1 files changed, 0 insertions, 50 deletions
diff --git a/desiredata/doc/3.audio.examples/D07.additive.pd b/desiredata/doc/3.audio.examples/D07.additive.pd
deleted file mode 100644
index c35a47fe..00000000
--- a/desiredata/doc/3.audio.examples/D07.additive.pd
+++ /dev/null
@@ -1,50 +0,0 @@
-#N canvas 9 13 684 547 12;
-#X obj 37 449 catch~ sum;
-#X obj 349 274 s frequency;
-#X obj 463 274 s duration;
-#X floatatom 463 224 0 0 0 0 - - -;
-#X obj 463 249 * 100;
-#X obj 349 249 mtof;
-#X floatatom 349 224 0 0 0 0 - - -;
-#X text 82 7 ADDITIVE SYNTHESIS;
-#X text 501 214 duration in tenths;
-#X text 503 230 of a second;
-#X text 387 223 pitch;
-#X text 433 518 updated for Pd version 0.37;
-#X obj 37 488 output~;
-#X text 26 83 Partial takes as arguments an amplitude \, a relative
-frequency \, a detuning frequency \, and a relative duration. You set
-absolute duration and pitch using the controls below. Hit the trigger
-to make sound.;
-#X obj 36 164 partial 1 1 0.56 0;
-#X text 27 31 This patch demonstrates using an abstraction \, "partial"
-\, to make a simple additive synthesis instrument originally from Jean-Claude
-Risset.;
-#X obj 349 169 loadbang;
-#X msg 349 192 72;
-#X msg 463 194 40;
-#X obj 352 322 bng 25 250 50 0 empty empty empty 0 -6 0 8 -262144 -1
--1;
-#X text 385 324 <-- click to play a note;
-#X obj 352 358 s trigger;
-#X obj 36 189 partial 0.67 0.9 0.56 1;
-#X obj 36 214 partial 1 0.65 0.92 0;
-#X obj 36 239 partial 1.8 0.55 0.92 1.7;
-#X obj 36 264 partial 2.67 0.325 1.19 0;
-#X obj 36 289 partial 1.67 0.35 1.7 0;
-#X obj 36 314 partial 1.46 0.25 2 0;
-#X obj 36 339 partial 1.33 0.2 2.74 0;
-#X obj 36 364 partial 1.33 0.15 3 0;
-#X obj 36 389 partial 1 0.1 3.76 0;
-#X obj 36 414 partial 1.33 0.075 4.07 0;
-#X connect 0 0 12 0;
-#X connect 0 0 12 1;
-#X connect 3 0 4 0;
-#X connect 4 0 2 0;
-#X connect 5 0 1 0;
-#X connect 6 0 5 0;
-#X connect 16 0 17 0;
-#X connect 16 0 18 0;
-#X connect 17 0 6 0;
-#X connect 18 0 3 0;
-#X connect 19 0 21 0;