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-#X text 24 190 audio;
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-#X text 320 706 <-- output amplitude;
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-#X text 648 14 START;
-#X text 845 19 STOP;
-#X text 88 11 BANDPASS FILTERS;
-#X text 12 41 In this example we use two cascaded bandpass filters
-to troll for partials in Jonathan Harvey's famous bell sample.;
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-#X text 14 82 Note that filters can give unexpected level changes.
-The bp~ object is designed to have roughly unit gain at teh pass band
-\, so the higher you set "Q" the more amplitude is lost. YOu can correct
-for this by pushing the output amplitude \, but be sure to remember
-to reset the output amplitude before you reduce Q again. I set the
-Q to 100 and the output amplitude to 110 or 120 (with the room gain
-way down.) Then holding the shift key \, slowly drag the center pitch
-upward listening for modes.;
-#X text 16 233 You can hear partials around 48 \, 51.3 \, 55 (faint!)
-\, 57 (fainter!) \, 60 \, two beating partials around 65 \, 67 \, 69
-\, 70.9 \, 71.75 \, 72.6 \, 74 \, 74.65 \, 75.6 \, 77 \, 81.2 \, 84.6
-\, 86.5 \, and probably many more. There's also one down at 36 \, but
-it's easier to see it on the meter than hear it.;
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-#X text 681 739 updated for Pd version 0.33;
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