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authorMiller Puckette <millerpuckette@users.sourceforge.net>2007-01-20 04:06:07 +0000
committerMiller Puckette <millerpuckette@users.sourceforge.net>2007-01-20 04:06:07 +0000
commit9303c7e113a5527d58b814c7bb11db5dbdfba5a4 (patch)
tree68b35be6c79d927fd0ec2d1a7e14b877489cb3f0 /pd/doc
parentc234ece0a90103013734b32193dbf558615bede9 (diff)
improve error reporting for lists to inlets, and replace __BYTE_ORDER by
BYTE_ORDER to fix compile failure on Mac. svn path=/trunk/; revision=7367
Diffstat (limited to 'pd/doc')
-rw-r--r--pd/doc/3.audio.examples/C08.analog.sequencer.pd56
1 files changed, 28 insertions, 28 deletions
diff --git a/pd/doc/3.audio.examples/C08.analog.sequencer.pd b/pd/doc/3.audio.examples/C08.analog.sequencer.pd
index 9ee9e6de..bbde61cc 100644
--- a/pd/doc/3.audio.examples/C08.analog.sequencer.pd
+++ b/pd/doc/3.audio.examples/C08.analog.sequencer.pd
@@ -1,29 +1,29 @@
-#N canvas 46 22 825 554 12;
-#N canvas 0 0 450 300 graph1 0;
-#X array 29-sequence 9 float 1;
-#A 0 55 550 385 495 165 385 495 275 615;
-#X coords 0 500 8 0 200 100 1;
+#N canvas 57 74 829 559 12;
+#N canvas 0 0 450 300 (subpatch) 0;
+#X array 29-sequence 9 float 3;
+#A 0 110 550 385 495 165 385 495 275 615;
+#X coords 0 500 9 0 200 100 1;
#X restore 621 42 graph;
#X obj 27 426 *~;
#X obj 27 454 hip~ 5;
-#N canvas 0 0 450 300 graph1 0;
+#N canvas 0 0 450 300 (subpatch) 0;
#X array 29-envelope 103 float 1;
-#A 0 -0.1 0 0.1 0.2 0.3 0.4 0.5 0.6 0.7 0.8 1.01111 1 0.988889 0.977778
-0.966667 0.955556 0.944444 0.933333 0.922222 0.911111 0.9 0.888889
-0.797778 0.737777 0.677777 0.647777 0.617777 0.557777 0.487777 0.467777
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-0 -0.0111111;
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+#N canvas 0 0 450 300 (subpatch) 0;
#X array 29-sample 259 float 1;
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@@ -117,14 +117,6 @@ then went in and changed it with the mouse afterward.);
#X restore 689 401 pd make-tables;
#X text 46 1 ANALOG-SYNTH-STYLE SEQUENCER;
#X obj 26 170 phasor~ 0.6;
-#X text 27 27 Some control operations can be carried out entirely by
-tilde objects passing audio signals around. Here is an imitation of
-an analog sequencer and envelope generator. A phasor~ loops through
-the "sequence" table at 0.6 Hz \, generating 9 frequencies. Simultaneously
-\, by multiplying by 9 and wrapping \, we create a sawtooth at 9*0.6=5.4
-Hz \, which reads a second table for an envelope shape. This becomes
-the grain size for a samplerbased on the 18.sampler.looped example
-earlier.;
#X text 97 194 main loop: sawtooth of amplitude 9;
#X text 218 219 read frequency sequence;
#X text 162 241 9x original frequency sawtooth;
@@ -134,6 +126,14 @@ earlier.;
#X text 147 361 adjust amplitude and center for wavetable;
#X text 62 428 multiply by raised-cosine smoothing function;
#X text 478 401 how to make the tables:;
+#X text 27 27 Some control operations can be carried out entirely by
+tilde objects passing audio signals around. Here is an imitation of
+an analog sequencer and envelope generator. A phasor~ loops through
+the "sequence" table at 0.6 Hz \, generating 9 frequencies. Simultaneously
+\, by multiplying by 9 and wrapping \, we create a sawtooth at 9*0.6=5.4
+Hz \, which reads a second table for an envelope shape. This becomes
+the grain size for a sampler based on the 18.sampler.looped example
+earlier.;
#X connect 1 0 2 0;
#X connect 2 0 14 0;
#X connect 2 0 14 1;