aboutsummaryrefslogtreecommitdiff
path: root/pd/doc/3.audio.examples/00.INTRO.txt
diff options
context:
space:
mode:
Diffstat (limited to 'pd/doc/3.audio.examples/00.INTRO.txt')
-rw-r--r--pd/doc/3.audio.examples/00.INTRO.txt43
1 files changed, 0 insertions, 43 deletions
diff --git a/pd/doc/3.audio.examples/00.INTRO.txt b/pd/doc/3.audio.examples/00.INTRO.txt
deleted file mode 100644
index 8792dc1e..00000000
--- a/pd/doc/3.audio.examples/00.INTRO.txt
+++ /dev/null
@@ -1,43 +0,0 @@
-This is the second of three tutorial series on Pd. The first one shows how to
-use Pd to do "control" computations. This one shows the time-domain audio
-processing features.
-
-Here is an approximate table of contents...
-
-1. sinusoids
- oscillators
- amplitudes
- frequency and pitch
- FM
-
-2. wavetable synthesis and sampling
-
-3. synthetic waveforms, classic and modern
- pulses
- rectangles and sawtooth waves
- additive synthesis
-
-4. more sampling
-
-5. envelopes
- two flavors of ADSR envelope
- log/linear conversion
-
-6. control structures
- analog-style sequencing
- monophonic keyboard synthesizer
- sample and hold
- envelope following
-
-7. processing
- filters
- modulation
- delays
-
-8. formant synthesis
-
-9. strategies
- quartic curves in envelopes
- triggering notes from qlists
- order of execution and block size
-