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+#N canvas 70 263 765 380 12;
+#X floatatom 99 212 0 0 120 0 - - -;
+#X floatatom 105 340 0 0 120 0 - - -;
+#N canvas 0 0 539 448 tests 0;
+#X obj 67 33 inlet;
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+#X obj 235 230 cos~;
+#X obj 235 68 loadbang;
+#X msg 235 91 -0.25;
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+#X obj 292 330 *~;
+#X msg 279 150 -0.25 \, 0.25 \$1;
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+#X text 36 26 impulse;
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+#X restore 17 340 pd output;
+#X floatatom 96 144 0 0 0 0 - - -;
+#X text 135 113 tone;
+#X text 134 129 pitch;
+#X text 140 212 level \, dB;
+#X floatatom 134 234 0 0 100 0 - - -;
+#X text 175 234 liveness \, 0-100;
+#X floatatom 169 258 4 0 5000 0 - - -;
+#X floatatom 204 281 0 0 100 0 - - -;
+#X text 217 256 crossover frequency \, Hz.;
+#X text 240 283 HF damping \, percent;
+#X text 140 341 output level \, dB;
+#X text 94 52 tone;
+#X text 95 69 bursts;
+#X text 131 147 (60 for;
+#X text 114 167 middle C);
+#X obj 29 307 rev3~ 100 90 3000 20;
+#X text 263 4 REV3~ - hard-core \, 2-in \, 4-out reverberator;
+#X text 236 56 The creation arguments (level \, liveness \, crossover
+frequency \, HF damping) may also be supplied in four inlets as shown.
+The "liveness" (actually the internal feedback percentage) should be
+100 for infinite reverb \, 90 for longish \, and 80 for short. The
+crossover frequency and HF damping work together: at frequencies above
+crossover \, the feedback is diminished by the "damping" as a percentage.
+So zero HF damping means equal reverb time at all frequencies \, and
+100% damping means almost nothing above the crossover frequency gets
+through.;
+#X text 236 29 (A more expensive \, presumably better \, one than rev2~.)
+;
+#X text 470 352 modified for Pd version 0.37-1;
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