X text 52 214 "carrier";
-#X text 34 232 oscillator -->;
-#X text 47 149 add modulator;
-#X text 46 167 to carrier;
-#X text 44 186 frequency -->;
-#X text 320 150 index;
-#X text 322 131 modulation;
-#X obj 259 108 osc~;
-#X text 531 172 --- 0.01 seconds ----;
-#X text 53 443 To get the FM sound \, set all three of carrier frequency
-\, modulation frequency \, and modulation index in the hundreds. Note
-that you get a timbral change as you sweep modulation index \, because
-this changes the amplitudes of the components of the output sound but
-not their frequencies.;
-#X obj 167 270 output~;
-#X text 489 613 updated for Pd version 0.37;
-#X text 54 332 This patch shows the classical FM synthesis technique
-developed by John Chowning. It's nothing but an oscillator with vibrato
-controlled by another "modulation" oscillator. First \, to understand
-the patch \, set carrier frequency to 400 or so \, modulation frequency
-between 5 and 10 \, and try modulation index values between 0 and 400
-\, say. You'll hear a sine wave with vibrato.;
-#X text 55 526 The component frequencies are equal to the carrier frequency
-\, plus or minus multiples of the modulator frequency. A more complete
-discussion of FM occurs in part 5 of this series.;
-#X connect 0 0 3 1;
-#X connect 1 0 22 0;
-#X connect 2 0 3 0;
-#X connect 3 0 14 0;
-#X connect 5 0 7 0;
-#X connect 8 0 0 1;
-#X connect 14 0 7 0;
-#X connect 14 0 25 0;
-#X connect 14 0 25 1;
-#X connect 22 0 0 0;
diff --git a/pd/doc/3.audio.examples/A08.review.pd b/pd/doc/3.audio.examples/A08.review.pd
deleted file mode 100644
index 9b190a19..00000000
--- a/pd/doc/3.audio.examples/A08.review.pd
+++ /dev/null
@@ -1,41 +0,0 @@
-#N canvas 36 68 701 588 12;
-#X text 444 542 updated for Pd version 0.34;
-#X text 39 14 PART 1 REVIEW;
-#X obj 66 131 tabwrite~;
-#X obj 66 105 line~;
-#X obj 54 298 +;
-#X obj 66 79 +~;
-#X obj 66 209 cos~;
-#X obj 66 157 osc~;
-#X obj 66 183 phasor~;
-#X obj 54 324 pack;
-#X obj 52 511 r;
-#X obj 53 487 s;
-#X obj 54 408 inlet;
-#X obj 53 462 f;
-#X obj 53 436 t;
-#X obj 54 378 dbtorms;
-#X obj 97 351 mtof;
-#X obj 54 350 ftom;
-#X obj 105 408 outlet;
-#X obj 66 235 dac~;
-#X text 26 52 So far we've seen these audio ("tilde") objects:;
-#X text 123 104 -- ramp generator;
-#X text 157 131 -- sampler (which we've only used for graphing so far)
-;
-#X text 111 157 -- a cosine wave oscillator;
-#X text 139 183 -- phase generator for making your own oscillator;
-#X text 112 209 -- cosine waveshape lookup;
-#X text 112 236 -- audio output ("digital/analog converter" -- a misnomer)
-;
-#X text 31 266 ... and these "control" objects:;
-#X text 145 349 -- frequency to pitch conversion;
-#X text 126 378 -- decibel to amplitude conversion;
-#X text 167 409 -- input and output to a subpatch;
-#X text 90 437 ("trigger") -- message ordering and conversion;
-#X text 93 462 ("float") -- store a (floating point) number;
-#X text 90 488 ("send") -- wireless message sending;
-#X text 91 513 ("receive") ... and receiving;
-#X text 106 78 (etc.) -- arithmetic on audio signals;
-#X text 92 296 (etc.) -- arithmetic;
-#X text 99 323 -- combine two or more values in a single message;
diff --git a/pd/doc/3.audio.examples/F14.wave.packet.pd b/pd/doc/3.audio.examples/F14.wave.packet.pd
new file mode 100644
index 00000000..bb6c92b2
--- /dev/null
+++ b/pd/doc/3.audio.examples/F14.wave.packet.pd
@@ -0,0 +1,112 @@
+#N canvas 448 73 647 779 12;
+#X floatatom 272 241 4 0 127 0 - - -;
+#X text 268 203 center;
+#X obj 272 308 line~;
+#X obj 272 285 pack 0 50;
+#X floatatom 205 246 4 0 127 0 - - -;
+#X text 153 204 fundamental;
+#X floatatom 397 252 4 0 127 0 - - -;
+#X obj 397 323 line~;
+#X obj 132 586 *~;
+#X obj 397 300 pack 0 50;
+#X obj 132 635 cos~;
+#X obj 206 310 mtof;
+#X obj 294 333 expr 1/$f1;
+#X obj 272 261 mtof;
+#X text 267 218 freq.;
+#X obj 272 357 *~;
+#X text 394 231 bandwidth;
+#X obj 397 274 mtof;
+#X obj 396 366 *~;
+#X text 437 358 divide by fundamental;
+#X text 149 220 (MIDI units);
+#X obj 136 720 output~;
+#X text 91 2 WAVE PACKETS AS ALTERNATIVE TO PAF;
+#X obj 79 421 phasor~;
+#X obj 471 479 +~ 0.5;
+#X obj 471 504 wrap~;
+#X text 442 424 second phase signal;
+#X text 443 439 out of phase from;
+#X text 441 456 first one;
+#X obj 132 658 +~ 1;
+#X obj 78 522 -~ 0.5;
+#X obj 135 692 +~;
+#X obj 77 586 *~;
+#X obj 77 609 cos~;
+#X obj 214 556 samphold~;
+#X obj 126 555 samphold~;
+#X obj 76 634 *~;
+#X obj 132 610 clip~ -0.5 0.5;
+#X obj 372 597 *~;
+#X obj 372 646 cos~;
+#X obj 372 669 +~ 1;
+#X obj 318 533 -~ 0.5;
+#X obj 317 597 *~;
+#X obj 317 620 cos~;
+#X obj 454 567 samphold~;
+#X obj 366 566 samphold~;
+#X obj 316 645 *~;
+#X obj 372 621 clip~ -0.5 0.5;
+#X obj 396 390 max~ 1;
+#X obj 205 285 - 12;
+#X text 375 755 updated for Pd version 0.40.;
+#X text 20 122 The patch is almost exactly like B13 (the overlapping
+sample) except that \, instead of using tabread~ we just use cos~ \,
+and that we control pulse width (for bandwidth) as well as wavetable
+transposition (for center frequency).;
+#X text 18 23 The stretched wavetable method is an alternative to the
+PAF generator \, slightly more expensive in processing time but with
+two advantages: first \, it is not patent encumbered (PAF patent runs
+out in 2011) and second \, it can be generalized to use samples instead
+of sinusoids to make complex spectral shapes.;
+#X connect 0 0 13 0;
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+#X connect 3 0 2 0;
+#X connect 4 0 49 0;
+#X connect 6 0 17 0;
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+#X connect 10 0 29 0;
+#X connect 11 0 12 0;
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+#X connect 25 0 45 1;
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+#X connect 29 0 36 1;
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+#X connect 30 0 32 0;
+#X connect 31 0 21 0;
+#X connect 31 0 21 1;
+#X connect 32 0 33 0;
+#X connect 33 0 36 0;
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+#X connect 46 0 31 1;
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+#X connect 48 0 44 0;
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