aboutsummaryrefslogtreecommitdiff
path: root/pd/doc/3.audio.examples/35.sampler.poly.pd
diff options
context:
space:
mode:
Diffstat (limited to 'pd/doc/3.audio.examples/35.sampler.poly.pd')
-rw-r--r--pd/doc/3.audio.examples/35.sampler.poly.pd228
1 files changed, 0 insertions, 228 deletions
diff --git a/pd/doc/3.audio.examples/35.sampler.poly.pd b/pd/doc/3.audio.examples/35.sampler.poly.pd
deleted file mode 100644
index e42b586d..00000000
--- a/pd/doc/3.audio.examples/35.sampler.poly.pd
+++ /dev/null
@@ -1,228 +0,0 @@
-#N canvas 66 253 1119 674 12;
-#X floatatom 582 562 0 0 0;
-#N canvas 159 26 495 262 output 0;
-#X obj 406 192 t b;
-#X obj 406 132 f;
-#X obj 406 72 inlet;
-#X text 413 35 mute;
-#X obj 406 222 f;
-#X msg 510 214 0;
-#X msg 406 102 bang;
-#X obj 406 162 moses 1;
-#X obj 510 184 t b f;
-#X obj 476 140 moses 1;
-#X obj 100 178 dbtorms;
-#X obj 476 110 r master-lvl;
-#X obj 100 50 r master-lvl;
-#X obj 406 252 s master-lvl;
-#X obj 26 217 inlet~;
-#X obj 239 49 inlet;
-#X text 239 22 level;
-#X obj 239 120 s master-lvl;
-#X msg 115 78 set \$1;
-#X obj 115 107 outlet;
-#X msg 257 77 \; pd dsp 1;
-#X obj 100 233 line~;
-#X obj 26 254 *~;
-#X obj 26 289 dac~;
-#X obj 100 205 pack 0 50;
-#X text 24 190 audio;
-#X text 112 132 show level;
-#X connect 0 0 4 0;
-#X connect 1 0 7 0;
-#X connect 2 0 6 0;
-#X connect 4 0 13 0;
-#X connect 5 0 13 0;
-#X connect 6 0 1 0;
-#X connect 7 0 0 0;
-#X connect 7 1 8 0;
-#X connect 8 0 5 0;
-#X connect 9 1 4 1;
-#X connect 10 0 24 0;
-#X connect 11 0 1 1;
-#X connect 11 0 9 0;
-#X connect 12 0 10 0;
-#X connect 12 0 18 0;
-#X connect 14 0 22 0;
-#X connect 15 0 17 0;
-#X connect 15 0 20 0;
-#X connect 18 0 19 0;
-#X connect 21 0 22 1;
-#X connect 22 0 23 0;
-#X connect 22 0 23 1;
-#X connect 24 0 21 0;
-#X restore 547 595 pd output;
-#X msg 617 562 MUTE;
-#X text 660 561 <-- output amplitude;
-#N canvas 0 0 600 392 samples 0;
-#N canvas 0 0 450 300 graph1 0;
-#X array sample1 176403 float 0;
-#X coords 0 1.02 176403 -1.02 200 130 1;
-#X restore 262 41 graph;
-#X text 282 385 ------ 4 seconds ------;
-#N canvas 0 0 450 300 graph1 0;
-#X array sample2 176403 float 0;
-#X coords 0 1.02 176403 -1.02 200 130 1;
-#X restore 262 226 graph;
-#X restore 931 97 pd samples;
-#N canvas 52 219 967 340 recorder 0;
-#X obj 220 21 inlet;
-#X obj 174 174 adc~ 1;
-#X obj 174 202 hip~ 5;
-#X obj 243 232 line~;
-#X obj 174 231 *~;
-#X msg 243 204 1;
-#X obj 302 169 del 3990;
-#X msg 279 204 0 10;
-#X obj 174 282 tabwrite~ sample1;
-#X obj 26 88 makefilename sample%1;
-#X msg 26 117 set \$1 \, bang;
-#X msg 348 140 stop;
-#X msg 302 140 bang;
-#X obj 220 50 route record stop reload browse;
-#X obj 411 158 loadbang;
-#X obj 514 113 openpanel;
-#X msg 514 85 bang;
-#X text 556 84 <-- browse for samples;
-#X text 482 209 v-- re-read original samples;
-#X obj 411 295 soundfiler;
-#X msg 411 237 read ../sound/bell.aiff sample1 \, read ../sound/voice2.wav
-sample2;
-#X msg 514 140 read \$1 sample1;
-#X obj 514 167 soundfiler;
-#X connect 0 0 13 0;
-#X connect 1 0 2 0;
-#X connect 2 0 4 0;
-#X connect 3 0 4 1;
-#X connect 4 0 8 0;
-#X connect 5 0 3 0;
-#X connect 6 0 7 0;
-#X connect 7 0 3 0;
-#X connect 9 0 10 0;
-#X connect 10 0 8 0;
-#X connect 11 0 6 0;
-#X connect 12 0 6 0;
-#X connect 13 0 9 0;
-#X connect 13 0 12 0;
-#X connect 13 0 5 0;
-#X connect 13 1 7 0;
-#X connect 13 1 11 0;
-#X connect 13 2 20 0;
-#X connect 13 3 16 0;
-#X connect 14 0 20 0;
-#X connect 15 0 21 0;
-#X connect 16 0 15 0;
-#X connect 20 0 19 0;
-#X connect 21 0 22 0;
-#X restore 931 284 pd recorder;
-#X msg 931 146 record 1;
-#X msg 931 202 stop;
-#X msg 931 174 record 2;
-#X text 19 49 ARGUMENTS FOR NOTES:;
-#X text 19 71 pitch in halftones;
-#X text 19 95 amplitude (dB);
-#X text 19 143 sample number;
-#X text 19 119 duration (msec);
-#X text 19 167 start location (msec);
-#X text 19 191 rise time (msec);
-#X text 19 215 decay time (msec);
-#X msg 931 229 reload;
-#X msg 931 257 browse;
-#X text 47 10 POLYPHONIC SAMPLER;
-#X obj 547 522 sampvoice;
-#X obj 547 494 sampvoice;
-#X obj 547 467 sampvoice;
-#X obj 547 439 sampvoice;
-#X obj 547 412 sampvoice;
-#X obj 547 384 sampvoice;
-#X obj 547 356 sampvoice;
-#X obj 547 329 sampvoice;
-#X obj 631 17 r note;
-#X obj 631 44 unpack 0 0 0 0 0 0 0;
-#X obj 604 76 t b f;
-#X obj 544 109 f;
-#X obj 580 109 + 1;
-#X obj 552 146 mod 1e+06;
-#X obj 544 175 makenote 64;
-#X obj 544 203 poly 8 1;
-#X obj 544 230 stripnote;
-#X obj 617 272 pack 0 0 0 0 0 0 0 0;
-#X obj 617 300 route 1 2 3 4 5 6 7 8;
-#X text 929 124 record \, etc.;
-#X text 206 142 increment mod 1e+06 to make fake pitch;
-#X text 326 177 supply note-off message;
-#X text 336 207 allocate sampler voice;
-#X text 359 232 drop note off again;
-#X obj 736 516 qlist;
-#X obj 870 520 r comment;
-#X text 732 445 sailors to untie him...;
-#X text 735 395 Lashed to the mast of his boat \, Ulysses;
-#X text 735 420 hears beautiful singing. He begs his;
-#X text 19 271 Here we take the previous patch and make it polyphonic
-\, with 8 voices. The single voice which we had before has been made
-into an abstraction \, "sampvoice.pd" \, which we instantiate in 8
-copies. Earlier we used sends and receives to pass messages to "cutoff"
-\, etc \, but here if we did that the copies of sampvoice would be
-sending messages to each other \, so we combine the control and the
-audio computation in the sampvoice abstraction without using send and
-receive. Click on one to see how.;
-#X text 20 421 The "poly" object essentially repeats pitch and velocity
-pairs to its output \, but also sending a voice number from its left
-outlet. To use it \, we unpack the 7 parameters \, calculate the voice
-number \, repack the message as 8 parameters with voice number first
-\, and use "route" to send it to one of the 8 voices.;
-#X text 20 523 There's some bother because poly expects to track note
-on and note off messages separately as they would come from a MIDI
-keyboard. So we assign each note a unique fake "pitch" \, use makenote
-to generate the note-off messages \, and run poly on the resulting
-stream. We then discard both pitch and velocity (using the velocity
-only to strip note-offs) and rebuild the original message adding the
-voice number we just scored.;
-#X text 854 639 updated for Pd version 0.33;
-#X msg 736 486 read 35.qlist.txt \, rewind \, tempo 1 \, bang;
-#X connect 0 0 1 1;
-#X connect 1 0 0 0;
-#X connect 2 0 1 2;
-#X connect 6 0 5 0;
-#X connect 7 0 5 0;
-#X connect 8 0 5 0;
-#X connect 17 0 5 0;
-#X connect 18 0 5 0;
-#X connect 20 0 1 0;
-#X connect 21 0 20 0;
-#X connect 22 0 21 0;
-#X connect 23 0 22 0;
-#X connect 24 0 23 0;
-#X connect 25 0 24 0;
-#X connect 26 0 25 0;
-#X connect 27 0 26 0;
-#X connect 28 0 29 0;
-#X connect 29 0 30 0;
-#X connect 29 1 37 2;
-#X connect 29 2 34 2;
-#X connect 29 2 37 3;
-#X connect 29 3 37 4;
-#X connect 29 4 37 5;
-#X connect 29 5 37 6;
-#X connect 29 6 37 7;
-#X connect 30 0 31 0;
-#X connect 30 1 37 1;
-#X connect 31 0 32 0;
-#X connect 31 0 34 0;
-#X connect 32 0 33 0;
-#X connect 33 0 31 1;
-#X connect 34 0 35 0;
-#X connect 34 1 35 1;
-#X connect 35 0 36 0;
-#X connect 35 2 36 1;
-#X connect 36 0 37 0;
-#X connect 37 0 38 0;
-#X connect 38 0 27 1;
-#X connect 38 1 26 1;
-#X connect 38 2 25 1;
-#X connect 38 3 24 1;
-#X connect 38 4 23 1;
-#X connect 38 5 22 1;
-#X connect 38 6 21 1;
-#X connect 38 7 20 1;
-#X connect 53 0 44 0;