diff options
| -rw-r--r-- | doc/tutorials/playnow/additive.pd | 106 | ||||
| -rw-r--r-- | doc/tutorials/playnow/draw_sound.pd | 197 | ||||
| -rw-r--r-- | doc/tutorials/playnow/filter.sweep.pd | 212 | ||||
| -rw-r--r-- | doc/tutorials/playnow/vibrato.pd | 176 | ||||
| -rw-r--r-- | doc/tutorials/playnow/voice-am.pd | 75 | ||||
| -rw-r--r-- | doc/tutorials/playnow/voice-fm.pd | 66 | ||||
| -rw-r--r-- | doc/tutorials/playnow/waveform_draw.pd | 115 |
7 files changed, 947 insertions, 0 deletions
diff --git a/doc/tutorials/playnow/additive.pd b/doc/tutorials/playnow/additive.pd new file mode 100644 index 00000000..c326cf00 --- /dev/null +++ b/doc/tutorials/playnow/additive.pd @@ -0,0 +1,106 @@ +#N canvas 237 83 750 557 10; +#X text 87 15 ADDITIVE SYNTHESIS; +#X text 32 73 This patch demonstrates using an abstraction \, "partial" +\, to make a simple additive synthesis instrument.; +#X text 28 114 Partial takes as arguments an amplitude \, a relative +frequency \, a detuning frequency \, and a relative duration. You set +absolute duration and pitch using the controls below. Hit hte trigger +to make sound.; +#N canvas 47 404 460 310 guts 0; +#X floatatom 59 226 0 0 0 0 - - -; +#N canvas 159 26 536 283 output 0; +#X obj 338 160 t b; +#X obj 338 110 f; +#X obj 338 60 inlet; +#X text 344 29 mute; +#X obj 338 185 f; +#X msg 425 178 0; +#X msg 338 85 bang; +#X obj 338 135 moses 1; +#X obj 397 117 moses 1; +#X obj 83 148 dbtorms; +#X obj 397 92 r master-lvl; +#X obj 83 42 r master-lvl; +#X obj 338 210 s master-lvl; +#X obj 22 181 inlet~; +#X obj 199 41 inlet; +#X text 199 18 level; +#X obj 199 100 s master-lvl; +#X msg 96 65 set \$1; +#X obj 96 89 outlet; +#X msg 214 64 \; pd dsp 1; +#X obj 83 194 line~; +#X obj 22 212 *~; +#X obj 22 241 dac~; +#X obj 83 171 pack 0 50; +#X text 20 158 audio; +#X text 93 110 show level; +#X obj 425 153 t b; +#X connect 0 0 4 0; +#X connect 1 0 7 0; +#X connect 2 0 6 0; +#X connect 4 0 12 0; +#X connect 5 0 12 0; +#X connect 6 0 1 0; +#X connect 7 0 0 0; +#X connect 7 1 26 0; +#X connect 8 1 4 1; +#X connect 9 0 23 0; +#X connect 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duration -2 +26 1 12 -233017 -1 -1 7960 256; +#X obj 549 24 vsl 22 200 0 150 0 0 master-lvl empty volume -9 -8 1 +8 -225271 -1 -1 0 1; +#X obj 63 404 bng 55 250 50 0 trigger empty trigger 0 -9 1 10 -24198 +-1 -1; +#X text 72 370 click for one; +#X msg 79 271 stop; +#X obj 44 268 bng 25 250 50 0 empty empty empty 0 -6 0 8 -24198 -1 +-1; +#X obj 63 306 metro 1500; +#X obj 192 212 vsl 25 128 30 3000 0 0 empty empty empty 0 -8 1 8 -262131 +-1 -1 0 1; +#X text 44 241 click for many; +#X obj 275 423 * 20; +#X text 10 519 (C) Copyright 2004 Hans-Christoph Steiner <hans@at.or.at> +; +#X text 227 533 released under the GNU GPL; +#X text 421 520 $Revision: 1.1 $$Date: 2005-05-05 20:35:48 $; +#X text 422 533 $Author: eighthave $; +#X connect 4 0 16 0; +#X connect 4 1 5 0; +#X connect 5 0 7 0; +#X connect 11 0 13 0; +#X connect 12 0 13 0; +#X connect 13 0 9 0; +#X connect 14 0 13 1; +#X connect 16 0 6 0; diff --git a/doc/tutorials/playnow/draw_sound.pd b/doc/tutorials/playnow/draw_sound.pd new 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-124831 -1 -1 0 256; +#X obj 657 504 / 100; +#X text 60 579 (C) Copyright 2004 Hans-Christoph Steiner <hans@at.or.at> +; +#X text 277 593 released under the GNU GPL; +#X text 471 580 $Revision: 1.1 $$Date: 2005-05-05 20:35:49 $; +#X text 472 593 $Author: eighthave $; +#X connect 1 0 9 0; +#X connect 2 0 3 1; +#X connect 2 0 3 0; +#X connect 5 0 1 0; +#X connect 6 0 5 0; +#X connect 8 0 14 0; +#X connect 9 0 2 0; +#X connect 11 0 9 1; +#X connect 12 0 11 0; +#X connect 14 0 2 1; diff --git a/doc/tutorials/playnow/filter.sweep.pd b/doc/tutorials/playnow/filter.sweep.pd new file mode 100644 index 00000000..28bb76ce --- /dev/null +++ b/doc/tutorials/playnow/filter.sweep.pd @@ -0,0 +1,212 @@ +#N canvas 171 51 741 541 12; +#X text 35 6 SWEEPING FILTERS; +#X text 13 28 If you want actively changing center frequencies \, use +"vcf~" instead of "bp~". The vcf~ module takes an audio signal to set +center frequency. (Q is still set by messages though.) 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Vibrato is properly computed +in units of pitch \, but it's also easy to add vibrato to the envelope--before +raising it to the fourth power \, so that it acts pseudo-logarithmically. +Rather than add to the ADSR output \, we multiply a signal which controls +relative frequency. 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