1 files changed, 0 insertions, 124 deletions
diff --git a/pd/doc/3.audio.examples/28.sampler.loop.pd b/pd/doc/3.audio.examples/28.sampler.loop.pd
deleted file mode 100644
index 5d2687a6..00000000
--- a/pd/doc/3.audio.examples/28.sampler.loop.pd
+++ /dev/null
@@ -1,124 +0,0 @@
-#N canvas 143 17 993 674 12;
-#X graph graph1 0 -1.02 44100 1.02 630 370 830 240;
-#X array tabread4-out 44100 float 0;
-#X pop;
-#X msg 354 13 \; pd dsp 1;
-#X msg 437 13 \; pd dsp 0;
-#X text 379 51 ON;
-#X text 457 51 OFF;
-#X graph graph1 0 -1.02 44103 1.02 631 144 831 14;
-#X array sample-table 44103 float 0;
-#X pop;
-#X obj 564 556 loadbang;
-#X obj 92 318 tabwrite~ tabread4-out;
-#X floatatom 90 396 0 0 0;
-#N canvas 159 26 495 266 output 0;
-#X obj 406 192 t b;
-#X obj 406 132 f;
-#X obj 406 72 inlet;
-#X text 413 35 mute;
-#X obj 406 222 f;
-#X msg 510 214 0;
-#X msg 406 102 bang;
-#X obj 406 162 moses 1;
-#X obj 510 184 t b f;
-#X obj 476 140 moses 1;
-#X obj 100 178 dbtorms;
-#X obj 476 110 r master-lvl;
-#X obj 100 50 r master-lvl;
-#X obj 406 252 s master-lvl;
-#X obj 26 217 inlet~;
-#X obj 239 49 inlet;
-#X text 239 22 level;
-#X obj 239 120 s master-lvl;
-#X msg 115 78 set \$1;
-#X obj 115 107 outlet;
-#X msg 257 77 \; pd dsp 1;
-#X obj 100 233 line~;
-#X obj 26 254 *~;
-#X obj 26 289 dac~;
-#X obj 100 205 pack 0 50;
-#X text 24 190 audio;
-#X text 112 132 show level;
-#X connect 0 0 4 0;
-#X connect 1 0 7 0;
-#X connect 2 0 6 0;
-#X connect 4 0 13 0;
-#X connect 5 0 13 0;
-#X connect 6 0 1 0;
-#X connect 7 0 0 0;
-#X connect 7 1 8 0;
-#X connect 8 0 5 0;
-#X connect 9 1 4 1;
-#X connect 10 0 24 0;
-#X connect 11 0 1 1;
-#X connect 11 0 9 0;
-#X connect 12 0 10 0;
-#X connect 12 0 18 0;
-#X connect 14 0 22 0;
-#X connect 15 0 17 0;
-#X connect 15 0 20 0;
-#X connect 18 0 19 0;
-#X connect 21 0 22 1;
-#X connect 22 0 23 0;
-#X connect 22 0 23 1;
-#X connect 24 0 21 0;
-#X restore 55 430 pd output;
-#X msg 125 396 MUTE;
-#X text 166 395 <-- output amplitude;
-#X obj 55 361 hip~ 5;
-#X obj 55 248 tabread4~ sample-table;
-#X floatatom 55 60 0 0 0;
-#X text 254 251 read from the table;
-#X text 110 16 LOOPING SAMPLER;
-#X text 104 60 <-- frequency (Hz.);
-#X floatatom 83 121 0 0 0;
-#X obj 83 154 * 441;
-#X obj 55 181 *~ 0;
-#X obj 55 211 +~ 1;
-#X text 136 286 <-- click to display output;
-#X obj 55 92 phasor~ 0;
-#X msg 91 283 bang;
-#X text 130 120 <-- chunk size (100ths of a second);
-#X text 25 460 This is a looping sampler in which you specify the number
-of loops per second (the frequency) and the size of the chunk to loop.
-If the frequency is less than about 20 \, you will hear repetition
-and the chunk size will sound like transposition. For frequencies above
-50 or so \, you hear a tone whose timbre is controlled by the chunk
-size (best kept below 5 or so.) Remember to use the "shift" key on
-number boxes to make fine adjustments.;
-#X obj 558 426 adc~ 1;
-#X obj 558 455 hip~ 5;
-#X obj 558 515 tabwrite~ sample-table;
-#X msg 576 482 bang;
-#X text 614 483 <-- click here to record your own sample;
-#X text 674 561 v-- re-read the original sample;
-#X text 23 597 In this patch you will frequently hear discontinuities
-at the looping point. If you're working in a studio \, you can sometimes
-find "good" loop points for samples. Another approach \, better for
-live situations \, is shown in the next patch.;
-#X text 101 180 <-- readjust phase for range 0 - (chunk size);
-#X text 100 211 <-- add one to avoid beginning of table;
-#X msg 564 584 read ../sound/voice.wav sample-table;
-#X obj 564 609 soundfiler;
-#X text 748 653 updated for Pd version 0.33;
-#X text 629 153 ---- 44103 samples ----;
-#X text 641 376 ---- 1 second ------;
-#X connect 6 0 36 0;
-#X connect 8 0 9 1;
-#X connect 9 0 8 0;
-#X connect 10 0 9 2;
-#X connect 12 0 9 0;
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