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-#X graph graph1 0 -1.02 440 1.02 527 170 727 40;
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-#X text 20 159 audio;
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-#X msg 242 301 MUTE;
-#X text 283 301 <-- output amplitude;
-#X msg 242 248 bang;
-#X text 284 248 <-- click to graph;
-#X obj 242 272 tabwrite~ fm-output;
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-#X text 163 87 carrier;
-#X text 162 105 frequency;
-#X text 241 71 frequency;
-#X text 242 54 modulation;
-#X text 33 8 FREQUENCY MODULATION ("FM") USING TWO OSCILLATORS;
-#X obj 166 252 osc~;
-#X text 50 234 "carrier";
-#X text 32 252 oscillator -->;
-#X text 40 161 add modulator;
-#X text 39 179 to carrier;
-#X text 37 198 frequency -->;
-#X text 317 162 index;
-#X text 319 143 modulation;
-#X text 477 601 updated for Pd version 0.34;
-#X obj 256 120 osc~;
-#X text 52 363 This shows the classical FM synthesis technique developed
-by John Chowning. It's nothing but an oscillator with vibrato controlled
-by another "modulation" oscillator. First \, to understand the patch
-\, set carrier frequency to 400 or so \, modulation frequency between
-5 and 10 \, and try modulation index values between 0 and 400 \, say.
-You'll hear a sine wave with vibrato.;
-#X text 531 172 --- 0.01 seconds ----;
-#X text 51 478 To get the FM sound \, set all three of carrier frequency
-\, modulation frequency \, and modulation index in the hundreds. Note
-that you get a timbral change as you sweep modulation index \, because
-this changes the amplitudes of the components of the output sound but
-not their frequencies.;
-#X text 48 564 The component frequencies are equal to the carrier frequency
-\, plus or minus multiples of the modulator frequency.;
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